An Introduction To The Complete Works Of Johann Sebastian Bach - The Millennium Edition

~ Release by Johann Sebastian Bach; Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Mass In B Minor BWV 232 Sanctus & Pleni Sunt Coeli
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1993-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:34
2Suite For Solo Cello D Major BWV 1012/1: Prelude
cello:
Boris Pergamenschikow (cellist)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1998)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012: I. Prélude (Cello Suite No. 6 in D major, BWV 1012: I. Prélude) (from 1998-04-15 until 1998-06-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012 (Cello Suite No. 6 in D major, BWV 1012)
Johann Sebastian Bach4:31
3Peasant Cantata BWV 212/ No.14-16
bass vocals:
Thomas Quasthoff (bass-baritone)
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach7:10
4Chorale Prelude BWV 650
organ:
Bine Katrine Bryndorf (organist) (from 1999-01-12 until 1999-01-14)
recorded at:
Garnisonskirken (Garrison Church) in Copenhagen, Capital Region of Denmark, Denmark (from 1999-01-12 until 1999-01-14)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (from 1999-01-12 until 1999-01-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 650)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:14
5Prelude C Minor BWV 921
harpsichord:
Robert Hill (American harpsichordist)
lautenwerck:
Robert Hill (American harpsichordist) (in 1998-09)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-09)
recording of:
Præludium C-moll, BWV 921 (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 921)
Johann Sebastian Bach3:06
6Choral BWV 436
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Choralsatz, BWV 436 "Wie schön leuchtet der Morgenstern"
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 375) and Bach-Werke-Verzeichnis (number: BWV 436)
Johann Sebastian Bach1:22
7Preludes & Fugues BWV 846, 847, 851 From The Klavierbüchlein For W. F. Bach
clavichord and harpsichord:
Joseph Payne (player of harpsichord, clavichord & organ)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 81) and Bach-Werke-Verzeichnis (number: BWV 847)
part of:
The Well-Tempered Clavier, Book I
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 6 in D minor, BWV 851
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 85) and Bach-Werke-Verzeichnis (number: BWV 851)
part of:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach4:16
8St John Passion BWV 245, Versian II: Aria
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1996-03)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
soprano vocals:
Juliane Banse (soprano) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245a: Teil I. No. 11 Aria (Bass, Sopran, Chorus) & Choral "Himmel, reiße, Welt erhebe" (1725 revision) (in 1996-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach4:22
9Sonata B Minor BWV 1030/III: Presto
flute:
Jean‐Claude Gérard (flutist) (from 1998-05 until 1998-11)
piano:
Daniel Blumenthal (German-born, Belgium based pianist) (from 1998-05 until 1998-11)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1998-05 until 1998-11)
recording of:
Sonata for Flute & Keyboard in B minor, BWV 1030: III. Presto - Allegro (from 1998-05 until 1998-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonata for Flute & Keyboard in B minor, BWV 1030
Johann Sebastian Bach6:00
10St Matthew Passion BWV 244/No. 59-62
alto vocals:
Ingeborg Danz (mezzo soprano)
bass vocals:
Matthias Goerne (baritone)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach9:10
11Sonata C Minor BWV 1017/I & II: Largo - Allegro
harpsichord:
Robert Hill (American harpsichordist)
violin:
Dmitry Sitkovetsky (violinist)
recording of:
Sonate für Violine und Klavier c-Moll, BWV 1017: I. Largo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Violine und Klavier c-Moll, BWV 1017
recording of:
Sonate für Violine und Klavier c-Moll, BWV 1017: II. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Violine und Klavier c-Moll, BWV 1017
Johann Sebastian Bach7:12
12Passions-Pasticcio BWV 1088, Arioso
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1999-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-03)
conductor:
Helmuth Rilling (conductor) (in 1999-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
So heb ich denn mein Auge sehnlich auf, BWV 1088 (in 1999-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1088), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 1088 / 247‑>) and Bach Compendium (number: BC D 10/2)
Johann Sebastian Bach2:12
13Brandenburg Concerto No. 1 F Major BWV 1046/Movement 1
orchestra:
Oregon Bach Festival Chamber Orchestra and Oregon Bach Festival Orchestra
conductor:
Helmuth Rilling (conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:15
14Sacred Song BWV 454
cello:
Michael Gross (cellist)
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
tenor vocals:
James Taylor (operatic tenor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 454 "Ermuntre dich, mein schwacher Geist" (from 1998-01 until 1998-09)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musicalisches Gesang-Buch (Schemellis Gesangbuch, Schemelli´s Songbook) (number: 187), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 454) and Bach Compendium (number: BC F 230)
Johann Sebastian Bach2:20
15Sanctus In C Major BWV 237
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Sanctus C-Dur, BWV 237 (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 237)
Johann Sebastian Bach1:33
16Sonata G Major BWV 1027/III & IV: Andante - Allegro moderato
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
viola da gamba:
Hille Perl
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: III. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: IV. Allegro moderato
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
Johann Sebastian Bach5:00
17Fugue G Minor BWV 542/II
organ:
Kay Johannsen (from 1998-05-24 until 1998-05-26)
recorded at:
Stiftskirche St. Georg in Goslar, Niedersachsen (Lower Saxony), Germany (from 1998-05-24 until 1998-05-26)
recording of:
Fantasie (Praeludium) und Fuge g-Moll, BWV 542: II. Fuge (from 1998-05-24 until 1998-05-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Fantasie (Praeludium) und Fuge g-Moll, BWV 542 (Fantasia and Fugue in G minor, BWV 542)
Johann Sebastian Bach6:15