Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

1CD: Bellini: Beatrice di Tenda (I)
2CD: Bellini: Beatrice di Tenda (II)
3CD: Donizetti: La fille du régiment (I)
4CD: Donizetti: La fille du régiment (II)
5CD: Verdi: Messa da Requiem
6CD: Mascagni: L'amico Fritz (I)
7CD: Mascagni: L'amico Fritz (II)
8CD: R. Strauss: Der Rosenkavalier (I)
9CD: R. Strauss: Der Rosenkavalier (II)
10CD: R. Strauss: Der Rosenkavalier (III)
11CD: Donizetti: L'elisir d'amore (I)
12CD: Donizetti: L'elisir d'amore (II)
13CD: Verdi: Un ballo in maschera (I)
14CD: Verdi: Un ballo in maschera (II)
15CD: Verdi: Macbeth (I)
16CD: Verdi: Macbeth (II)
17CD: Rossini: Stabat Mater
18CD: Verdi: Rigoletto (I)
19CD: Verdi: Rigoletto (II)
20CD: Donizetti: Lucia di Lammermoor (I)
21CD: Donizetti: Lucia di Lammermoor (II)
22CD: Puccini: Turandot (I)
23CD: Puccini: Turandot (II)
24CD: Puccini: La bohème (I)
25CD: Puccini: La bohème (II)
26CD: Bellini: I puritani (I)
27CD: Bellini: I puritani (II)
28CD: Bellini: I puritani (III)
29CD: Puccini: Madama Butterfly (I)
30CD: Puccini: Madama Butterfly (II)
31CD: Donizetti: La favorita (I)
32CD: Donizetti: La favorita (II)
33CD: Donizetti: Maria Stuarda (I)
34CD: Donizetti: Maria Stuarda (II)
35CD: Verdi: Luisa Miller (I)
36CD: Verdi: Luisa Miller (II)
37CD: Mascagni: Cavalleria rusticana
38CD: Leoncavalla: Pagliacci
39CD: Verdi: Il trovatore (I)
40CD: Verdi: Il trovatore (II)
41CD: Puccini: Tosca (I)
42CD: Puccini: Tosca (II)
43CD: Rossini: Petite messe solennelle
44CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45CD: Rossini: Guglielmo Tell (I)
46CD: Rossini: Guglielmo Tell (II)
47CD: Rossini: Guglielmo Tell (III)
48CD: Rossini: Guglielmo Tell (IV)
49CD: Verdi: La traviata (I)
50CD: Verdi: La traviata (II)
51CD: Bellini: La sonnambula (I)
52CD: Bellini: La sonnambula (II)
53CD: Ponchielli: La Gioconda (I)
54CD: Ponchielli: La Gioconda (II)
55CD: Ponchielli: La Gioconda (III)
56CD: Boito: Mefistofele (I)
57CD: Boito: Mefistofele (II)
58CD: Verdi: Un ballo in maschera (I)
59CD: Verdi: Un ballo in maschera (II)
60CD: Giordano: Andrea Chénier (I)
61CD: Giordano: Andrea Chénier (II)
62CD: Mozart: Idomeneo (I)
63CD: Mozart: Idomeneo (II)
64CD: Mozart: Idomeneo (III)
65CD: Bellini: Norma (I)
66CD: Bellini: Norma (II)
67CD: Bellini: Norma (III)
68CD: Verdi: Aida (I)
69CD: Verdi: Aida (II)
70CD: Verdi: Aida (III)
71CD: Verdi: Ernani (I)
72CD: Verdi: Ernani (II)
73CD: Berlioz: Requiem
74CD: Verdi: Rigoletto (I)
75CD: Verdi: Rigoletto (II)
76CD: Donizetti: L'elisir d'amore (I)
77CD: Donizetti: L'elisir d'amore (II)
78CD: Verdi: Il trovatore (I)
79CD: Verdi: Il trovatore (II)
80CD: Verdi: Otello (I)
#TitleArtistRatingLength
1Otello: Atto I. “Una vela! Una vela!” (Coro, Montano, Cassio, Jago)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
baritone vocals [Montano]:
Alan Opie (baritone) (from 1991-04-08 until 1991-04-19)
choir vocals:
Chicago Symphony Chorus (from 1991-04-08 until 1991-04-19)
tenor vocals [Cassio]:
Anthony Rolfe Johnson (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi4:19
2Otello: Atto I. “Esultate!” (Otello, coro)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
choir vocals:
Chicago Symphony Chorus (from 1991-04-08 until 1991-04-19)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi2:25
3Otello: Atto I. “Roderigo, ebben che pensi?” (Jago, Roderigo)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
tenor vocals [Roderigo]:
John Keyes (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi2:21
4Otello: Atto I. “Fucco di giola!” (Coro)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
choir vocals:
Chicago Symphony Chorus (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi2:48
5Otello: Atto I. “Roderigo, beviam!” (Jago, Cassio, coro, Roderigo)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
choir vocals:
Chicago Symphony Chorus (from 1991-04-08 until 1991-04-19)
tenor vocals [Roderigo]:
John Keyes (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi1:18
6Otello: Atto I. “Inaffi l'ugola! Trinca, tracanna (Brindisi)” (Jago, Cassio, coro, Roderigo)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
choir vocals:
Chicago Symphony Chorus (from 1991-04-08 until 1991-04-19)
tenor vocals [Cassio]:
Anthony Rolfe Johnson (tenor) (from 1991-04-08 until 1991-04-19)
tenor vocals [Roderigo]:
John Keyes (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
recording of:
Otello: Atto I, scena 1. “Qua ragazzi” … “Inaffia l'ugola! Trinca, tracanna” (Iago, Cassio, Roderigo, Coro) (from 1991-04-08 until 1991-04-19)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi3:55
7Otello: Atto I. “Capitano, v'attende la fazione ai baluardi” (Montano, Cassio, Jago, Roderigo, coro)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
baritone vocals [Montano]:
Alan Opie (baritone) (from 1991-04-08 until 1991-04-19)
choir vocals:
Chicago Symphony Chorus (from 1991-04-08 until 1991-04-19)
tenor vocals [Cassio]:
Anthony Rolfe Johnson (tenor) (from 1991-04-08 until 1991-04-19)
tenor vocals [Roderigo]:
John Keyes (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi1:16
8Otello: Atto I. “Abbasso le spade!” (Otello, Jago, Cassio, Montano)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
baritone vocals [Montano]:
Alan Opie (baritone) (from 1991-04-08 until 1991-04-19)
tenor vocals [Cassio]:
Anthony Rolfe Johnson (tenor) (from 1991-04-08 until 1991-04-19)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi2:58
9Otello: Atto I. “Già nella notte densa ... venga la morte” (Otello, Desdemona)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
soprano vocals [Desdemona]:
Kiri Te Kanawa (soprano) (from 1991-04-08 until 1991-04-19)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi10:14
10Otello: Atto II. “Non ti crucciar” (Jago, Cassio)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
tenor vocals [Cassio]:
Anthony Rolfe Johnson (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi2:24
11Otello: Atto II. “Vanne! La tua meta già vedo ...” (Jago)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi0:27
12Otello: Atto II. “Credo in un Dio crudel che m'ha creato” (Jago)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi4:53
13Otello: Atto II. “Ciò m' accora” (Jago, Otello)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi5:01
14Otello: Atto II. “Dove guardi splendono” (Coro, Otello, Desdemona, Jago)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
choir vocals:
Chicago Symphony Chorus (from 1991-04-08 until 1991-04-19) and Metropolitan Opera Children’s Chorus (from 1991-04-08 until 1991-04-19)
soprano vocals [Desdemona]:
Kiri Te Kanawa (soprano) (from 1991-04-08 until 1991-04-19)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi4:01
15Otello: Atto II. “D'un uom che geme sotto il tuo disdegno” (Desdemona, Otello)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
soprano vocals [Desdemona]:
Kiri Te Kanawa (soprano) (from 1991-04-08 until 1991-04-19)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi1:47
16Otello: Atto II. “Se inconscia contro te, sposo ho peccato” (Desdemona, Otello, Jago, Emilia)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
contralto vocals [Emilia]:
Elzbieta Ardam (mezzo-soprano) (from 1991-04-08 until 1991-04-19)
soprano vocals [Desdemona]:
Kiri Te Kanawa (soprano) (from 1991-04-08 until 1991-04-19)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi2:54
17Otello: Atto II. “Desdemona rea!” (Otello, Jago)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi0:42
18Otello: Atto II. “Tu?! Indietro! Fuggi!” (Otello)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi0:51
19Otello: Atto II. “Ora e per sempre addio” (Otello)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi0:58
20Otello: Atto II. “Pace, signo” (Jago, Otello)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi2:21
21Otello: Atto II. “Era la notte, Cassio dormia” (Jago)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi2:06
22Otello: Atto II. “Oh! Mostruosa colpa!... Ah! Mille vite gli donasse Iddio!” (Otello, Jago)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi1:38
23Otello: Atto II. “Sì, pel ciel marmoreo giuro!” (Jago, Otello)
assistant producer:
Christopher Pope (producer)
producer:
Michael Haas (classical music producer)
baritone vocals [Jago]:
Leo Nucci (baritone) (from 1991-04-08 until 1991-04-19)
orchestra:
Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19)
conductor:
Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19)
chorus master:
Elena Doria (from 1991-04-08 until 1991-04-19) and Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) and Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19)
Giuseppe Verdi3:08
81CD: Verdi: Otello (II)
82CD: Verdi: La traviata (I)
83CD: Verdi: La traviata (II)
84CD: Leoncavallo: Pagliacci
85CD: Puccini: Manon Lescaut (I)
86CD: Puccini: Manon Lescaut (II)
87CD: Verdi: Don Carlo (I)
88CD: Verdi: Don Carlo (II)
89CD: Verdi: Don Carlo (III)
90CD: Verdi: Rigoletto (I)
91CD: Verdi: Rigoletto (II)
92CD: Verdi: I Lombardi (I)
93CD: Verdi: I Lombardi (II)
94Blu-ray: Donizetti: L'elisir d'amore
95Blu-ray: Verdi: Rigoletto
96Blu-ray: Donizetti: Lucia di Lammermoor
97Blu-ray: Puccini: Turandot
98Blu-ray: Puccini: La bohème
99Blu-ray: Puccini: Madama Butterfly
100CD: Puccini: La bohème (I)
101CD: Puccini: La bohème (II)

Credits

Release group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]