Forrest Gump: The Soundtrack (special collector’s edition)

~ Release by Various Artists (see all versions of this release, 11 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Hound Dog
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
Elvis Presley3.852:15
2Rebel Rouser (album version)
recording of:
Rebel‐’Rouser
composer:
Duane Eddy and Lee Hazlewood
Duane Eddy3.52:20
3(I Don’t Know Why) But I Do
recording of:
But I Do
writer:
Paul Gayton and Robert Guidry
publisher:
Chappell Music (UK)
Clarence “Frogman” Henry3.252:18
4Walk Right In
recording of:
Walk Right In
composer:
Gus Cannon and Hosea Woods
publisher:
Southern Music (publisher), Southern Music Publ. Co. (A'Asia) and Southern Music Publishing Co. (publishing company)
The Rooftop Singers42:32
5Land of 1000 Dances (album version)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
Wilson Pickett42:23
6Blowin’ in the Wind (album version)
cover recording of:
Blowin’ in the Wind (in 1967)
lyricist and composer:
Bob Dylan (in 1962-04)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1962 until 1990) and Special Rider Music (from 1990 to present)
Joan Baez2.652:35
7Fortunate Son
recording engineer and mixer:
Russ Gary
producer:
John Fogerty
bass guitar:
Stu Cook
drums (drum set):
Doug Clifford
guitar:
John Fogerty and Tom Fogerty
background vocals:
Doug Clifford, Stu Cook and Tom Fogerty
lead vocals:
John Fogerty
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States and Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1971-09-01)
mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 99) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 227)
recording of:
Fortunate Son (in 1969-08)
lyricist and composer:
John Fogerty
publisher:
Cody River Music Company, Jondora Music and Prestige Music ltd.
Creedence Clearwater Revival4.552:18
8I Can’t Help Myself (Sugar Pie Honey Bunch) (album version)
recording engineer:
Russ Terrana
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (in 1965)
bass [1962 Fender Precision Bass]:
James Jamerson
drums (drum set):
Richard "Pistol" Allen (in 1965)
guitar [1964 Gibson Firebird III]:
Eddie Willis (in 1965)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (in 1965)
guitar [Gibson L-5]:
Robert White (US funk/soul guitarist) (in 1965)
instruments:
The Funk Brothers (in 1965)
piano:
Earl Van Dyke (in 1965)
strings:
Detroit Symphony Orchestra (in 1965)
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1965)
vibraphone:
Jack Brokensha (in 1965)
background vocals:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) and Lawrence Payton (in 1965)
lead vocals:
Levi Stubbs (in 1965)
recorded at and mixed at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 415) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
lyricist:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.62:41
9Respect (album version)
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin3.92:27
10Rainy Day Women #12 & 35
producer:
Bob Johnston (US record producer and early rockebilly singer)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-09)
recording of:
Rainy Day Women #12 & 35 (on 1966-03-10)
lyricist and composer:
Bob Dylan (from 1966-02 until 1966-03)
publisher:
Dwarf Music (from 1966 to present)
Bob Dylan3.74:35
11Sloop John B. (album version)
engineer:
Chuck Britz (on 1965-07-12)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar [12-string electric guitar]:
Billy Strange (on 1965-12-29)
bass saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1965-07-12)
double bass:
Lyle Ritz (on 1965-07-12)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1965-07-12)
electric bass guitar:
Carol Kaye (on 1965-07-12)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1965-07-12) and Jay Migliori (on 1965-07-12)
glockenspiel:
Frank Capp (on 1965-07-12)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1965-07-12), Jerry Cole (on 1965-07-12) and Billy Strange (on 1965-07-12)
tack piano:
Al De Lory (on 1965-07-12)
temple blocks:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1965-07-12)
lead vocals:
Mike Love (Beach Boys) (from 1965-12-22 until 1965-12-29) and Brian Wilson (Beach Boys co‐founder) (from 1965-12-22 until 1965-12-29)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-07-12, on 1965-12-22, on 1965-12-29)
recording of:
Sloop John B (from 1965-07-12 until 1965-12-29)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
The Beach Boys42:54
12California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.452:37
13For What It’s Worth (album version)
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.252:38
14What the World Needs Now Is Love (album version)
recording of:
What the World Needs Now Is Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
Jackie DeShannon3.63:13
15Break On Through (to the Other Side) (album version)
engineer and mixer:
Bruce Botnick
producer:
Paul A. Rothchild
drums (drum set):
John Densmore (in 1966-08)
electric guitar:
Robby Krieger (American guitarist, member of The Doors) (in 1966-08)
electronic organ and keyboard bass:
Ray Manzarek (in 1966-08)
lead vocals:
Jim Morrison (lead vocalist of the Doors) (in 1966-08)
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1967) and Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1967, in 2017)
engineered at:
Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (in 1966-08)
edit of:
Break On Through (to the Other Side) (original stereo studio mix, with “she gets high”) by The Doors
recording of:
Break On Through (in 1966-08)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music and Rondor Music (London) Ltd.
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
The Doors4.452:25
16Mrs. Robinson (Album Version)
recording engineer:
Roy Halee (on 1968-02-02)
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 270)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.253:50
2▶Digital Media

Credits

Release

phonographic copyright (℗) by:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2001)
purchase for download:https://itunes.apple.com/us/album/id418556875 [info]
stream for free:https://open.spotify.com/album/3LP0jc2J6fvhpVTKWzvFUk [info]
https://www.deezer.com/album/1634886 [info]