Otello: Atto II. “Ora e per sempre addio” (Otello)
~ Recording by Elena Doria, Margaret Hillis, Luciano Pavarotti, Chicago Symphony Orchestra, Sir Georg Solti
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.19 | Act Two: "Ora e per sempre addio" Otello | 0:58 | Giuseppe Verdi | Otello | Giuseppe Verdi; Luciano Pavarotti, Kiri Te Kanawa, Leo Nucci, Chicago Symphony Orchestra & Chorus, Sir Georg Solti | Album + Live |
| London Records (UK, 1947–1999, re-launched 2011–present) | 443 669-2 |
| 80.19 | Otello: Atto II. “Ora e per sempre addio” (Otello) | 0:58 | Giuseppe Verdi | Luciano Pavarotti - The Complete Opera Recordings | Luciano Pavarotti | Other + Compilation |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | 4832417 |
Relationships
| assistant producer: | Christopher Pope (producer) |
|---|---|
| producer: | Michael Haas (classical music producer) |
| tenor vocals [Otello]: | Luciano Pavarotti (tenor) (from 1991-04-08 until 1991-04-19) |
| orchestra: | Chicago Symphony Orchestra (from 1991-04-08 until 1991-04-19) |
| conductor: | Sir Georg Solti (conductor) (from 1991-04-08 until 1991-04-19) |
| chorus master: | Elena Doria (from 1991-04-08 until 1991-04-19) Margaret Hillis (chorus master) (from 1991-04-08 until 1991-04-19) |
| balance engineer: | James Lock (James Locke, engineer) John Pellowe (audio engineer) |
| recorded at: | Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-04-08 until 1991-04-12) Carnegie Hall in Midtown Manhattan, New York, New York, United States (from 1991-04-16 until 1991-04-19) |
|---|
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