Now That’s What I Call Running 2014

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Packaging is a 6-panel, 3-tray Digipak.

Annotation last modified on 2018-09-21 12:10 UTC.

Tracklist

1CD
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3CD
#TitleArtistRatingLength
1Teenage Dirtbag
engineer and producer:
Philip A. Jimenez and Wheatus
mixer:
David Thoener
turntable:
Pippi Longscratchings
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 2000), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2000)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 427)
recording of:
Teenage Dirtbag
lyricist and composer:
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (in 2000) and Montauk Mantis Productions (in 2000)
Wheatus3.44:01
2Buddy Holly
assistant engineer:
Hal Belknap, David Heglmeier and Daniel Smith (engineer)
engineer:
Chris Shaw (US producer & engineer)
producer:
Ric Ocasek
bass guitar [bass]:
Matt Sharp (Weezer/The Rentals)
drums (drum set):
Patrick Wilson (Weezer/The Special Goodness)
guitar:
Brian Bell (guitarist) and Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
vocals:
Brian Bell (guitarist), Rivers Cuomo (US singer, guitarist & songwriter of Weezer) and Matt Sharp (Weezer/The Rentals)
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1994)
recorded at and mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1993-08 until 1993-09)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 15), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 484) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 497)
recording of:
Buddy Holly (from 1993-08 until 1993-09)
lyricist and composer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
premiered by:
Weezer (American rock band)
publisher:
E.O. Smith Music
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Weezer4.252:40
3Smooth Criminal
assistant engineer:
Justin Harvey
engineer and editor:
James Murray (US engineer)
producer and mixer:
Jay Baumgardner
assistant mixer:
Dan Certa
additional editor:
John Ewing (engineer) and Brian Virtue
drums (drum set):
Mike Cosgrove
electric bass guitar [bassadilla], guitar and background vocals:
Tye Zamora
electric guitar:
Terence Corso
lead vocals:
Dryden Mitchell
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2001)
recorded at and mixed at:
NRG Recording Services in North Hollywood, Los Angeles, California, United States
music videos:
Smooth Criminal by Alien Ant Farm
part of:
New York Post: 100 Greatest Covers (2007) (number: 6) and The Downloader’s Music Source Book (number: 355)
cover recording of:
Smooth Criminal
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music
part of:
MJ: The Musical
Alien Ant Farm4.253:27
4Sk8r Boi
recording engineer:
Mark Howard (producer/recording engineer, New Orleans/Los Angeles based) (drums (drum set)) and The Matrix (songwriters/producers collective)
executive producer:
Antonio M. Reid
producer:
The Matrix (songwriters/producers collective)
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
drums (drum set):
Victor Indrizzo
guitar:
Corky James
additional vocals:
The Matrix (songwriters/producers collective)
arranger:
The Matrix (songwriters/producers collective)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002) and Arista Records, LLC (holding company - file NO releases here!) (in 2022)
recorded at:
Decoy Studios in Studio City, Los Angeles, California, United States and Real Music Studios in Los Angeles, California, United States (drums (drum set))
mixed at:
South Beach Studios in Miami Beach, Florida, United States
music videos:
Sk8er Boi by Avril Lavigne
part of:
Billboard Year-End Hot 100 2002 (number: 96) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 225)
recording of:
Sk8er Boi
writer:
Avril Lavigne and The Matrix (songwriters/producers collective)
publisher:
Avril Lavigne Publishing LLC, Ferry Hill Songs, Hollylodge Music, Mr. Spock Music, Rainbow Fish, Tix Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Avril Lavigne4.253:22
5All the Small Things
engineer:
Sean O’Dwyer (US producer & engineer)
producer:
Jerry Finn
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
arranger:
blink‐182
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000)
music videos:
All the Small Things (music video) by blink‐182
part of:
BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (number: 59) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 365)
recording of:
All the Small Things
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Fun With Goats (ended), Beat Poet Music, EMI April Music Inc., HMNIM Music and Jolly Old Saint Dick
blink‐1824.42:53
6In Too Deep
engineer:
Joe McGrath
producer:
Jerry Finn
mixer:
Tom Lord‐Alge
background vocals:
Greig Nori
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
music videos:
In Too Deep by Sum 41
recording of:
In Too Deep
writer:
Greig Nori and Deryck Whibley
publisher:
EMI April Music Canada (see also EMI April Music (Canada) Ltd.) and Rectum Renovator Music
Sum 414.13:27
7The Rockafeller Skank
engineer and mixer:
Simon Thornton (Big beat mixing engineer)
producer:
Fatboy Slim
performer:
Just Brothers
phonographic copyright (℗) by:
Skint Records (in 1998)
samples:
Beat Girl (Main Title) by The John Barry Seven and Sliced Tomatoes by Just Brothers
music videos:
Rockafeller Skank by Fatboy Slim
recording of:
The Rockafeller Skank
writer:
John Barry (English score composer), Fatboy Slim and Winifred Terry
publisher:
Gold Forever Music Inc., MCA Music Ltd., Polygram Music Publishing Ltd. (GB), Robbins Music Corp. Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Fatboy Slim44:00
8RockstarNickelback3.654:15
9Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.853:58
10A Little Less Conversation
assistant engineer:
Dan Milazzo and Claudius Mittendorfer (engineer, producer, mixer)
engineer:
Ray Bardani
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1968-03-07 until 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-03-07 until 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
remix of:
A Little Less Conversation by Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (from 1968-03-07 until 1968-06-23)
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
Elvis vs. JXL3.453:33
11Word Up
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
music videos:
Word Up! by Cameo (American soul-influenced funk group)
part of:
TV Cream: Real 100 Best Singles Ever (number: 70) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 81)
recording of:
Word Up!
writer:
Larry Blackmon and Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:14
12Ready to Go
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland (for © & ℗ copyright use only; file no releases here!) (in 1996) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Ready to Go
writer:
Tim Dorney, Johnny Male, Saffron (singer of Republica) and Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd., Momentum Music (publisher), Momentum Music Ltd., Notting Hill Music (publisher), Notting Hill Music (UK) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Republica2.453:39
13Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger (engineer)
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British-American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of "Katrina and the Waves")
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of "Katrina and the Waves"), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 378)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:58
14My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.14:00
15Don’t Stop Believin’
assistant engineer:
Wally Buck
engineer:
Kevin Elson
producer:
Kevin Elson and Mike Stone (producer and engineer, 1960s–80s)
bass guitar:
Ross Valory (from 1981-04 until 1981-06)
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey) (from 1981-04 until 1981-06)
guitar:
Neal Schon (from 1981-04 until 1981-06)
keyboard and piano:
Jonathan Cain (from 1981-04 until 1981-06)
background vocals:
Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
lead vocals:
Steve Perry (former lead singer of Journey) (from 1981-04 until 1981-06)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1981-04 until 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
part of:
SWR1 Hitparade 2022 (Baden-Württemberg) (number: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 11), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
recording of:
Don’t Stop Believin’ (Journey song) (from 1981-04 until 1981-06)
writer:
Jonathan Cain, Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) and Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Journey4.34:15
16Tainted Love
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell2:39
17Call Me
engineer:
Harold Faltermeyer
producer:
Giorgio Moroder
additional synthesizer:
Giorgio Moroder (in 1980-01)
bass guitar [bass]:
Nigel Harrison (in 1980-01)
drums (drum set) [drums]:
Clem Burke (in 1980-01)
electric piano:
Jimmy Destri (in 1980-01)
guitar:
Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
lead vocals:
Debbie Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979) and The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 157)
recording of:
Call Me (in 1980-01)
lyricist:
Deborah Harry
composer:
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:30
18I Feel Love
recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer3:23
19Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:55
20You Got the Love
programming:
Steve Dub
producer:
John Truelove
vocals:
Candi Staton
arranger:
New Voyager
recording of:
You Got the Love
writer:
John Bellamy, Arnecia Michelle Harris, Rush (written‐by credit) and Anthony B. Stephens
publisher:
Polygram Music Publ. and Warner Chappell (Warner/Chappell Music, Inc.)
is based on:
Your Love
The Source feat. Candi Staton3.653:14
21The Power
recording of:
The Power
writer:
Benito Benites, Antoinette Colandero and John Garrett III
publisher:
Hanseatic Musikverlag GmbH (1964–2001), House of Fun Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Snap!3:41

Credits

Release group

part of:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (order: 36)
Allmusic:https://www.allmusic.com/album/mw0002618038 [info]
standalone website:http://www.nowmusic.com/now/now-running-2014/ [info]
Wikidata:Q17017831 [info]