Dinner Jazz - Verve 50

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Alfie
instrumental cover recording of:
Alfie
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
part of:
Alfie (1966 film)
Bill Evans5:02
2Big City Blues (live)
producer:
Jim Davis (jazz producer)
bass trombone:
Tony Studd (from 1962-12-18 until 1962-12-21)
brass:
Clark Terry (American swing trumpeter) (from 1962-12-18 until 1962-12-21)
double bass:
Bill Crow (from 1962-12-18 until 1962-12-21)
drums (drum set):
Gus Johnson (drums) (from 1962-12-18 until 1962-12-21)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1962-12-18 until 1962-12-21)
reeds:
Gene Allen (baritone saxophonist) (from 1962-12-18 until 1962-12-21), Gerry Mulligan (from 1962-12-18 until 1962-12-21) and Gene Quill (from 1962-12-18 until 1962-12-21)
tenor saxophone:
Jim Reider (American jazz saxophonist) (from 1962-12-18 until 1962-12-21)
trombone:
Willie Dennis (from 1962-12-18 until 1962-12-21)
trumpet:
Don Ferrara (from 1962-12-18 until 1962-12-21), Doc Severinsen (from 1962-12-18 until 1962-12-21) and Nick Travis (from 1962-12-18 until 1962-12-21)
valve trombone:
Bob Brookmeyer (from 1962-12-18 until 1962-12-21)
woodwind:
Eddie Caine (saxophone player, not the rapper) (from 1962-12-18 until 1962-12-21)
arranger:
Bob Brookmeyer and Gerry Mulligan
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1962-12-18 until 1962-12-21)
recording of:
Big City Blues (from 1962-12-18 until 1962-12-21)
composer:
Bob Brookmeyer
Gerry Mulligan5:41
3Gee Baby, Ain't I Good to You
Art Blakey4:58
4End of a Love Affair
recording engineer:
Rudy van Gelder (on 1965-12-22)
producer:
Creed Taylor
alto flute, baritone saxophone and bass clarinet:
Dan Bank (reeds) (on 1965-12-22)
alto saxophone:
Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
bass:
George Duvivier (on 1965-12-22)
bass trombone:
Tony Studd (on 1965-12-22)
clarinet:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
congas:
Candido (Cuban conga and bongo player) (on 1965-12-22)
cor anglais [English horn], oboe and tenor saxophone:
Romeo Penque (on 1965-11-20)
drums (drum set):
Grady Tate (on 1965-12-22)
flute:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (reeds) (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
guitar:
Wes Montgomery (on 1965-12-22)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
piccolo:
Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
saxophone:
Bob Ashton (on 1965-12-22)
trombone:
Wayne Andre (on 1965-12-22), Jimmy Cleveland (US jazz trombonist) (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (US jazz trumpeter) (on 1965-12-22) and Ernie Royal (on 1965-12-22)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-12-22)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
instrumental recording of:
The End of a Love Affair (on 1965-12-22)
lyricist and composer:
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Wes Montgomery3:43
5Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:07
6Fly Me to the Moon
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1964-10-21)
cover recording of:
Fly Me to the Moon (from 1964-10-21 until 1965-02-04)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Astrud Gilberto2:19
7Love for Sale
recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Oscar Peterson3:27
8I Cover the Waterfront
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Cover the Waterfront (on 1955-10-28)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Cannonball Adderley2:28
9On Impulse (From "Alfie" Score)
Sonny Rollins4:30
10Solitary Moon
recording of:
Solitary Moon
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Marissa Music and Spirit Two Music Crescendo
Shirley Horn5:06
11What's New?
recorded in:
New York, New York, United States (on 1968-02-07)
producer:
Esmond Edwards
congas and tambourine:
Johnny Pacheco (on 1968-02-07)
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1968-02-07)
drums (drum set):
Billy Cobham (on 1968-02-07)
guitar:
George Benson (jazz guitarist/singer) (on 1968-02-07)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1968-02-07)
instrumental recording of:
What’s New? (on 1968-02-07)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
George Benson5:30
12A Little Bumpin'
Lee Ritenour24:26
13Theme From Valley of the Dolls (live)
Ahmad Jamal4:23
14Suzie and Jack
Dave Grusin5:00
15Soulful Brothers
Kenny Burrell5:37
16Reunion
recording engineer:
Rob Eaton (from 1989-05-06 until 1989-05-10)
assistant engineer:
Dan Gellert (sound engineer)
mixer:
Rob Eaton
bass:
Will Lee (US jazz/rock bassist) (from 1989-05-06 until 1989-05-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 1989-05-06 until 1989-05-10)
guitar:
Pat Metheny (from 1989-05-06 until 1989-05-10)
keyboard and piano:
Mitchel Forman (from 1989-05-06 until 1989-05-10)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (from 1989-05-06 until 1989-05-10)
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!) (in 1990)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1989-05-06 until 1989-05-10)
recording of:
Reunion (from 1989-05-06 until 1989-05-10)
composer:
Mitchel Forman
Gary Burton5:16
17Mourning Dove
Larry Carlton6:56
18Amaretto
Tom Scott5:04
19Isn't She Lovely
recording engineer and mixer:
Joe Ferla
producer:
Stewart Levine (record producer and saxophonist)
alto saxophone:
David Sanborn
bass:
Christian McBride (American jazz bassist)
cello:
Jesse Levy and Caryl Paisner
drums (drum set):
Steve Gadd (drummer)
guitar:
Russell Malone
keyboard:
Ricky Peterson (American keyboardist)
viola:
Alfred Brown (viola) and Olivia Koppell (Viola)
instrumental cover recording of:
Isn’t She Lovely
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) and Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
David Sanborn3:17
20Bellavia
phonographic copyright (℗) by:
A&M Records (in 1975)
The Chuck Mangione Quartet6:30
21Here's to Life
recording engineer and mixer:
Al Schmitt
producer:
Johnny Mandel (American composer and arranger)
bass:
Chuck Domanico (American bassist)
percussion:
Harvey Mason (jazz drummer)
piano:
Alan Broadbent
solo French horn:
Richard Todd (American hornist)
vocals:
Shirley Horn
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
cover recording of:
Here’s to Life
lyricist:
Phyllis Molinary
composer:
Artie Butler
publisher:
Artie Butler Music (Podisuha Music Division) and Dominant Jeans Music
Shirley Horn5:36
22The Nearness of You
double bass:
Charlie Haden (American jazz bassist) (in 2000-12)
drums (drum set):
Jack DeJohnette (in 2000-12)
guitar:
Pat Metheny (in 2000-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 2000-12)
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer) (in 2000-12)
vocals:
James Taylor (singer-songwriter and guitarist) (in 2000-12)
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2001)
recording of:
The Nearness of You (in 2000-12)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Michael Brecker4:32
23Worrisome Heart
additional engineer:
Dave Gerhart
engineer and mixer:
Glenn Barrett
additional producer:
Charlie Patierno
producer:
Glenn Barrett and Melody Gardot
recording of:
Worrisome Heart
composer:
Melody Gardot
Melody Gardot54:21
24Enchanted Lady
Milt Jackson5:08
25Unforgettable
Johnny Hartman2:40
26My Funny Valentine
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1956-08-30)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Ella Fitzgerald43:53
27Fireflies
associate producer:
Michelle Barbieri
producer:
Herb Alpert
additional strings:
Alfred Brown (viola), Harry Cykman, Max Ellen, Paul Gershman, Harry Glickman, Theodore Israel, Harold Kohon, Harry Lookofsky, Charles McCracken (cellist), David Nadien, Max Pollikoff, Matthew Raimondi and Alan Shulman (cellist and composer)
additional trombone:
Wayne Andre, David Taylor (US jazz bass trombonist) and Paul Faulise (American jazz trombone player, based in New Jersey, USA.)
additional trumpet:
Randy Brecker, Bernie Glow, Marky Markowitz and Marvin Stamm
bass:
Gary King (jazz bassist, arranger and songwriter)
drums (drum set):
Lenny White
guitar:
Joe Beck (guitar), Eric Gale and David Spinozza
keyboard:
Eddy Martinez
keyboard and synthesizer:
Don Grolnick
percussion:
Ralph MacDonald, Cachete Maldonado and Mtume (jazz/funk musician)
tenor saxophone:
Gato Barbieri
recording of:
Fireflies
composer:
Gato Barbieri
publisher:
Irving Music, Inc. and Leandro Music Company
Gato Barbieri5:29
28First Gymnopedie
recording engineer:
Rudy van Gelder (on 1965-07-21)
producer:
Bob Thiele (producer & songwriter)
guest bass:
Reggie Workman (on 1965-07-21)
guest drums (drum set):
James Black (jazz drummer from New Orleans) (on 1965-07-21)
guest piano:
Georges Arvanitas (on 1965-07-21)
tenor saxophone:
Yusef Lateef (on 1965-07-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-07-21)
Yusef Lateef3:27
29Isn't It Romantic? (album version)
Joe Pass3:13
30Lover Man (Oh, Where Can You Be)
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
Cannonball Adderley3:57
31Mediterranean Nights
David Benoit6:57
32Missing Your Touch
Acoustic Alchemy4:45
33One Less Bell to Answer
McCoy Tyner Trio5:39
34Quintessence
alto saxophone:
Phil Woods (US jazz woodwind player)
Quincy Jones and His Orchestra4:20
35Sailing at Night
Dave Grusin4:19
36Sarah Jane
Ramsey Lewis4:30
37After the Rain
Lee Ritenour4:45
38Born Again
Tom Scott3:55
39Solitude
engineer and mixer:
Helik Hadar
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Larry Klein
bass guitar:
Dave Holland (British jazz bassist and composer) (from 2006 until 2007)
drums (drum set):
Vinnie Colaiuta (drummer) (from 2006 until 2007)
guitar:
Lionel Loueke (from 2006 until 2007)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 2006 until 2007)
saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 2006 until 2007)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Larry Klein
Herbie Hancock5:42
40Stella by Starlight
Zoot Sims4:36
41When a Child Smiles
George Howard3:52
42The Morning After
Ronny Jordan6:04
43Theme for Lester Young
recorded in:
New York, New York, United States (on 1963-09-20)
recording engineer:
Bob Simpson (US jazz engineer/producer) (from 1963-09-20 to present)
engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Eric Dolphy
alto saxophone and flute:
Eric Dolphy (on 1963-09-20)
baritone saxophone and soprano saxophone:
Jerome Richardson (on 1963-09-20)
clarinet and oboe:
Dick Hafer (on 1963-09-20)
double bass:
Charles Mingus (on 1963-09-20)
double bass [bass]:
Charles Mingus
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1963-09-20)
flute:
Eric Dolphy, Dick Hafer (on 1963-09-20) and Jerome Richardson (on 1963-09-20)
guitar:
Jay Berliner (on 1963-09-20)
piano:
Charles Mingus and Jaki Byard (on 1963-09-20)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1963-09-20) and Dick Hafer (on 1963-09-20)
trombone:
Britt Woodman (on 1963-09-20)
trumpet:
Eddie Preston (on 1963-09-20) and Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1963-09-20)
tuba:
Don Butterfield (on 1963-09-20)
recording of:
Goodbye Pork Pie Hat (instrumental) (on 1963-09-20)
composer:
Charles Mingus
publisher:
Adams Avenue, Flying Red Rhino, Jazz Workshop, Inc., Songs of Kobalt Music Publishing and The Mingus Music Werkshop
Charles Mingus5:51
44Too Young to Go Steady
recording engineer:
Rudy van Gelder (on 1962-11-13)
producer:
Bob Thiele (producer & songwriter)
double bass:
Jimmy Garrison (on 1962-11-13)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-11-13)
piano:
McCoy Tyner (jazz pianist) (on 1962-11-13)
tenor saxophone:
John Coltrane (on 1962-11-13)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-11-13)
instrumental cover recording of:
Too Young to Go Steady (on 1962-11-13)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
publisher:
Harold Adamson Music
John Coltrane4:20
45Waltz for Debby (live / take 1)
recording engineer:
Dave Jones (engineer) (on 1961-06-25)
engineer:
David Jones (engineer)
producer:
Orrin Keepnews
double bass and double bass [bass]:
Scott LaFaro (on 1961-06-25)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1961-06-25)
piano:
Bill Evans (pianist) (on 1961-06-25)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2003)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1961-06-25)
live recording of:
Waltz for Debby (instrumental) (on 1961-06-25)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Bill Evans6:46
46Wave
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1967-05-22 until 1967-06-15)
drums (drum set):
Claudio Slon (from 1967-05-22 until 1967-06-15)
guitar and piano:
Antônio Carlos Jobim (from 1967-05-22 until 1967-06-15)
conductor:
Claus Ogerman
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1967-05-22 until 1967-06-15)
recording of:
Wave (original instrumental) (from 1967-05-22 until 1967-06-15)
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp.
Antônio Carlos Jobim2:52
47Love Roots
Mary Lou Williams2:03
48Letter to Evan
David Benoit5:13
49Stars Fell on Alabama
Stan Getz3:22
50I Remember You
Coleman Hawkins3:59

Credits