The Great Choral Masterpieces

~ Release by Johann Sebastian Bach; (see all versions of this release, 2 available)

Tracklist

| |
1▼Digital Media
#TitleArtistRatingLength
1Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 1 Chorus: "Jauchzet, frohlocket"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:37
2Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 2 Evangelist: "Es begab sich aber zu der Zeit"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:23
3Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:02
4Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 4 Aria (Alto): " Bereite dich, Zion"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:32
5Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 5 Choral: "Wie soll ich dich empfangen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:17
6Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 6 Evangelist, No. 7 Choral
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:37
7Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 8 Aria (Baß): "Großer Herr, o starker König"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:42
8Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 9 Choral: "Ach mein herzliebes Jesulein"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:15
9Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 10 Sinfonia
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:25
10Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 11 Evangelist: "Und es waren Hirten in derselben Gegend"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
11Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 12 Chorale: "Brich an, o schönes Morgenlicht"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:08
12Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 13 Evangelist, Engel: "Und der Engel sprach zu Ihnen"
soprano vocals [Angel]:
Helen Donath (soprano) (from 1986-11 until 1987-01)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
13Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 14 Rezitativ (Baß): "Was Gott dem Abraham Verheißen"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:38
14Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:35
15Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 16 Evangelist: "Und das habt zum Zeichen"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
16Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 17 Chorale: "Schaut hin, dort liegt im finstern Stall"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:38
17Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 18 Rezitativ (Baß): "So geht denn hin, ihr Hirten, geht"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:59
18Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 19 Aria (Alto): "Schlafe, mein Liebster, geniesse der Ruh"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:01
19Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 20 Evangelist: "Und alsbald war da bei dem Engel"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:16
20Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 21 Chor: "Ehre sei Gott in der Höhe"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:46
21Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 22 Rezitativ (Baß): "So recht, ihr Engel, jauchzt und singet"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:22
22Christmas Oratorio, BWV 248: Part Two "For the second Day of Christmas": No. 23 Chorale: "Wir singen dir in deinem Heer"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
2▼Digital Media
#TitleArtistRatingLength
1Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 24 Chor: "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:49
2Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 25 Evangelist, No. 26 Chor, No. 27 Rezitativ (Baß)
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-01 until 1987-01)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:40
3Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 28 Choral: "Dies hat er alles uns getan"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
4Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:17
5Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 30 Evangelist: "Und sie kamen eilend"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:23
6Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:40
7Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:28
8Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 33 Choral: "Ich will dich mit Fleiß bewahren"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:57
9Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 34 Evangelist: "Und die Hirten kehrten wieder um"
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:22
10Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 35 Choral: "Seid froh dieweil"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
11Christmas Oratorio, BWV 248: Part Three "For the third Day of Christmas": No. 24 Chor (da capo): "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:47
12Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 36 Chor: "Fallt mit Danken, fallt mit Loben"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:26
13Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 37 Evangelist: "Und da acht Tage um waren"
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:34
14Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:50
15Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01) and Andrea Ihle (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:37
16Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:37
17Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:59
18Christmas Oratorio, BWV 248: Part Four "For New Year's Day": No. 42 Choral: "Jesus richte mein Beginnen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:01
3▼Digital Media
#TitleArtistRatingLength
1Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 43 Chor: "Ehre sei dir, Gott, gesungen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:55
2Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 44 Evangelist, No. 45 Chor
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:27
3Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 46 Choral: "Dein Glanz all Finsternis verzehrt"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
4Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 47 Aria (Bass): "Erleucht auch meine finstre Sinnen"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:45
5Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 48 Evangelist, No. 49 Rezitativ (Alt)
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
6Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 50 Evangelist: "Und ließ versammeln alle Hohepriester"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:19
7Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:49
8Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 52 Rezitativ (Alt): "Mein Liebster herrschet schon"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:29
9Christmas Oratorio, BWV 248: Part Five "For the 1st Sunday in the New Year": No. 53 Choral: "Zwar ist solche Herzensstube"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:53
10Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 54 Chor: "Herr, wenn die stolzen Feinde schnauben"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:55
11Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:54
12Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
13Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 57 Aria (Sopran): "Nur ein Wink von seinen Händen"
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:31
14Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 58 Evangelist: "Als sie nun den König gehöret hatten"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:13
15Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 59 Chorale: "Ich steh an deiner Krippen hier"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:03
16Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 60 Evangelist: "Und Gott befahl ihnen im Traum"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
17Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier"
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:53
18Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:33
19Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Eberhard Büchner, Robert Holl, Helen Donath, Marjana Lipovsek, Staatskapelle Dresden, Peter Schreier0:45
20Christmas Oratorio, BWV 248: Part Six "For the Feast of Epiphany": No. 64 Choral: "Nun seid ihr wohl gerochen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:11
4▼Digital Media
#TitleArtistRatingLength
1St. John Passion, BWV 245: Part One: No. 1 Chorus: "Herr, unser Herrscher"
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach9:48
2St. John Passion, BWV 245: Part One: No. 2 Evangelist, Jesus, Chorus "Jesus ging mit seinen Jüngern"
bass vocals [Baß]:
Robert Holl (bass‐baritone)
tenor vocals [Tenor]:
Peter Schreier (German tenor and conductor) (in 1988-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 2 "Jesus ging mit seinen Jüngern" (Evangelista, Jesus, Chorus) (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:33
3St. John Passion, BWV 245: Part One: No. 3 Choral: "O große Lieb, o Lieb ohn' alle Maße"
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb" (in 1982-02)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 168)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:48
4St. John Passion, BWV 245: Part One: No. 4 Evangelist, Jesus: "Auf daß das Wort erfüllet würde"
bass vocals [Baß]:
Robert Holl (bass‐baritone)
tenor vocals [Tenor]:
Peter Schreier (German tenor and conductor) (in 1988-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:20
5St. John Passion, BWV 245: Part One: No. 5 Choral: "Dein Will gescheh, Herr Gott zugleich"
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich" (in 1982-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 317)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:51
6St. John Passion, BWV 245: Part One: No. 6 Evangelist:" Die Schar aber"
tenor vocals [Tenor]:
Peter Schreier (German tenor and conductor) (in 1988-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:45
7St. John Passion, BWV 245: Part One: No. 7 Aria (Alt): "Von den Stricken meiner Sünden"
alto vocals [Alt]:
Marjana Lipovšek (mezzo soprano) (in 1982-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden" (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:46
8St. John Passion, BWV 245: Part One: No. 8 Evangelist: "Simon Petrus aber folgete Jesu nach"
tenor vocals [Tenor]:
Peter Schreier (German tenor and conductor) (in 1988-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista) (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:14
9St. John Passion, BWV 245: Part One: No. 9 Aria(Sopran): Ich folge dir gleichfalls"
soprano vocals [Sopran]:
Roberta Alexander (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:45
10St. John Passion, BWV 245: Part One: No. 10 Evangelist, Ancilla, Petrus, Jesus, Servus: "Derselbige Jünger war dem Hohenpriester bekannt"
baritone vocals [Bariton]:
Egbert Junghanns (baritone) (in 1982-02)
bass vocals [Baß]:
Robert Holl (bass‐baritone)
tenor vocals [Tenor]:
Ekkehard Wagner (tenor) (in 1982-02) and Peter Schreier (German tenor and conductor) (in 1988-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus) (in 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:21
11St. John Passion, BWV 245: Part One: No. 11 Choral: "Wer hat dich so geschlagen"
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen" (in 1982-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 293)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:39
12St. John Passion, BWV 245: Part One: No. 12 Evangelist, Chorus, Evangelist, Petrus, Servus: " Und Hannas sandte ihn gebunden "
baritone vocals [Bariton]:
Egbert Junghanns (baritone) (in 1982-02)
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
tenor vocals [Tenor]:
Ekkehard Wagner (tenor) (in 1982-02) and Peter Schreier (German tenor and conductor) (in 1988-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:08
13St. John Passion, BWV 245: Part One: No. 13 Aria (Tenor): "Ach mein Sinn"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:21
14St. John Passion, BWV 245: Part One: No. 14 Choral: "Petrus, der nicht denkt zurück"
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" (in 1982-02)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 192)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:05
15St. John Passion, BWV 245: Part Two: No. 15 Choral: "Christus, der uns selig macht"
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 15 Choral "Christus, der uns selig macht" (in 1982-02)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 49)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:02
16St. John Passion, BWV 245: Part Two: No. 16 Evangelist, Pilatus, Chorus: " Da führeten sie Jesum "
baritone vocals [Bariton]:
Andreas Scheibner (bass-baritone)
bass vocals [Baß]:
Robert Holl (bass‐baritone)
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
tenor vocals [Tenor]:
Peter Schreier (German tenor and conductor) (in 1988-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus) (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:07
17St. John Passion, BWV 245:Part Two: No. 17 Choral: "Ach großer König, groß zu allen Zeiten"
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König" (in 1982-02)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 169)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:31
18St. John Passion, BWV 245: Part Two: No. 18 Evangelist, Pilatus, Jesus, Chorus, Evangelist: "Da sprach Pilatus zu ihnen"
baritone vocals [Bariton]:
Andreas Scheibner (bass-baritone)
bass vocals [Baß]:
Robert Holl (bass‐baritone)
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
tenor vocals [Tenor]:
Peter Schreier (German tenor and conductor) (in 1988-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus) (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:10
19St. John Passion, BWV 245: Part Two: No. 19 Arioso (Baß): "Betrachte, meine Seele"
bass vocals [Baß]:
Robert Holl (bass‐baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:19
20St. John Passion, BWV 245: Part Two: No. 20 Aria (Tenor): " Erwäge, wie sein blutgefärbter Rücken"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:49
21St. John Passion, BWV 245: Part Two: No. 21 Evangelist, Pilatus, Jesus, Chorus: " Und die Kriegsknechte flochten "
baritone vocals [Bariton]:
Andreas Scheibner (bass-baritone)
bass vocals [Baß]:
Robert Holl (bass‐baritone)
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
tenor vocals [Tenor]:
Peter Schreier (German tenor and conductor) (in 1988-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 21 "Und die Kriegsknechte flochten" (Evangelista, Chorus, Pilatus, Jesus) (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:40
22St. John Passion, BWV 245: Part Two: No. 22 Choral: "Durch dein Gefängnis, Gottes Sohn"
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 22 Choral "Durch dein Gefängnis, Gottes Sohn" (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 239)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:51
23St. John Passion, BWV 245: Part Two: No. 23 Evangelist, Pilatus, Chorus: " Die Juden aber schrieen und sprachen "
baritone vocals [Bariton]:
Andreas Scheibner (bass-baritone)
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
tenor vocals [Tenor]:
Peter Schreier (German tenor and conductor) (in 1988-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 23 "Die Juden aber schrieen" (Evangelista, Chorus, Pilatus) (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:59
24St. John Passion, BWV 245: Part Two: No. 24 Aria (Baß) - Chor: "Eilt ihr angefochtnen Seelen"
choir vocals:
Rundfunkchor Leipzig (in 1982-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
chorus master:
Gothart Stier (baritone vocalist and chorus master)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1982-02)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) "Eilt, ihr angefochtnen Seelen" (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:11
5▶Digital Media
6▶Digital Media
7▶Digital Media
8▶Digital Media
9▶Digital Media
10▶Digital Media
11▶Digital Media
12▶Digital Media