Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

1CD: Bellini: Beatrice di Tenda (I)
2CD: Bellini: Beatrice di Tenda (II)
3CD: Donizetti: La fille du régiment (I)
4CD: Donizetti: La fille du régiment (II)
5CD: Verdi: Messa da Requiem
6CD: Mascagni: L'amico Fritz (I)
7CD: Mascagni: L'amico Fritz (II)
8CD: R. Strauss: Der Rosenkavalier (I)
9CD: R. Strauss: Der Rosenkavalier (II)
10CD: R. Strauss: Der Rosenkavalier (III)
11CD: Donizetti: L'elisir d'amore (I)
12CD: Donizetti: L'elisir d'amore (II)
13CD: Verdi: Un ballo in maschera (I)
14CD: Verdi: Un ballo in maschera (II)
15CD: Verdi: Macbeth (I)
16CD: Verdi: Macbeth (II)
17CD: Rossini: Stabat Mater
18CD: Verdi: Rigoletto (I)
19CD: Verdi: Rigoletto (II)
20CD: Donizetti: Lucia di Lammermoor (I)
21CD: Donizetti: Lucia di Lammermoor (II)
22CD: Puccini: Turandot (I)
23CD: Puccini: Turandot (II)
24CD: Puccini: La bohème (I)
25CD: Puccini: La bohème (II)
26CD: Bellini: I puritani (I)
27CD: Bellini: I puritani (II)
28CD: Bellini: I puritani (III)
29CD: Puccini: Madama Butterfly (I)
30CD: Puccini: Madama Butterfly (II)
31CD: Donizetti: La favorita (I)
32CD: Donizetti: La favorita (II)
33CD: Donizetti: Maria Stuarda (I)
34CD: Donizetti: Maria Stuarda (II)
35CD: Verdi: Luisa Miller (I)
36CD: Verdi: Luisa Miller (II)
37CD: Mascagni: Cavalleria rusticana
38CD: Leoncavalla: Pagliacci
39CD: Verdi: Il trovatore (I)
40CD: Verdi: Il trovatore (II)
41CD: Puccini: Tosca (I)
42CD: Puccini: Tosca (II)
43CD: Rossini: Petite messe solennelle
44CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45CD: Rossini: Guglielmo Tell (I)
46CD: Rossini: Guglielmo Tell (II)
47CD: Rossini: Guglielmo Tell (III)
48CD: Rossini: Guglielmo Tell (IV)
49CD: Verdi: La traviata (I)
50CD: Verdi: La traviata (II)
51CD: Bellini: La sonnambula (I)
52CD: Bellini: La sonnambula (II)
53CD: Ponchielli: La Gioconda (I)
54CD: Ponchielli: La Gioconda (II)
55CD: Ponchielli: La Gioconda (III)
56CD: Boito: Mefistofele (I)
57CD: Boito: Mefistofele (II)
58CD: Verdi: Un ballo in maschera (I)
59CD: Verdi: Un ballo in maschera (II)
60CD: Giordano: Andrea Chénier (I)
61CD: Giordano: Andrea Chénier (II)
62CD: Mozart: Idomeneo (I)
63CD: Mozart: Idomeneo (II)
64CD: Mozart: Idomeneo (III)
65CD: Bellini: Norma (I)
66CD: Bellini: Norma (II)
67CD: Bellini: Norma (III)
#TitleArtistRatingLength
1Norma: Atto II. Introduzione
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II. Introduzione
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:32
2Norma: Atto II. “Domono entrambi... non vedran la mano che li percuote” (Norma, Clotilde)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
mezzo-soprano vocals [Clotilde]:
Diana Montague (mezzo soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. Recitativo “Dormono entrambi!” (Norma, Clotilde)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini5:04
3Norma: Atto II. “Mi chiami, o Norma!” (Adalgisa, Norma)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. Scena “Mi chiami, o Norma?” (Norma, Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:16
4Norma: Atto II. “Deh! con te, con te li prendi” (Norma, Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. Duetto “Deh! con te, con te li prendi” (Norma, Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:48
5Norma: Atto II. “Mira, o Norma, a' tuoi ginocchi questi cari tuoi pargoletti” (Adalgisa, Norma)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. Duetto “Mira, o Norma” (Norma, Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini5:14
6Norma: Atto II. “Sì, fino all'ore estreme compagna tua m'avrai” (Norma, Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. “Si, fino all’ore estreme” (Adalgisa, Norma)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Norma: Atto II
Vincenzo Bellini2:18
7Norma: Atto II. “Non parti?” (Guerrieri)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
choir vocals [Guerrieri]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 2. “Non parti?” (coro) (chorus of the warriors)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:20
8Norma: Atto II. “Guerrieri! a voi venirne credea foriero d'avvenir migliore” (Oroveso, Guerrieri)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Guerrieri]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 2. Recitativo “Guerrieri! a voi venirne” (Oroveso, coro)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:33
9Norma: Atto II. “Ei tornerà” (Norma, Clotilde)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
mezzo-soprano vocals [Clotilde]:
Diana Montague (mezzo soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Scena “Ei tornerà. Sì!” (Norma, Clotilde)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:43
10Norma: Atto II. “Squilla il bronzo del Dio!” (Druidi, Sacerdotesse, Oroveso, Norma)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Scena “Squilla il bronzo del Dio!” (Coro, Oroveso, Norma)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini1:40
11Norma: Atto II. “Guerra, Guerra!” (Norma, Oroveso, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. “Guerra! Guerra!” (Coro, Oroveso, Norma)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:41
12Norma: Atto II. “Né compi il rito, o Norma? né la vittima acceni?” (Oroveso, Norma, Clotilde, Pollione, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
mezzo-soprano vocals [Clotilde]:
Diana Montague (mezzo soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Recitativo “Nè compi il rito, o Norma?” (Oroveso, Norma, Clotilde, Coro, Pollione)
lyricist and librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:34
13Norma: Atto II. “In mia man alfin tu sei” (Norma, Pollione)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Duetto “In mia man alfin tu sei” (Norma, Pollione)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:54
14Norma: Atto II. “Già mi pasco ne'tuoi sguardi” (Norma, Pollione)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. “Già mi pasco ne' tuoi sguardi” (Norma, Pollione)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:16
15Norma: Atto II. “Dammi quel ferro” (Pollione, Norma, Oroveso, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. “Dammi quel ferro!” (Pollione, Norma, Oroveso, Coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:07
16Norma: Atto II. “Qual cor tradisti” (Norma, Pollione, Oroveso, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Finale “Qual cor tradisti” (Norma, Pollione, Oroveso, Coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:30
17Norma: Atto II. “Norma! deh! Norma, scolpati!” (Oroveso, Druidi, Sacerdotesse, Norma, Pollione)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Finale “Norma!.. deh! Norma, scòlpati! …” (Coro, Norma, Pollione, Oroveso)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:13
18Norma: Atto II. “Deh! non volerli vittime del mio fatale errore” (Norma, Pollione, Oroveso, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Finale “Deh! non volerli vittime” (Norma, Oroveso, Coro, Pollione)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:19
68CD: Verdi: Aida (I)
69CD: Verdi: Aida (II)
70CD: Verdi: Aida (III)
71CD: Verdi: Ernani (I)
72CD: Verdi: Ernani (II)
73CD: Berlioz: Requiem
74CD: Verdi: Rigoletto (I)
75CD: Verdi: Rigoletto (II)
76CD: Donizetti: L'elisir d'amore (I)
77CD: Donizetti: L'elisir d'amore (II)
78CD: Verdi: Il trovatore (I)
79CD: Verdi: Il trovatore (II)
80CD: Verdi: Otello (I)
81CD: Verdi: Otello (II)
82CD: Verdi: La traviata (I)
83CD: Verdi: La traviata (II)
84CD: Leoncavallo: Pagliacci
85CD: Puccini: Manon Lescaut (I)
86CD: Puccini: Manon Lescaut (II)
87CD: Verdi: Don Carlo (I)
88CD: Verdi: Don Carlo (II)
89CD: Verdi: Don Carlo (III)
90CD: Verdi: Rigoletto (I)
91CD: Verdi: Rigoletto (II)
92CD: Verdi: I Lombardi (I)
93CD: Verdi: I Lombardi (II)
94Blu-ray: Donizetti: L'elisir d'amore
95Blu-ray: Verdi: Rigoletto
96Blu-ray: Donizetti: Lucia di Lammermoor
97Blu-ray: Puccini: Turandot
98Blu-ray: Puccini: La bohème
99Blu-ray: Puccini: Madama Butterfly
100CD: Puccini: La bohème (I)
101CD: Puccini: La bohème (II)

Credits

Release group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]