Spellbinding Classics: Classical Music for the Witching Hour (25 track version)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Bram Stoker’s Dracula: The Brides
engineer, producer and editor:
Beata Jankowska (engineer/editor/producer)
choir vocals:
Cracow Philharmonic Chorus (Krakow Philharmonic Mixed Choir) (from 1997-11-23 until 1997-11-26)
orchestra:
Polish National Radio Symphony Orchestra (revived in 1945 in Katowice) (from 1997-11-23 until 1997-11-26)
conductor:
Antoni Wit (conductor) (from 1997-11-23 until 1997-11-26)
chorus master:
Jacek Mentel (from 1997-11-23 until 1997-11-26)
recorded at:
Grzegorz Fitelberg Concert Hall in Katowice, Śląskie (Silesian Voivodeship), Poland (from 1997-11-23 until 1997-11-26)
recording of:
The Brides (Bram Stoker’s Dracula) (from 1997-11-23 until 1997-11-26)
composer:
Wojciech Kilar (composer)
part of:
Bram Stoker’s Dracula
Wojciech Kilar4:25
2Thumbelina Suite: IV. Sad Song
orchestra:
Tchaikovsky Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (from 2008-06-10 until 2008-06-14)
conductor:
Patrick Baton (Belgian conductor) (from 2008-06-10 until 2008-06-14)
recorded at:
Studio 5 of the Russian State TV & Radio Company KULTURA (The State House of Broadcasting and Audio-Recording: Studio 5) in Moscow, Russia (on 2008-06-14)
Alla Pavlova3:41
3Hamlet Suite, op. 116a: The Ghost (Suite, no. 3)
sound engineer:
Aleksander Karasev (engineer) and Dmitry Missailov (engineer)
producer:
Lubov Doronina
orchestra:
Russian Philharmonic (Russian Philharmonic Orchestra, notably, most recordings with DG and Naxos, Dmitry Yablonsky was its music director since 2003) (from 2003-02-06 until 2003-02-14)
conductor:
Dmitry Yablonsky (Russian cellist and conductor) (from 2003-02-06 until 2003-02-14)
recorded at:
Studio 5, Russian State TV & Radio (The State House of Broadcasting and Audio-Recording: Studio 5) in Moscow, Russia (from 2003-02-06 until 2003-02-14)
recording of:
The Ghost (from 2003-02-06 until 2003-02-14)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Hamlet, op. 116
Dmitry Shostakovich6:42
4Apariciones: Valses romanticos. Ghosts
piano:
Douglas Riva (in 1999-05)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 1999-05)
recording of:
Apariciones, valses románticos: Fantasmas (in 1999-05)
composer:
Enrique Granados (composer)
part of:
Apariciones, valses románticos
Enrique Granados1:43
5The Invisible Man Returns: The Ghost (Orch. J. Morgan)
orchestra:
Moscow Symphony Orchestra (founded in 1989, assoc. with Naxos and Marco Polo labels)
conductor:
William Stromberg
orchestrator:
John W. Morgan (soundtrack/film composer)
recording of:
The Ghost (The Invisible Man Returns)
Frank Skinner2:08
6Peer Gynt Suite no. 1, op. 46: II. The Death of Aase
producer:
Günter Appenheimer (producer/engineer) (in 1988-06)
orchestra:
Štátna filharmónia Košice (Slovak State Philharmonic Orchestra, Košice, Slovak State Philharmonic, Košice) (in 1988-06)
conductor:
Stephen Gunzenhauser (conductor) (in 1988-06)
recorded at:
Concert Hall of the CSSR State Philharmonic in Košice, Košický kraj (Košice Region), Slovakia (in 1988-06)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (in 1988-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg5:47
73 Utwory w dawnym stylu: III. —
engineer:
Beata Jankowska (engineer/editor/producer)
orchestra:
Polish National Radio Symphony Orchestra (revived in 1945 in Katowice) (in 1993-12)
conductor:
Antoni Wit (conductor) (in 1993-12)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Studio Koncertowe Radia Katowice in Katowice, Śląskie (Silesian Voivodeship), Poland (in 1993-12)
recording of:
Trzy utwory w dawnym stylu, nr 3 (Three Pieces in the Olden Style, no. 3) (in 1993-12)
composer:
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1963)
part of:
Trzy utwory w dawnym stylu (Three Pieces in the Olden Style)
Henryk Górecki4:27
8In Alium: Section A
soprano vocals:
Eileen Hulse (soprano) (from 1998-03-17 until 1998-03-19)
orchestra:
Ulster Orchestra (from 1998-03-17 until 1998-03-19)
conductor:
Takuo Yuasa (Japanese conductor) (from 1998-03-17 until 1998-03-19)
recorded at:
Ulster Hall in Belfast, Belfast (Belfast City Council), County Antrim, County Down, Northern Ireland, United Kingdom (from 1998-03-17 until 1998-03-19)
partial recording of:
In Alium (from 1998-03-17 until 1998-03-19)
composer:
John Tavener (20th century composer) (in 1968)
premiered at:
The Proms 1968: Prom 22 (1968-08-12)
John Tavener4:05
9Nocturne no. 19 in E minor, op. 72 no. 1
piano:
Sándor Falvay (Hungarian pianist)
recording of:
Nocturne no. 19 in E minor, op. 72 no. 1: Andante
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1827)
part of:
Nocturne, Marche funebre et 3 Ecossaises, op. 72
Fryderyk Chopin3:27
10Cantus in Memory of Benjamin Britten for Strings and Bells
engineer:
Gábor Mocsáry (from 1995-12-10 until 1995-12-16)
percussion:
Antal Eisrich (from 1995-12-10 until 1995-12-16)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra) (from 1995-12-10 until 1995-12-16)
conductor:
Tamás Benedek (from 1995-12-10 until 1995-12-16)
recorded at:
Alpha-Line Studio (Festetich Castle) in Keszthely, Zala (Zala County), Hungary (from 1995-12-10 until 1995-12-16)
recording of:
Cantus in memoriam Benjamin Britten (from 1995-12-10 until 1995-12-16)
composer:
Arvo Pärt (in 1977)
revised by:
Arvo Pärt (in 1980)
premiered at:
[concert] (1977-04-07)
Arvo Pärt7:47
11Hamlet Suite, op. 116a: Story of Horatio and the Ghost
sound engineer:
Aleksander Karasev (engineer) and Dmitry Missailov (engineer)
producer:
Lubov Doronina
orchestra:
Russian Philharmonic (Russian Philharmonic Orchestra, notably, most recordings with DG and Naxos, Dmitry Yablonsky was its music director since 2003) (from 2003-02-06 until 2003-02-14)
conductor:
Dmitry Yablonsky (Russian cellist and conductor) (from 2003-02-06 until 2003-02-14)
recorded at:
Studio 5, Russian State TV & Radio (The State House of Broadcasting and Audio-Recording: Studio 5) in Moscow, Russia (from 2003-02-06 until 2003-02-14)
recording of:
Story of Horatio and the Ghost (from 2003-02-06 until 2003-02-14)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Hamlet, op. 116
Dmitry Shostakovich2:22
12Requiem: Introitus
engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
organ:
Jane Watts (organist) (from 2009-01-31 until 2009-02-01)
baritone vocals:
Edward Price (baritone) (from 2009-01-31 until 2009-02-01)
choir vocals:
The Bach Choir (from 2009-01-31 until 2009-02-01)
soprano vocals:
Olivia Robinson (soprano) (from 2009-01-31 until 2009-02-01)
orchestra:
Southern Sinfonia (from 2009-01-31 until 2009-02-01)
conductor:
David Hill (organist and conductor) (from 2009-01-31 until 2009-02-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 2009-01-31 until 2009-02-01)
recording of:
Requiem: Introitus (from 2009-01-31 until 2009-02-01)
composer:
Carl Rütti (Swiss composer of choral music) (in 2007)
part of:
Requiem
Carl Rütti9:29
13Bram Stoker’s Dracula: Vampire Hunters
engineer, producer and editor:
Beata Jankowska (engineer/editor/producer)
choir vocals:
Cracow Philharmonic Chorus (Krakow Philharmonic Mixed Choir) (from 1997-11-23 until 1997-11-26)
orchestra:
Polish National Radio Symphony Orchestra (revived in 1945 in Katowice) (from 1997-11-23 until 1997-11-26)
conductor:
Antoni Wit (conductor) (from 1997-11-23 until 1997-11-26)
chorus master:
Jacek Mentel (from 1997-11-23 until 1997-11-26)
recorded at:
Grzegorz Fitelberg Concert Hall in Katowice, Śląskie (Silesian Voivodeship), Poland (from 1997-11-23 until 1997-11-26)
recording of:
Vampire Hunters (from 1997-11-23 until 1997-11-26)
composer:
Wojciech Kilar (composer)
part of:
Bram Stoker’s Dracula
Wojciech Kilar3:05
14Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
Naxos International and HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
cover recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven35:20
15Requiem in D minor, op. 48: Sanctus
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Schola Cantorum of Oxford (from 1993-05-17 until 1993-05-18)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: III. Sanctus (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:28
16Götterdämmerung (Twilight of the Gods), Act III: Siegfried’s Funeral March
producer:
Günter Appenheimer (producer/engineer) (in 1988-10)
orchestra:
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (in 1988-10)
conductor:
Uwe Mund (in 1988-10)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-10)
edit of:
Götterdämmerung: Siegfried's Death & Funeral March by Slovak Radio Symphony Orchestra, Uwe Mund
recording of:
Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds (Funeral March) (in 1988-10)
composer:
Richard Wagner (composer) (from 1869 until 1874, from 1872-01-04 until 1874-11-21)
part of:
Götterdämmerung, WWV 86D: Akt III, Scene II "Hoiho?" - "Hoiho!"
Richard Wagner6:33
17Requiem in D minor, K. 626: IIIf. Lacrimosa dies illa (Featured in “Primal Fear”)
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
contralto vocals:
Jaroslava Horská (mezzo-soprano) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:20
18Symphony no. 3, op. 36, “Smfonia pieśni żałosnych” (Symphony of Sorrowful Songs): II. Lento e largo [excerpt]
engineer:
Beata Jankowska (engineer/editor/producer)
soprano vocals:
Zofia Kilanowicz (Polish soprano) (in 1993-12)
orchestra:
Polish National Radio Symphony Orchestra (revived in 1945 in Katowice) (in 1993-12)
conductor:
Antoni Wit (conductor) (in 1993-12)
recorded at:
Studio Koncertowe Radia Katowice in Katowice, Śląskie (Silesian Voivodeship), Poland (in 1993-12)
edit of:
Symphony no. 3, op. 36 “Symphony of Sorrowful Songs”: II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo by Zofia Kilanowicz (Polish soprano), Polish National Radio Symphony Orchestra (revived in 1945 in Katowice), Antoni Wit (conductor)
partial recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo (in 1993-12)
lyricist:
Helena Wanda Błażusiakówna
composer:
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1976)
part of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
Henryk Górecki5:50
19La Belle et la Bête (Beauty and the Beast): Moments d’effroi [Frightful Moments]
choir vocals:
Axios Chorus (Russian choir/chorus) (from 1994-12-20 until 1994-12-26)
orchestra:
Moscow Symphony Orchestra (founded in 1989, assoc. with Naxos and Marco Polo labels) (from 1994-12-20 until 1994-12-26)
conductor:
Adriano (conductor and composer) (from 1994-12-20 until 1994-12-26)
recorded at:
Mosfilm Studios in Moscow, Russia (from 1994-12-20 until 1994-12-26)
partial recording of:
La Belle et la Bête (from 1994-12-20 until 1994-12-26)
composer:
Georges Auric (composer)
Georges Auric4:14
20String Quartet in D minor, D. 810 “Der Tod und das Madchen” (arranged for orchestra as Symphony in D minor): II. Andante con moto
engineer:
Dirk Sobotka
producer:
Blanton Alspaugh (Producer)
orchestra:
Buffalo Philharmonic Orchestra (from 2007-11-09 until 2007-11-11)
conductor:
JoAnn Falletta (from 2007-11-09 until 2007-11-11)
recorded at:
Kleinhans Music Hall in Buffalo, New York, United States (from 2007-11-09 until 2007-11-11)
recording of:
Symphony in D minor: II. Andante con moto (from 2007-11-09 until 2007-11-11)
orchestrator:
Andy Stein
composer:
Franz Schubert (composer)
orchestration of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: II. Andante con moto
part of:
Symphony in D minor
Franz Schubert14:28
21Piano Trio no. 5 in D major, op. 70, no. 1, “Ghost”: II. Largo assai ed espressivo
engineer:
János Bohus (Hungarian sound engineer.) (in 1991-05)
producer:
Ibolya Tóth (in 1991-05)
cello:
Csaba Onczay (cellist) (from 1991-05-27 until 1991-05-30)
piano:
Jenő Jandó (pianist) (from 1991-05-27 until 1991-05-30)
violin:
Takako Nishizaki (violinist) (from 1991-05-27 until 1991-05-30)
recorded at:
Rákosszentmihály-Sashalmi Református in Budapest, Hungary (from 1991-05-27 until 1991-05-30)
recording of:
Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo (from 1991-05-27 until 1991-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”
Ludwig van Beethoven9:44
22Symphony no. 8 in C minor, WAB 108: I. Allegro moderato
engineer and producer:
Chris Craker (UK musician, producer, engineer and label manager)
editor:
Bill Sykes (editor)
orchestra:
RTÉ National Symphony Orchestra (from 1996-09-23 until 1996-09-25)
conductor:
Georg Tintner (composer and conductor) (from 1996-09-23 until 1996-09-25)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1996-09-23 until 1996-09-25)
recording of:
Symphony no. 8 in C-minor, WAB 108: I. Allegro moderato (1887 original version; ed. Nowak, 1972) (from 1996-09-23 until 1996-09-25)
composer:
Anton Bruckner (composer) (in 1887)
part of:
Symphony no. 8 in C-minor, WAB 108 (1887 original version; ed. Nowak, 1972)
Anton Bruckner17:48
23Adagio for Strings, op. 11
engineer:
Tony Faulkner (recording engineer) (from 1999-05-03 until 2000-05-12)
producer:
Andrew Walton (producer)
orchestra:
Royal Scottish National Orchestra (from 1999-05-03 until 2000-05-12)
conductor:
Marin Alsop (conductor) (from 1999-05-03 until 2000-05-12)
recorded at:
Henry Wood Hall (old [R]SNO Centre, Glasgow) in Glasgow, Scotland, United Kingdom (from 1999-05-03 until 2000-05-12)
recording of:
Adagio for Strings (from 1999-05-03 until 2000-05-12)
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber7:38
24Company: IV. Quarter Note = 160
engineer:
Tim Handley (engineer/editor/producer) (from 1999-05-19 until 1999-05-21)
producer:
Tim Handley (engineer/editor/producer)
orchestra:
Ulster Orchestra (from 1999-05-19 until 1999-05-21)
conductor:
Takuo Yuasa (Japanese conductor) (from 1999-05-19 until 1999-05-21)
recorded at:
Ulster Hall in Belfast, Belfast (Belfast City Council), County Antrim, County Down, Northern Ireland, United Kingdom (from 1999-05-19 until 1999-05-21)
recording of:
Company: IV. (for string orchestra) (from 1999-05-19 until 1999-05-21)
composer:
Philip Glass (US composer & pianist)
part of:
Company (for string orchestra)
Philip Glass2:41
25Tod und Verklärung, op. 24, TrV 158 (Death and Transfiguration)
producer:
Martin Sauer (engineer/producer)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (on 1989-04-02)
conductor:
Zdeněk Košler (conductor) (on 1989-04-02)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1990)
recorded at:
Reduta Hall in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (on 1989-04-02)
recording of:
Tod und Verklärung, op. 24 (TrV 158) (on 1989-04-02)
composer:
Richard Strauss (German composer) (from 1888 until 1889-11-18)
dedicated to:
Friedrich Rösch
premiered at:
[Convention of the General German Music Association] (1890-06-21)
publisher:
Joseph Aibl (in 1891)
premiered at:
Thüringer Landestheater Eisenach in Eisenach, Thüringen (Thuringia), Germany (on 1890-06-21)
part of:
Works of Richard Strauss by opus number (number: op. 24) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 158)
Richard Strauss24:40