100 Greatest Jazz Icons

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Take Five
The Dave Brubeck Quartet5:25
2So What
recorded in:
New York, New York, United States (on 1959-03-02)
recording engineer:
Fred Plaut (on 1959-03-02)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis4.259:23
3Round Midnight
Thelonious Monk3:11
4St. Thomas
recording of:
St. Thomas
composer:
Sonny Rollins
publisher:
Prestige Music Co. (US, affiliated with BMI)
Sonny Rollins Quartet with Tommy Flanagan & Max Roach6:47
5Blue Train
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States
recording of:
Blue Train (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane9:56
6The Girl From Ipanema
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz, João Gilberto & Astrud Gilberto5:20
7Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:53
8Moanin'
Art Blakey9:31
9Fever
cover recording of:
Fever
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee3:20
10A House Is Not a Home
Bill Evans4:37
11Stolen Moments
recording engineer:
Rudy van Gelder (on 1961-02-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and flute:
Eric Dolphy (on 1961-02-23)
alto saxophone and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-23)
baritone saxophone:
George Barrow (on 1961-02-23)
double bass:
Paul Chambers (US jazz bassist) (on 1961-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-02-23)
piano:
Bill Evans (pianist) (on 1961-02-23)
trumpet:
Freddie Hubbard (on 1961-02-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-23)
instrumental recording of:
Stolen Moments (original instrumental version) (on 1961-02-23)
composer:
Oliver Nelson (saxophone, arranger, composer) (in 1960)
publisher:
Alameda Music Co, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Noslen Music Company (Oliver Nelson)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oliver Nelson8:47
12Work Song
alto saxophone:
Cannonball Adderley (on 1960-03-29)
cornet:
Nat Adderley (on 1960-03-29)
double bass:
Sam Jones (US jazz bassist) (on 1960-03-29)
drums (drum set):
Louis Hayes (on 1960-03-29)
piano:
Barry Harris (Jazz pianist) (on 1960-03-29)
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011)
recording of:
Work Song (lyrics added by Oscar Brown Jr.) (on 1960-03-29)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
version of:
Work Song (original instrumental)
Cannonball Adderley5:08
13Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:18
14Sing, Sing, Sing (with a Swing)
recording of:
Sing, Sing, Sing (With a Swing)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Benny Goodman and His Orchestra5:02
15In the Mood
recording of:
In the Mood
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller and His Orchestra3:37
16Every We Say Goodbye
Brian Dee, Bobby Worth, Tommy Whittle, Jimmy Richardson & Maxine Daniels2:26
17Take the a Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
The Duke Ellington Orchestra3:04
18Yardbird Suite
recording of:
Yardbird Suite (instrumental version) (on 1946-03-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1946)
Charlie Parker2:52
19Sugar
recording engineer:
Rudy van Gelder (in 1970-11)
producer:
Creed Taylor
congas:
Richard Landrum (in 1970-11)
double bass [bass]:
Ron Carter (US jazz double-bassist) (in 1970-11)
drums (drum set):
Bill Kaye (jazz drummer) (in 1970-11)
electric guitar [guitar]:
George Benson (jazz guitarist/singer) (in 1970-11)
electric piano:
Lonnie L. Smith, Jr. (in 1970-11)
Hammond organ [organ]:
Butch Cornell (in 1970-11)
tenor saxophone:
Stanley Turrentine (in 1970-11)
trumpet:
Freddie Hubbard (in 1970-11)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1970-11)
recording of:
Sugar (in 1970-11)
composer:
Stanley Turrentine
Stanley Turrentine10:03
20Sweet Georgia Brown
recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Oscar Peterson Trio3:02
21L-O-V-E
engineer:
Ryan Robinson (engineer)
mixer:
Joel Iwataki
assistant editor:
Sam Zeines
vocals:
Nat King Cole (on 1964-06-03)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1964-06-03)
recording of:
L‐O‐V‐E (on 1964-06-03)
lyricist:
Milton Gabler
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Nat King Cole52:35
22Stormy Weather
recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Billie Holiday3:44
23They Can't Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Dizzy Gillespie3:45
24Mad About the Boy
Dinah Washington2:51
25Lullaby of Birdland
recorded in:
New York, New York, United States (on 1954-12-16)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-16)
flute:
Herbie Mann (on 1954-12-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-16)
saxophone and tenor saxophone:
Paul Quinichette (on 1954-12-16)
trumpet:
Clifford Brown (trumpet) (on 1954-12-16)
lead vocals:
Sarah Vaughan
vocals:
Sarah Vaughan (on 1954-12-16)
conductor:
Ernie Wilkins (on 1954-12-16)
arranger:
Ernie Wilkins
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1954-12-16)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan3:58
26Sound and Sense (Remastered)
Roy Ayers6:42
27Night Hawk
recording engineer:
Rudy van Gelder (on 1960-12-30)
producer:
Esmond Edwards
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1960-12-30)
drums (drum set):
Gus Johnson (drums) (on 1960-12-30)
piano:
Tommy Flanagan (on 1960-12-30)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1960-12-30) and Coleman Hawkins (on 1960-12-30)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-30)
Coleman Hawkins10:30
28Someone to Watch Over Me
Benny Carter2:43
29It Was a Very Good Year
Wes Montgomery3:43
30Taxi War Dance
Count Basie2:49
31Caravan
Buddy Rich9:41
32Comin' Home Baby
Mel Tormé2:45
33My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:20
34Manha de Carnaval (Remastered 2005)
recording of:
Manhã de Carnaval
lyricist:
Antônio Maria
composer:
Luiz Bonfá
Dexter Gordon8:26
35Moonlight in Vermont
Gerry Mulligan Art Farmer Quartet3:58
36Poinciana
piano:
Ahmad Jamal (in 2016-07)
instrumental recording of:
Poinciana (Song of the Tree) (in 2016-07)
lyricist:
Buddy Bernier (in 1936)
composer:
Nat Simon (in 1936)
Ahmad Jamal4:28
37The Very Thought of You
Shirley Horn5:14
38The Man I Love
recording engineer:
Rudy van Gelder (on 1958-05-14)
producer:
Alfred Lion
double bass [bass]:
Sam Jones (US jazz bassist) (on 1958-05-14)
drums (drum set):
Art Blakey (on 1958-05-14)
electric guitar [guitar]:
Kenny Burrell (on 1958-05-14)
piano:
Duke Jordan (on 1958-05-14)
trumpet:
Louis Smith (US jazz trumpeter) (on 1958-05-14)
recorded at:
Manhattan Towers (hotel ballroom used for Van Gelder recording) in New York, New York, United States (on 1958-05-14)
cover recording of:
The Man I Love (on 1958-05-14)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
instrumental recording of:
The Man I Love (on 1958-05-14)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
Kenny Burrell6:47
39Quintessence
alto saxophone:
Phil Woods (US jazz woodwind player)
Quincy Jones and His Orchestra4:22
40Sarah Jane
Ramsey Lewis4:30
41Butterfly
Courtney Pine & Omar3:57
42Bulbs
producer:
Gil Evans
alto saxophone:
Jimmy Lyons (saxophone player) (on 1961-10-10)
double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
recording of:
Bulbs (on 1961-10-10)
composer:
Cecil Taylor
Gil Evans6:52
43I Got Rhythm
Cleo Laine2:49
44Black Narcissus
recording engineer:
George Sawtelle
producer:
Orrin Keepnews
double bass:
Ron Carter (US jazz double-bassist) (on 1969-05-29)
drums (drum set):
Jack DeJohnette (on 1969-05-29)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1969-05-29)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1969-05-29)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1969-05-29)
Joe Henderson4:52
45That's Right
Woody Herman and His Orchestra3:05
46All of Me (Remastered 2019)
Erroll Garner2:25
47Night Train
recorded in:
New York, New York, United States (on 1959-04-13)
producer:
Sidney Frey
alto saxophone:
Ed Pazant (on 1959-04-13) and Bobby Plater (on 1959-04-13)
baritone saxophone:
Lonnie Shaw (on 1959-04-13)
bass:
Lawrence Burgan (on 1959-04-13)
guitar:
William Mackel (on 1959-04-13)
piano:
Wade Legge (on 1959-04-13)
tenor saxophone:
Herman Green (Memphis jazz musician) (on 1959-04-13) and Andrew McGhee (on 1959-04-13)
trombone:
Lou Blackburn (on 1959-04-13), Wade Marcus (on 1959-04-13) and Clarence Watson (on 1959-04-13)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1959-04-13), Cat Anderson (on 1959-04-13), Dave Gonzales (trumpet) (on 1959-04-13), Arthur Hoyle (on 1959-04-13), Ed Mullens (on 1959-04-13) and Eddie Williams (trumpet) (on 1959-04-13)
vibraphone:
Lionel Hampton (on 1959-04-13)
phonographic copyright (℗) by:
BMG Music
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (on 1959-04-13)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
Lionel Hampton3:04
48Goodbye Pork Pie Hat
recording of:
Goodbye Pork Pie Hat (Roland Kirk lyrics)
lyricist:
Roland Kirk
composer:
Charles Mingus
version of:
Goodbye Pork Pie Hat (instrumental)
Charles Mingus4:48
49They Can't Take That Away From Me
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Art Tatum4:46
50I'll See You in My Dreams
recording of:
I’ll See You in My Dreams
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company and Leo Feist, Inc. (on 1924-12-19)
Django Reinhardt2:33
51The Sidewinder
recording of:
The Sidewinder
composer:
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Herbie Mann & Tamiko Jones3:04
52When It's Sleepy Down South
engineer:
Tim Geelan
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
BMG Studio A in Theater District, New York, New York, United States (from 1987-09 until 1990-08)
Wynton Marsalis5:10
53Hey Laura
assistant engineer:
Owen Mulholland (engineer) and Ted Tuthill
engineer:
Jay Newland (producer, engineer and mixer)
associate producer:
Kamau Kenyatta
producer:
Brian Bacchus (producer, consultant A&R)
mixer:
Jay Newland (producer, engineer and mixer) (from 2013-04 until 2013-05)
bass:
Aaron James (Bassist)
drums (drum set):
Emanuel Harrold
Hammond organ [Hammond B3 organ]:
Glenn Patscha
piano:
Chip Crawford
vocals:
Gregory Porter
brass [horns] arranger:
Kamau Kenyatta
recorded at:
Sear Sound in New York, New York, United States (from 2013-03-28 until 2013-03-30, on 2013-04-15)
mixed at:
The Grateful Shed in Norwalk, Connecticut, United States (from 2013-04 until 2013-05)
recording of:
Hey Laura
lyricist and composer:
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
Gregory Porter3:19
54Let's Face the Music and Dance
producer:
Tommy LiPuma and Johnny Mandel (American composer and arranger)
double bass:
John Clayton (US jazz and classical double bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
Russell Malone
piano and lead vocals:
Diana Krall
conductor:
Eddie Karam and Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Diana Krall5:18
55I Should Care
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
I Should Care (in 1955-08)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Julie London43:17
56They Say It's Wonderful
Jimmy Scott4:07
57These Are the Days
Jamie Cullum3:21
58There Will Never Be Another You
The Lester Young — Teddy Wilson Quartet3:28
59Matrix
Chick Corea6:30
60Where Do You Start
cover recording of:
Where Do You Start
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Marissa Music and Spirit Two Music Crescendo
Brad Mehldau Trio4:06
61Fly Me to the Moon (In Other Words)
Frank Sinatra & Count Basie and His Orchestra2:32
62Soho Soul
Tubby Hayes with Clark Terry8:05
63Come Away With Me
Norah Jones3:18
64Namely You
recording of:
Namely You
lyricist:
Johnny Mercer (in 1956)
composer:
Gene de Paul (in 1956)
Max Roach2:47
65Maiden Voyage
recording engineer:
Rudy van Gelder (on 1965-03-17)
producer:
Alfred Lion and Michael Cuscuna (in 1999: task: Reissue produced by)
bass:
Ron Carter (US jazz double-bassist) (on 1965-03-17)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-03-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-03-17)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1965-03-17)
trumpet:
Freddie Hubbard (on 1965-03-17)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-03-17)
recording of:
Maiden Voyage (on 1965-03-17)
composer:
Herbert J. Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Co.
Herbie Hancock7:57
66Footprints (Remastered)
recording of:
Footprints
composer:
Wayne Shorter (US jazz saxophonist and composer)
publisher:
Miyako Music (Music publishing company for Wayne Shorter's compositions.)
Wayne Shorter7:30
67I Remember Clifford
recording engineer:
Rudy van Gelder (on 1957-03-24)
producer:
Alfred Lion
alto saxophone and flute:
Gigi Gryce (on 1957-03-24)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-03-24)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-03-24)
piano:
Wynton Kelly (on 1957-03-24)
tenor saxophone:
Benny Golson (on 1957-03-24)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-03-24)
arranger:
Benny Golson
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-03-24)
recording of:
I Remember Clifford (on 1957-03-24)
lyricist:
Jon Hendricks
composer:
Benny Golson
version of:
I Remember Clifford (instrumental original)
Lee Morgan7:09
68Alfie
producer:
Creed Taylor
bass:
Ronnie Boykins (on 1967-05-02)
drums (drum set):
Grady Tate (on 1967-05-02)
piano:
Lonnie Liston Smith (on 1967-05-02)
woodwind:
Roland Kirk (on 1967-05-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1967-05-02)
instrumental recording of:
Alfie (on 1967-05-02)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
part of:
Alfie (1966 film)
Rahsaan Roland Kirk2:55
69Bye Bye Blackbird
Bill Henderson3:05
70Song for My Father
recording of:
Song for My Father (instrumental) (on 1964-10-26)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
Horace Silver7:18
71At Last
producer:
Leonard Chess, Phil Chess and Leonard and Phil Chess (legendary US production duo)
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographic copyright (℗) by:
Windswept Pacific Music Ltd.
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 115) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 356)
cover recording of:
At Last (in 1960-10)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Etta James4.53:02
72Ain't Misbehavin'
double bass:
Slam Stewart (on 1943-01-23)
drums (drum set):
Zutty Singleton (on 1943-01-23)
guitar:
Irving Ashby (on 1943-01-23)
piano:
Fats Waller (in 1943, on 1943-01-23)
reeds:
Gene Porter (40s west coast jazz cat) (on 1943-01-23)
trombone:
Alton Moore (on 1943-01-23) and Slim Moore (trombonist linked to Fats Waller) (on 1943-01-23)
trumpet:
Benny Carter (on 1943-01-23)
vocals:
Fats Waller (on 1943-01-23)
edit of:
Ain’t Misbehavin’ (alternate ending) (1943: “Stormy Weather” movie) by “Fats” Waller (Fats Waller)
recording of:
Ain’t Misbehavin’ (on 1943-01-23)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Fats Waller and His Rhythm4:01
73B the Beguine
Artie Shaw and His Orchestra3:15
74Beyond the Mirage
producer:
Al Di Meola, Paco de Lucía and John McLaughlin (guitarist)
acoustic guitar:
John McLaughlin (guitarist)
classical guitar [Spanish guitar]:
Paco de Lucía
guitar:
Al Di Meola
Paco de Lucía, Al Di Meola & John McLaughlin6:10
75When Sunny Gets Blue
double bass:
Jimmy Garrison (on 1963-06-04)
drums (drum set):
Albert “Tootie” Heath (on 1963-06-04)
piano:
McCoy Tyner (jazz pianist) (on 1963-06-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-06-04)
instrumental recording of:
When Sunny Gets Blue (on 1963-06-04)
lyricist:
Jack Segal (US songwriter)
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC (ASCAP)
part of:
The Real Book (compilation of jazz standards, Volume I)
McCoy Tyner4:42
76Heather
Billy Cobham8:41
77It Ain't Necessarily So
Mary Lou Williams4:41
78Bouncin' With Bud
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
Bud Powell3:03
79All the Things You Are
Pat Metheny8:26
80Return Expedition
engineer:
Tamoo Suzuki (in 1990-11)
producer:
Stanley Jordan
guitar:
Stanley Jordan (in 1990-11)
recorded at:
Blue Note Tokyo in Minami-Aoyama, Minato (Minato-ku), Tokyo, Japan (from 1990-11-07 until 1990-11-09)
mixed at:
Studio Vincent
Stanley Jordan15:27
81The Best Is Yet to Come
executive producer:
Danny Bennett
producer:
Ernie Altschuler
bass:
Hal Gaylor (Canadian bassist)
drums (drum set):
William "Billy" Exiner
piano:
Ralph Sharon
tenor saxophone:
Al Cohn
vocals:
Tony Bennett (US jazz/standards vocalist)
conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
The Right to Love
writer:
Gene Lees and Lalo Schifrin (pianist & composer)
Tony Bennett3:40
82Am I Blue?
recording engineer:
Rudy van Gelder (on 1963-05-16)
producer:
Alfred Lion
drums (drum set):
Ben Dixon (Jazz drummer) (on 1963-05-16)
guitar:
Grant Green (jazz guitarist) (on 1963-05-16)
organ:
John Patton (on 1963-05-16)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-05-16)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1963-05-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-05-16)
cover recording of:
Am I Blue? (on 1963-05-16)
lyricist:
Grant Clarke
composer:
Harry Akst
publisher:
EMI Music Publishing (do not use as a release label!), Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Grant Green6:57
83Autumn Nocturne
recording engineer:
Rudy van Gelder (on 1958-07-28)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1958-07-28)
congas:
Ray Barretto (on 1958-07-28)
double bass [bass]:
John "Peck" Morrison (Jazz bass player from the 60s) (on 1958-07-28)
drums (drum set):
Dave Bailey (US jazz drummer) (on 1958-07-28)
piano:
Herman Foster (on 1958-07-28)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-07-28)
recording of:
Autumn Nocturne (on 1958-07-28)
lyricist:
Kim Gannon
composer:
Josef Myrow
Lou Donaldson4:55
84Thunder Walk
George Benson4:43
85Patricia
Art Pepper3:38
86Down
The Robert Glasper Trio5:22
87Dance Me to the End of Love
cover recording of:
Dance Me to the End of Love
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Madeleine Peyroux3:58
88Almost Like Being in Love
Nancy Wilson1:46
89Astral Traveling
engineer:
Bill Szymczyk
producer:
Ed Michel and Bill Szymczyk
bass and finger cymbals:
Cecil McBee (on 1970-11-25)
bell:
Clifford Jarvis (on 1970-11-25) and Pharoah Sanders (US jazz saxophonist) (on 1970-11-25)
claves, electric piano and piano:
Lonnie Liston Smith (on 1970-11-25)
drums (drum set) and maracas:
Clifford Jarvis (on 1970-11-25)
percussion:
Clifford Jarvis (on 1970-11-25), Cecil McBee (on 1970-11-25), Pharoah Sanders (US jazz saxophonist) (on 1970-11-25), Lonnie Liston Smith (on 1970-11-25) and Michael White (American jazz violinist) (on 1970-11-25)
soprano saxophone and tenor saxophone:
Pharoah Sanders (US jazz saxophonist) (on 1970-11-25)
violin:
Michael White (American jazz violinist) (on 1970-11-25)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (on 1970-11-25)
recording of:
Astral Traveling (on 1970-11-25)
composer:
Lonnie Liston Smith
Pharoah Sanders5:50
90Lonely Woman
Ornette Coleman5:00
91Journey in Satchidananda
recording engineer:
Roy Musgnug and Orville O'Brien (audio engineer)
producer:
Alice Coltrane and Ed Michel
bass:
Cecil McBee (on 1970-11-08)
bell and tambourine:
Majid Shabazz (on 1970-11-08)
drums (drum set):
Rashied Ali (jazz drummer) (on 1970-11-08)
percussion and soprano saxophone:
Pharoah Sanders (US jazz saxophonist) (on 1970-11-08)
piano:
Alice Coltrane (on 1970-11-08)
tambura:
Tulsi (on 1970-11-08)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1997)
recorded at:
The Coltrane Home Studio in Dix Hills, New York, United States (on 1970-11-08)
recording of:
Journey in Satchidananda (on 1970-11-08)
composer:
Alice Coltrane
publisher:
Jowcol Music
Alice Coltrane & Pharoah Sanders6:37
92Door of the Cosmos
Sun Ra9:00
93Brown Rice
recording engineer:
Kurt Munkacsi
recorded at:
The Basement Recording Studio in Brooklyn, New York, New York, United States
recording of:
Brown Rice
composer:
Don Cherry (jazz trumpeter)
publisher:
Eternal River Music (publisher for Don Cherry)
Don Cherry5:14
94Birdland
assistant engineer:
Jerry Hudgins and Brian Risner
engineer:
Ron Malo
assistant producer:
Wayne Shorter (US jazz saxophonist and composer)
co-producer:
Jaco Pastorius
producer:
Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) and Joe Zawinul (jazz and fusion keyboard player)
analog synthesizer [Arp 2600]:
Joe Zawinul (jazz and fusion keyboard player)
analog synthesizer [Oberheim Polyphonic], grand piano [acoustic piano] and melodica:
Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)
drums (drum set):
Alex Acuña (from 1976 until 1977)
electric bass guitar [bass] and mandocello:
Jaco Pastorius (from 1976 until 1977)
soprano saxophone and tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1976 until 1977)
tambourine:
Manolo Badrena (from 1976 until 1977)
vocals:
Jaco Pastorius (from 1976 until 1977) and Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)
orchestrator:
Joe Zawinul (jazz and fusion keyboard player)
recorded at:
Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (from 1976 until 1977)
recording of:
Birdland (instrumental) (from 1976 until 1977)
composer:
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Mulatto Music, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Weather Report55:59
95So Far Away
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician)
alto saxophone:
David Sanborn
bass and keyboard:
Marcus Miller (jazz musician)
congas and percussion:
Paulinho da Costa (Brazilian percussionist)
drums (drum set):
Vinnie Colaiuta (drummer)
electric piano:
Ricky Peterson (American keyboardist)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist), Marcus Miller (jazz musician) and G.E. Smith
recorded at and mixed at:
Right Track Recording in Manhattan, New York, New York, United States
recording of:
So Far Away
composer:
David Sanborn
David Sanborn5:20
96Sneakin' Up Behind You
producer:
Randy Brecker
additional drums (drum set):
Christopher Parker (American drummer) (in 1975-01)
alto saxophone:
Dave Sanborn (in 1975-01)
drums (drum set):
Harvey Mason (jazz drummer) (in 1975-01)
electric bass guitar:
Will Lee (US jazz/rock bassist) (in 1975-01)
flugelhorn and trumpet:
Randy Brecker (in 1975-01)
guitar:
Bob Mann (US session guitarist) (in 1975-01)
keyboard:
Don Grolnick (in 1975-01)
percussion:
Ralph MacDonald (in 1975-01)
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer) (in 1975-01)
vocals:
Will Lee (US jazz/rock bassist) (in 1975-01)
recorded at:
Secret Sound (New York) in New York, New York, United States (in 1975-01)
The Brecker Brothers4:55
97Winelight
Grover Washington, Jr.7:33
98Expansions
phonographic copyright (℗) by:
Flying Dutchman Productions, Ltd. (from 1975 to present)
recording of:
Expansions
composer:
Lonnie Liston Smith
publisher:
10 Music Ltd., Cosmic Echoes Publishing Co., Famous Chappell, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
Lonnie Liston Smith & The Cosmic Echoes36:06
99Don't Go Lose It Baby
Hugh Masekela6:51
100What a Wonderful World
recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong2:20