Pirates of the Caribbean: At World’s End

~ Release by Hans Zimmer (see all versions of this release, 10 available)

Tracklist

1▼CD
#TitleRatingLength
1Hoist the Colours
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recorded at:
Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Hoist the Colours (Pirates of the Caribbean: At World’s End)
lyricist:
Ted Elliott (American screenwriter and film producer) and Terry Rossio (American screenwriter)
composer:
Gore Verbinski (American film director, screenwriter, producer and musician) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
1:31
2Singapore
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Singapore (Pirates of the Caribbean: At World’s End)
composer:
Klaus Badelt (German score composer), Tom Gire (co-founder, Brand X Music), Atli Örvarsson (Icelandic score composer), John Sponsler (co-founder, Brand X Music), Gore Verbinski (American film director, screenwriter, producer and musician), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
3:41
3At Wit’s End
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
At Wit’s End (Pirates of the Caribbean: At World’s End)
composer:
Lorne Balfe (Scottish score composer), Henry Jackman (English score composer), Atli Örvarsson (Icelandic score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
8:06
4Multiple Jacks
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Multiple Jacks (Pirates of the Caribbean: At World’s End)
composer:
Atli Örvarsson (Icelandic score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
3:52
5Up Is Down
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Up Is Down (Pirates of the Caribbean: At World’s End)
composer:
Henry Jackman (English score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
3.752:42
6I See Dead People in Boats
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
I See Dead People in Boats (Pirates of the Caribbean: At World’s End)
composer:
Lorne Balfe (Scottish score composer), Blake Neely, Atli Örvarsson (Icelandic score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
7:09
7The Brethren Court
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Brethren Court (Pirates of the Caribbean: At World’s End)
composer:
Lorne Balfe (Scottish score composer), Atli Örvarsson (Icelandic score composer), Gore Verbinski (American film director, screenwriter, producer and musician) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
2:21
8Parlay
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Parlay (Pirates of the Caribbean: At World’s End)
composer:
Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
2:10
9Calypso
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Calypso (Pirates of the Caribbean: At World’s End)
composer:
Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
3:03
10What Shall We Die For
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
What Shall We Die For (Pirates of the Caribbean: At World’s End)
composer:
Nick Glennie‐Smith, Gore Verbinski (American film director, screenwriter, producer and musician) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
3.752:03
11I Don’t Think Now Is the Best Time
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
I Don’t Think Now Is the Best Time (Pirates of the Caribbean: At World’s End)
composer:
Klaus Badelt (German score composer), Tom Gire (co-founder, Brand X Music), Henry Jackman (English score composer), Atli Örvarsson (Icelandic score composer), John Sponsler (co-founder, Brand X Music), Gore Verbinski (American film director, screenwriter, producer and musician) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
10:45
12One Day
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
One Day (Pirates of the Caribbean: At World’s End)
composer:
Henry Jackman (English score composer), John Sponsler (co-founder, Brand X Music), Thomas Gire (co-founder, Brand X Music) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
4:02
13Drink Up Me Hearties
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Drink Up Me Hearties (Pirates of the Caribbean: At World’s End)
composer:
Lorne Balfe (Scottish score composer), Henry Jackman (English score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
3.754:32

Credits

Release

executive producer:Jerry Bruckheimer
Gore Verbinski (American film director, screenwriter, producer and musician)
mastering:Patricia Sullivan (mastering engineer at Bernie Grundman Mastering)
composer:Hans Zimmer (German score composer)
design:Sean Tejaratchi
mastered at:Bernie Grundman Mastering (Los Angeles) in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/2287002 [info]
ASIN:US: B000P0J02E [info]