Vintage Verve

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1It Don’t Mean a Thing (If It Ain’t Got That Swing)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (jazz violinist) (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (from 1957-09-04 until 1957-09-16)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald4:14
2Cry Me a River
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player)
double bass:
Milt Hinton
drums (drum set):
Panama Francis (US swing jazz drummer) (in 1959)
flute:
Jerome Richardson
guitar:
Kenny Burrell
piano:
Joe Zawinul (jazz and fusion keyboard player)
lead vocals:
Dinah Washington
vocals:
Dinah Washington
conductor:
Belford Hendricks
arranger:
Belford Hendricks
cover recording of:
Cry Me a River (from 1959-06 until 1959-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Dinah Washington2:27
3April in Paris
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
April in Paris (on 1949-11-30)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Charlie Parker3:07
4Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’ (on 1955-02-14)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Billie Holiday54:39
5Tequila
producer:
Creed Taylor
congas:
Ray Barretto (on 1966-03-17)
double bass:
Ron Carter (US jazz double-bassist) (on 1966-03-17)
drums (drum set):
Grady Tate (on 1966-03-17)
guitar:
Wes Montgomery (on 1966-03-17)
conductor:
Claus Ogerman (on 1966-03-17)
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-03-17)
instrumental cover recording of:
Tequila (on 1966-03-17)
lyricist and composer:
Daniel Flores (Daniel Flores)
Wes Montgomery3:20
6I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Nina Simone4.32:35
7Autumn Leaves
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1969-01-30 until 1969-03-11)
drums (drum set):
Marty Morell (drums) (from 1969-01-30 until 1969-03-11)
flute:
Jeremy Steig (from 1969-01-30 until 1969-03-11)
piano:
Bill Evans (pianist) (from 1969-01-30 until 1969-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1969-01-30 until 1969-03-11)
instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (from 1969-01-30 until 1969-03-11)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Bill Evans6:14
8The Girl From Ipanema
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
double bass [bass]:
Tommy Williams (jazz bassist) (in 1963-03)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
drums (drum set) [drums]:
Milton Banana (in 1963-03)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
performer:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) and Antônio Carlos Jobim
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 461)
recording of:
The Girl From Ipanema (from 1963-03-18 until 1963-03-19)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz3.655:24
9What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.92:19
10Stolen Moments
recording engineer:
Rudy van Gelder (on 1961-02-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and flute:
Eric Dolphy (on 1961-02-23)
alto saxophone and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-23)
baritone saxophone:
George Barrow (on 1961-02-23)
double bass:
Paul Chambers (US jazz bassist) (on 1961-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-02-23)
piano:
Bill Evans (pianist) (on 1961-02-23)
trumpet:
Freddie Hubbard (on 1961-02-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-23)
instrumental recording of:
Stolen Moments (original instrumental version) (on 1961-02-23)
composer:
Oliver Nelson (saxophone, arranger, composer) (in 1960)
publisher:
Alameda Music Co, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Noslen Music Company (Oliver Nelson)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oliver Nelson8:45
11Misty
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
orchestra:
Quincy Jones and His Orchestra
arranger:
Quincy Jones
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1958-07-07)
cover recording of:
Misty (on 1958-07-07)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Sarah Vaughan2:59
12My Favorite Things
producer:
Bob Thiele (producer & songwriter)
double bass:
Jimmy Garrison (on 1963-07-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1963-07-07)
piano:
McCoy Tyner (jazz pianist) (on 1963-07-07)
soprano saxophone:
John Coltrane (on 1963-07-07)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1963-07-07)
live instrumental cover recording of:
My Favorite Things (The Sound of Music) (on 1963-07-07)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
John Coltrane17:25