The All Time Greatest Disco Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Boogie Wonderland
producer:
Al McKay and Maurice White (Earth, Wind & Fire)
vocals:
The Emotions (Chicago soul, disco and R&B female vocal group) (in 1979)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
samples from:
I Am by Earth, Wind & Fire (in 1979)
recording of:
Boogie Wonderland (in 1979)
lyricist:
Allee Willis
composer:
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) and Rondor Music (London) Ltd.
Earth, Wind & Fire feat. The Emotions4.24:45
2Lost in Music
recording of:
Lost in Music
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge44:38
3It’s a Love Thing
recording of:
It’s a Love Thing
writer:
Dana Meyers and William Shelby
publisher:
Mykinda Music, Notting Hill Music (UK) Ltd. and Spectrum VII
The Whispers3:41
4Ring My Bell
recording of:
Ring My Bell (Anita Ward song)
lyricist and composer:
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. and Universal Music Publishers MGB Australia Pty Ltd
Anita Ward53:30
5If You Could Read My Mind
cover recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Viola Wills4:19
6Nice and Slow
recording of:
Nice and Slow
lyricist and composer:
Ken Gibson (orchestrator, arranger and record producer)
Jesse Green3:02
7Best Love
recording of:
Best Love
writer:
Ron Artis and Robert Daniels (soul/funk singer & songwriter)
publisher:
Artis Gallery Music, Bigg Kidd Music and EMI Virgin Songs, Inc.
Rose Royce53:45
8I’m in the Mood for Dancing
recording of:
I’m in the Mood for Dancing
writer:
Ben Findon (songwriter and producer), Mike Myers (UK producer/songwriter) and Bob Puzey
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Songs of Windswept Pacific
Nolan Sisters4.53:16
9I Love to Love
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) and Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
lyricist:
Philo Jack Robinson (disco songwriter, producer, composer)
composer:
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) and Rolf Baierle Music
Tina Charles4.653:01
10Let’s All Chant
engineer:
Rick Rowe
executive producer:
Jerry Love
producer:
Michael Zager
solo clarinet:
George Marge
solo trumpet:
Raymond Crisara
vocals:
Billy Baker, Alvin Fields and Dolette McDonald
phonographic copyright (℗) by:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1977)
recording of:
Let’s All Chant
writer:
Alvin Fields and Michael Zager
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Zager Band4.353:01
11Brick House
producer:
James Anthony Carmichael
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 296)
recording of:
Brick House (original version)
lyricist:
William King (member of Commodores), Walter Orange and Lionel Richie
composer:
Ronald LaPread, Thomas McClary, Lionel Richie and Milan Williams
publisher:
Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Commodores3.73:24
12Boogie Nights
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
GTO Records (in 1976) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976)
edit of:
Boogie Nights by Heatwave (70s/80s R&B/funk band)
recording of:
Boogie Nights (in 1976)
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:36
13Ain’t Gonna Bump No More
producer:
Buddy Killen
phonographic copyright (℗) by:
Dial (60s/70s Nashville) (in 1977)
recording of:
Ain’t Gonna Bump No More (With No Big Fat Woman)
writer:
Buddy Killen and Bennie Lee McGinty
Joe Tex3:25
14Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2)
Deniece Williams3.64:17
15Tribute (Right On)
engineer:
Mark Chamberlain
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1988)
recording of:
Tribute (Right On)
writer:
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan and Pete Wingfield (keyboardist, singer, producer, songwriter)
publisher:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988) and Island Music Ltd. (in 1988)
The Pasadenas4.54:20
16Rappers Delight
recording of:
Rapper’s Delight
writer:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
Good Times
The Sugarhill Gang3:33
17A Real Mother for Ya
engineer:
Kerry McNabb (recording engineer in the 1970s)
producer:
Johnny “Guitar” Watson
drums (drum set):
Emry Thomas (US drummer)
electric bass guitar [bass], electric guitar [guitar], organ, Rhodes piano, synthesizer and voice synthesizer [voice box]:
Johnny “Guitar” Watson
saxophone:
Knud Jensen
trombone:
Tommy Roberson
trumpet:
Walt Fowler
vocals:
Johnny “Guitar” Watson
arranger:
Johnny “Guitar” Watson
recording of:
A Real Mother for Ya
lyricist and composer:
Johnny “Guitar” Watson
Johnny “Guitar” Watson4:59
18Stomp
recording of:
Stomp!
writer:
George Johnson (member of Brothers Johnson, guitar), Louis Johnson (bass, member of Brothers Johnson), Valerie Johnson and Rod Temperton
The Brothers Johnson5:57
19Relight My Fire
recording of:
Relight My Fire
lyricist and composer:
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Dan Hartman6:46
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