Die Hit-Giganten: Rockballaden

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Who Wants to Live Forever
recording engineer:
Eric Tomlinson (British recording engineer)
drum machine programming:
Brian May (Queen guitarist)
assistant engineer:
Croydon (engineer)
engineer:
David Richards (Swiss-based producer and engineer)
producer:
Queen (UK rock group) and David Richards (Swiss-based producer and engineer)
electric guitar and synthesizer:
Brian May (Queen guitarist)
background vocals:
Brian May (Queen guitarist), Freddie Mercury and Roger Taylor (Queen drummer)
lead vocals:
Brian May (Queen guitarist) and Freddie Mercury
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Michael Kamen (American score composer)
orchestrator:
Michael Kamen (American score composer) and Brian May (Queen guitarist)
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1986, in 2011)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1985-09 until 1986-04), Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1985-09 until 1986-04) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1985-09 until 1986-04)
recording of:
Who Wants to Live Forever?
lyricist and composer:
Brian May (Queen guitarist)
publisher:
EMI Music Publishing Limited (PRS‐affiliated) (in 1986) and Queen Music Limited (in 1986)
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen4.15:16
2I'd Do Anything for Love (But I Won't Do That)
producer:
Jim Steinman
recording of:
I’d Do Anything for Love (but I Won’t Do That)
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf35:23
3Rosanna
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
Rosanna
lyricist and composer:
David Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Spirit Two Music
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:01
4More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge (engineer and producer)
acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston (US rock band)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 39), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston3.94:45
5Hold On
assistant engineer:
Greg Webster (engineer)
engineer:
Brad Aaron (engineer) and Davy Moire
co-producer:
Brad Aaron (engineer) and Davy Moire
producer:
Kansas (US prog rock band)
bass guitar:
Dave Hope
drums (drum set):
Phil Ehart
guitar:
Kerry Livgren and Richard Williams (guitarist of Kansas)
keyboard:
Kerry Livgren and Steve Walsh (original lead singer of Kansas)
percussion:
Phil Ehart, Kerry Livgren, Steve Walsh (original lead singer of Kansas) and Richard Williams (guitarist of Kansas)
vibraphone [vibes]:
Steve Walsh (original lead singer of Kansas)
viola and violin:
Robby Steinhardt
additional vocals:
Terry Ehart, The Four Bassmen, Joey Jelf, Vicci Livgren, Lisa White (backing vocalist on 1980s Kansas albums) and Donna Williams (backing vocalist on 1980s Kansas albums)
lead vocals:
Robby Steinhardt and Steve Walsh (original lead singer of Kansas)
vocals:
Phil Ehart, Dave Hope, Kerry Livgren and Richard Williams (guitarist of Kansas)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recorded at and mixed at:
Axis Studios in Atlanta, Georgia, United States
recording of:
Hold On
lyricist and composer:
Kerry Livgren
publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), Blackwood Music Publishing (1953-02-07–1987-12-30) (from 1980 to ????), Don Kirshner Music Inc. (from 1980 to present) and Kirshner CBS Music Publishing (from 1980 to present)
Kansas3.53:51
6The Loner
drums (drum set) programming:
Roland Vaughan Kerridge
engineer:
Chris Porter (engineer and producer)
producer:
Pete Smith (UK producer)
bass guitar:
Bob Daisley
guitar and lead vocals:
Gary Moore (Thin Lizzy, blues guitar)
keyboard and background vocals:
Neil Carter
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1987)
recording of:
The Loner
lyricist:
Gary Moore (Thin Lizzy, blues guitar)
composer:
Max Middleton and Gary Moore (Thin Lizzy, blues guitar)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Gary Moore5:53
7Black Velvet
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Kevin Doyle (award-winning sound engineer, producer)
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 6)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4.54:49
8The Last Unicorn
phonographic copyright (℗) by:
ATV Music (in 1982)
recording of:
The Last Unicorn (from the film “The Last Unicorn”)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Last Unicorn (1982 animated film soundtrack)
America53:09
9All You Zombies
recording engineer:
John Agnello (engineer & producer) and William Wittman
assistant engineer:
Carol Cafiero and Dan Nash
producer:
Rick Chertoff
mixer:
William Wittman
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
All You Zombies
writer:
Eric Bazilian and Rob Hyman
The Hooters55:59
10Every Rose Has Its Thorn
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988), Enigma (1980s US rock & alternative) (in 1988) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 34)
recording of:
Every Rose Has Its Thorn
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
publisher:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Songs Inc.
Poison44:19
11Am FensterCity53:56
12I Wonder Why
producer:
Glen Ballard
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
music videos:
I Wonder Why by Curtis Stigers
recording of:
I Wonder Why
writer:
Glen Ballard and Curtis Stigers
publisher:
Aerostation Corporation, Arlovol Music, C. Montrose’s Music, Inc., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony Music Publishing (worldwide except Japan, ended 1995) and Sony Tunes, Inc.
Curtis Stigers4:26
13Hiroshima
phonographic copyright (℗) by:
Global Records (German label) (in 1978)
recording of:
Hiroshima
lyricist and composer:
Dave Morgan (UK rock bassist/vocalist, member of Magnum)
publisher:
Global Musikverlag (Global Musik GmbH & Co. KG)
Wishful Thinking54:50
14A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:04
15Free Me
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
assistant mixer:
Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
mixer:
Peter Gallen and Robert M. Corich (remastering engineer and record producer,) (from 1990 until 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1977-07 until 1977-09)
recording of:
Free Me (from 1977-07 until 1977-09)
lyricist and composer:
Ken Hensley
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
Uriah Heep23:33
16Child in the Sun
Nazareth4:51
17I Love You Much Too Much
assistant engineer:
Wayne Lewis (engineer)
engineer and mixer:
Fred Catero
associate producer:
Fred Catero and The Santana Band (US Latin, blues, & rock band)
producer:
Devadip Carlos Santana and Bill Graham (San Francisco Bay Area promoter)
bass guitar:
David Margen
bongos:
Armando Peraza
congas:
Raul Rekow
drums (drum set):
Graham Lear
electric guitar [lead guitar]:
Devadip Carlos Santana
keyboard:
Richard Baker (US keyboardist for Santana) and Alan Pasqua
organ and piano:
Richard Baker (US keyboardist for Santana)
percussion:
Devadip Carlos Santana, Armando Peraza, Raul Rekow and Orestes Vilató
timbales:
Orestes Vilató
background vocals and lead vocals:
Alexander J. Ligertwood
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at and mixed at:
The Automatt in San Francisco, California, United States
instrumental cover recording of:
I Love You Much Too Much
lyricist:
Chaim Tauber
composer:
Alexander Olshanetsky
translator:
Don Raye
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Santana34:44
2CD

Credits

Release group

part of:Die Hit-Giganten (number: 2006-05-26) (order: 27)