Buona Sera

~ Veröffentlichung von Louis Prima & Keely Smith with Sam Butera & the Witnesses (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Buona Sera
Produzent(in):
Voyle Gilmore
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber (am 1956-04-19)
Kontrabass:
Amato Rodrigues (am 1956-04-19)
Posaune:
James Blount, Jr. (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Buona sera (am 1956-04-19)
Texter:
Carl Sigman
Komponist(in):
Peter de Rose
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
übersetzte Version von:
Buona sera signorina (italian version for Fred Buscaglione)
42:57
2Just a Gigolo / I Ain’t Got Nobody
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19) und Lou Sineaux (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (am 1956-04-19)
Texter:
Julius Brammer und Roger Graham
Komponist(in):
Leonello Casucci und Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
Übersetzer:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America und Wiener Bohème Verlag GmbH
Medley von:
Just a Gigolo (English version)
Medley von:
I Ain’t Got Nobody
44:41
3Oh Marie
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Oh Marie (am 1956-04-19)
Texter und Komponist(in):
Eduardo Di Capua
arranger:
Louis Prima
32:25
4On the Sunny Side of the Street / Exactly Like You
6:09
5You Rascal You
Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
cover recording of:
I’ll Be Glad When You’re Dead, You Rascal You (am 1956-04-19)
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:12
6The Lip
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
Sologesang:
Louis Prima (am 1956-04-19) und Keely Smith (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
The Lip (am 1956-04-19)
Verfasser(in):
Ted Klages und Vic Knight
2:16
7Embraceable You / I Got It Bad and That Ain’t Good
Produzent(in):
Voyle Gilmore
Bass:
Tony Liuzza (am 1958-02-11)
Gitarre:
Bobby Roberts (1950-60s guitarist, The Witnesses) (am 1958-02-11)
Klavier:
Willie McCumber Jr. (am 1958-02-11)
Posaune:
Lou Sino (am 1958-02-11)
Schlagzeug:
Harvey Lang (am 1958-02-11)
Tenorsaxophon:
Sam Butera (am 1958-02-11)
Trompete:
Louis Prima (am 1958-02-11)
vocals:
Louis Prima (am 1958-02-11) und Keely Smith (am 1958-02-11)
Orchester:
The Witnesses (am 1958-02-11)
aufgenommen bei:
Sahara Theater in Winchester, Nevada, Vereinigte Staaten (am 1958-02-11)
live medley including a cover recording of:
Embraceable You (am 1958-02-11)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
live medley including a cover recording of:
I Got It Bad (and That Ain’t Good) (am 1958-02-11)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
2:51
8Sing, Sing, Sing
Produzent(in):
Voyle Gilmore
Bass:
Tony Liuzza (am 1958-08-25)
Gitarre:
Bobby Roberts (1950-60s guitarist, The Witnesses) (am 1958-08-25)
Klavier:
Willie McCumber Jr. (am 1958-08-25)
Posaune:
Lou Sino (am 1958-08-25)
Schlagzeug:
Paul Ferrara (am 1958-08-25)
Tenorsaxophon:
Sam Butera (am 1958-08-25)
Trompete:
Louis Prima (am 1958-08-25)
vocals:
Louis Prima (am 1958-08-25)
Orchester:
The Witnesses (am 1958-08-25)
aufgenommen bei:
Sahara Theater in Winchester, Nevada, Vereinigte Staaten (am 1958-08-25)
live recording of:
Sing, Sing, Sing (With a Swing) (am 1958-08-25)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
4:08
9I’ve Got the World on a String
cover recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:24
10Pennies From Heaven
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1957-01-31)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1957-01-31)
Klavier:
Willie McCumber Jr. (am 1957-01-31)
Posaune:
Jimmy 'Little Red' Blount (am 1957-01-31)
Schlagzeug:
Bobby Morris (am 1957-01-31)
Tenorsaxophon:
Sam Butera (am 1957-01-31)
Trompete:
Louis Prima (am 1957-01-31)
vocals:
Louis Prima (am 1957-01-31)
Orchester:
The Witnesses (am 1957-01-31)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-31)
cover recording of:
Pennies From Heaven (am 1957-01-31)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2)
32:19
11A Foggy Day
2:39
12Them There Eyes / Honeysuckle Rose
4:45
13Come Back to Sorrento
cover recording of:
Come Back to Sorrento
Texter:
Giambattista De Curtis
Komponist(in):
Ernesto De Curtis (composer) (in 1902)
Übersetzer:
Claude Aveling
übersetzte Version von:
Torna a Surriento
3:12
14Angelina – Zooma Zooma
Produzent(in):
Voyle Gilmore (am 1957-07-26)
Bass:
Tony Liuzza (am 1957-07-26)
Klavier:
Willie McCumber Jr. (am 1957-07-26)
Posaune:
Jimmy 'Little Red' Blount (am 1957-07-26)
Schlagzeug:
Bobby Morris (am 1957-07-26)
Tenorsaxophon:
Sam Butera (am 1957-07-26)
Trompete:
Louis Prima (am 1957-07-26)
vocals:
Louis Prima (am 1957-07-26)
Orchester:
The Witnesses (am 1957-07-26)
aufgenommen bei:
Harrah’s Lake Tahoe in Stateline, Nevada, Vereinigte Staaten (am 1957-07-26)
live medley including a recording of:
Angelina (am 1957-07-26)
Verfasser(in):
Allan Roberts (songwriter) und Doris Fisher
live medley including a recording of:
Zooma Zooma (am 1957-07-26)
Verfasser(in):
Pablo Citarella und Louis Prima
4:16
15Banana Split for My Baby
recording of:
Banana Split for My Baby
Verfasser(in):
Stan Irwin und Louis Prima
2:36
16Robin Hood/Oh Babe
5:33
17Basin Street Blues / When It’s Sleepy Time Down South
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
medley including a recording of:
Basin Street Blues (am 1956-04-19)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
When It’s Sleepy Time Down South (am 1956-04-19)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
4:11
18Jump, Jive an’ Wail
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Jump, Jive an’ Wail (am 1956-04-19)
Texter:
Louis Prima
Komponist(in):
Louis Prima (in 1956)
53:27
19Gotta See Baby Tonight
2:28
20Don’t Worry ’Bout Me / I’m in the Mood for Love
Bass:
Tony Liuzza (am 1957-07-26)
Instrumente:
Sam Butera & the Witnesses (am 1957-07-26)
Klavier:
Willie McCumber Jr. (am 1957-07-26)
Posaune:
James Blount (am 1957-07-26)
Saxophon:
Sam Butera (am 1957-07-26)
Schlagzeug:
Bobby Morris (am 1957-07-26)
Trompete:
Louis Prima (am 1957-07-26)
vocals:
Louis Prima (am 1957-07-26) und Keely Smith (am 1957-07-26)
live medley including a cover recording of:
Don’t Worry ’Bout Me (am 1957-07-26)
Texter:
Ted Koehler (in 1939)
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. und Redwood Music Ltd. (Carlin)
live medley including a cover recording of:
I’m in the Mood for Love (am 1957-07-26)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
4:24

Nennungen