The Story of The Clash, Volume 1

~ Release by The Clash (see all versions of this release, 8 available)

Annotation

A typing error on the Epic US cover has some track names incorrect when compared to the original European releases. These typos are corrected by Epic in later years.

Annotation last modified on 2017-11-12 13:36 UTC.

Tracklist

1▼CD
#TitleRatingLength
1The Magnificent Seven
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
recording of:
The Magnificent Seven
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
publisher:
Nineden Ltd.
44:29
2Rock the Casbah
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
music videos:
Rock the Casbah by The Clash (70s–80s British punk rock band)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 58)
recording of:
Rock the Casbah
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.63:44
3This Is Radio Clash
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
This Is Radio Clash
writer:
The Clash (70s–80s British punk rock band)
44:10
4Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
4.43:09
5Straight to Hell
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Straight to Hell
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
3.65:31
6Armagideon Time
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
cover recording of:
Armagideon Time
writer:
Willi Williams (Jamaican reggae artist)
composer:
Clement “Coxsone” Dodd
is based on:
Real Rock (riddim)
43:53
7Clampdown
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Clampdown (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
is based on:
Working and Waiting
3.653:50
8Train in Vain
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set):
Topper Headon
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 213) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 292)
recording of:
Train in Vain (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.153:13
9The Guns of Brixton
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
The Guns of Brixton (from 1979-01 until 1979-03)
lyricist and composer:
Paul Simonon
publisher:
Nineden Ltd.
is based on:
Paul’s Tune
3.753:12
10I Fought the Law
producer:
The Clash (70s–80s British punk rock band) and Bill Price (UK producer/engineer)
bass guitar:
Paul Simonon (on 1978-12-28)
drums (drum set):
Topper Headon (on 1978-12-28)
electric guitar:
Mick Jones (The Clash/Big Audio Dynamite) (on 1978-12-28) and Joe Strummer (on 1978-12-28)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
background vocals:
Mick Jones (The Clash/Big Audio Dynamite) (on 1978-12-28) and Paul Simonon (on 1978-12-28)
lead vocals:
Joe Strummer (on 1978-12-28)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1978-12-28)
part of:
New York Post: 100 Greatest Covers (2007) (number: 33) and Indie 88: Top 500 Indie Rock Songs (number: 266)
live cover recording of:
I Fought the Law (on 1978-12-28)
lyricist and composer:
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4.32:40
11Somebody Got Murdered
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
lead vocals:
Mick Jones (The Clash/Big Audio Dynamite)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
recording of:
Somebody Got Murdered
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
arranger:
The Clash (70s–80s British punk rock band)
publisher:
Nineden Ltd.
3.253:35
12Lost in the Supermarket
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Lost in the Supermarket (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.853:49
13Bankrobber
producer:
Mikey Dread
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Bankrobber
additional lyricist:
Half Pint (Jamaican reggae/dancehall singer)
lyricist, writer and composer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
34:33
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