Original Album Classics (Cheap Trick / In Color / Heaven Tonight / All Shook Up / Next Position Please)

~ Release by Cheap Trick (see all versions of this release, 1 available)

Annotation

Includes 5 albums from the Epic years, omitting At Budokan, Dream Police and One On One out of the chronological order.
CD1-CD4 are the remastered issues from 1998 & 2006.
CD5 is previously unavailable on CD.
All CD's come in single cardboard sleeves, using the original LP artwork, and not stating the complete tracklising (seen on box cover). There is a note saying which of the tracks are not on the original albums, however CD5 is missing that information (It is 5:7 and 5:14 that are new to the re-issue of CD5).

Annotation last modified on 2018-03-08 09:35 UTC.

Tracklist

1▶CD: Cheap Trick
2▼CD: In Color
#TitleRatingLength
1Hello There
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Hello There (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1977, in 1979) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977, in 1979)
3.651:41
2Big Eyes
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Big Eyes (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1977, in 1979) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977, in 1979)
3.53:09
3Downed
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1978)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Downed
lyricist and composer:
Rick Nielsen
3.354:11
4I Want You to Want Me
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 266)
recording of:
I Want You to Want Me (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
part of:
10 Things I Hate About You
4.153:12
5You’re All Talk
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
You’re All Talk (in 1977)
writer:
Rick Nielsen and Tom Petersson (US bass player, in Cheap Trick)
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
33:35
6Oh Caroline
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Oh Caroline (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3.52:59
7Clock Strikes Ten
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Clock Strikes Ten (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1977, in 1979) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977, in 1979)
3.53:02
8Southern Girls
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Southern Girls
writer:
Rick Nielsen and Tom Petersson (US bass player, in Cheap Trick)
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4.353:44
9Come on, Come On
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Come On, Come On (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1975, in 1979)
3.52:39
10So Good to See You
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
So Good to See You (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3.53:46
11Oh Boy (instrumental version)
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
instrumental recording of:
Oh Boy (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Sony/ATV Songs LLC and ZPN and C Inc.
43:10
12Southern Girls (demo)
producer:
Cheap Trick
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (in 1975)
recording of:
Southern Girls (in 1975)
writer:
Rick Nielsen and Tom Petersson (US bass player, in Cheap Trick)
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
33:04
13Come on, Come On (demo)
producer:
Cheap Trick
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (in 1975)
recording of:
Come On, Come On (in 1975)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1975, in 1979)
32:06
14You’re All Talk (live)
producer:
Cheap Trick
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Whisky a Go Go in West Hollywood, California, United States (from 1977-06-03 until 1977-06-05)
live recording of:
You’re All Talk (from 1977-06-03 until 1977-06-05)
writer:
Rick Nielsen and Tom Petersson (US bass player, in Cheap Trick)
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
23:42
15Goodnight (live)
producer:
Cheap Trick
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Whisky a Go Go in West Hollywood, California, United States (from 1977-06-03 until 1977-06-05)
live recording of:
Goodnight (from 1977-06-03 until 1977-06-05)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1979) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1979)
32:19
3▶CD: Heaven Tonight
4▶CD: All Shook Up
5▶CD: Next Position Please

Credits

Release

manufactured in:Europe
photography:David Kennedy (photographer)
Benno Friedman (photographer)
Jim Houghton (photographer)
Reid Miles
bass:Jon Brant
Tom Petersson (US bass player, in Cheap Trick)
bass [12 string bass] and bass guitar:Tom Petersson (US bass player, in Cheap Trick)
drums (drum set) and percussion:Bun E. Carlos
guitar:Rick Nielsen
Robin Zander
keyboard [left-hand keyboard] and mandocello:Rick Nielsen
lead vocals:Robin Zander
vocals:Rick Nielsen
Tom Petersson (US bass player, in Cheap Trick)
design:John Berg (designer)
Jim Charne
Paula Scher
manufactured by:Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
distributed by:Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
copyrighted (©) by and phonographic copyright (℗) by:CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978)
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2008)
recorded at:Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
Sound City in Van Nuys, California, United States
Discogs:https://www.discogs.com/release/2506271 [info]
ASIN:UK: B0018BF1EA [info]

Release group

includes:All Shook Up
Cheap Trick (1977 album)
Heaven Tonight
In Color
Next Position Please
part of:Original Album Classics (Sony Music anthology series) (order: 6)