The No. 1 Jazz Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1“Jazz” (excerpt)
Produzent(in):
Norman Granz
Dizzy Gillespie0:05
2Soul Sauce (orig. “Guachi Guaro”)
recording of:
Soul Sauce
Verfasser(in):
Milton DeLugg, Chano Pozo und Bob Thiele (producer & songwriter)
Version von:
Guarachi Guaro
Cal Tjader2:26
3The Girl From Ipanema
recording engineer:
Phil Ramone
Produzent(in):
Creed Taylor
Bassgitarre:
Tommy Williams (jazz bassist) (von 1963-03-18 bis 1963-03-19)
Gast-Klavier und Klavier:
Antônio Carlos Jobim (von 1963-03-18 bis 1963-03-19)
Gitarre:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (von 1963-03-18 bis 1963-03-19)
Kontrabass [bass]:
Tommy Williams (jazz bassist) (in 1963-03)
Schlagzeug:
Milton Banana (von 1963-03-18 bis 1963-03-19)
Schlagzeug [drums]:
Milton Banana (in 1963-03)
Tenorsaxophon:
Stan Getz (von 1963-03-18 bis 1963-03-19)
vocals:
Astrud Gilberto (von 1963-03-18 bis 1963-03-19) und João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (von 1963-03-18 bis 1963-03-19)
Interpret(in):
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) und Antônio Carlos Jobim
aufgenommen bei:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (von 1963-03-18 bis 1963-03-19)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 461)
recording of:
The Girl From Ipanema (von 1963-03-18 bis 1963-03-19)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz and João Gilberto featuring Antonio Carlos Jobim3.655:26
4Pennies From Heaven
cover recording of:
Pennies From Heaven
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2)
Sarah Vaughan3:06
5Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
Gitarre:
Herb Ellis (jazz guitarist) (in 1957, am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957, am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (in 1957, am 1957-07-23)
Trompete:
Louis Armstrong (in 1957, am 1957-07-23)
vocals:
Louis Armstrong (in 1957, am 1957-07-23) und Ella Fitzgerald (American jazz singer) (in 1957, am 1957-07-23)
Interpret(in):
Ella Fitzgerald (American jazz singer)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (am 1957-07-23)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
Teil von:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald and Louis Armstrong3.54:15
6Tequila
Wes Montgomery3:23
7Nice Work If You Can Get It
vocals:
Billie Holiday (am 1955-08-23)
recording of:
Nice Work If You Can Get It (am 1955-08-23)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
Billie Holiday53:50
8Lover Man
phonographisches Urheberrecht (℗) von:
Gralin Music (in 2012)
recording of:
Lover Man
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
Cannonball Adderley3:57
9Love Is Here to Stay
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1959)
conductor:
Nelson Riddle (in 1959)
Interpret(in):
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
cover recording of:
Love Is Here to Stay (in 1959)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
Ella Fitzgerald3:54
10Everything Happens to Me
recording of:
Everything Happens to Me (am 1955-11-28)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Chet Baker3:41
11Let’s Do It
vocals:
Dinah Washington (in 1956)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
Dinah Washington2:39
12Georgia on My Mind
recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
The Oscar Peterson Trio3:46
13Fever
recording of:
Fever
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Shirley Horn4:45
14Now’s the Time
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1953-07-30)
Klavier:
Al Haig (am 1953-07-30)
Kontrabass:
Percy Heath (am 1953-07-30)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1953-07-30)
aufgenommen bei:
Fulton Street Studio (am 1953-07-30)
recording of:
Now’s the Time (am 1953-07-30)
Komponist(in):
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
Charlie Parker3:03
15Just One of Those Things
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Louis Armstrong4:04
16Miles Ahead
assistierende(r) Techniker(in):
Dan Wojnar (Engineer)
Techniker(in) und Mix:
Jim Anderson (engineer)
Koproduzent(in):
Joe Henderson (US jazz tenor saxophonist)
Produzent(in):
Richard Seidel und Don Sickler
assistierende(r) Mix:
Ian Craigie (engineer)
Gitarre:
John Scofield (US guitarist/composer) (von 1992-10-12 bis 1992-10-14)
Kontrabass [bass]:
Dave Holland (British jazz bassist and composer) (von 1992-10-12 bis 1992-10-14)
Schlagzeug:
Al Foster (von 1992-10-12 bis 1992-10-14)
Tenorsaxophon:
Joe Henderson (US jazz tenor saxophonist) (von 1992-10-12 bis 1992-10-14)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1992-10-12 bis 1992-10-14)
mixed at:
Effanel Music in New York, Vereinigte Staaten
recording of:
Miles Ahead (in 1992-10)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Gil Evans
Joe Henderson4:32
17Ba‐Lue Bolivar Ba‐Lues‐Are
assistierende(r) Techniker(in):
Noel Hazen (von 1994-06-08 bis 1994-06-10)
Techniker(in):
Mark Ettel (von 1994-06-08 bis 1994-06-10)
Produzent(in):
Richard Seidel und Don Sickler
assistierende(r) Mix:
Robert Smith (engineer) (von 1994-06-25 bis 1994-06-27)
Mix:
Jim Anderson (engineer) (von 1994-06-25 bis 1994-06-27)
Bass:
Rodney Whitaker (Bass) (von 1994-06-08 bis 1994-06-10)
Gitarre:
Mark Whitfield (American jazz guitarist) (von 1994-06-08 bis 1994-06-10)
Klavier:
Kenny Kirkland (von 1994-06-08 bis 1994-06-10)
Schlagzeug:
Jeffrey “Tain” Watts (jazz drummer) (von 1994-06-08 bis 1994-06-10)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1994-06-08 bis 1994-06-10)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1994-06-25 bis 1994-06-27)
recording of:
Ba‐lue Bolivar Ba‐lues‐are (in 1994-06)
Komponist(in):
Thelonious Monk
Mark Whitfield3:59
18Hip Chops
flute und Saxophon [manzello]:
Rahsaan Roland Kirk (am 1964-07-22)
Klavier:
Horace Parlan (American-Danish jazz pianist) (am 1964-07-22)
Kontrabass:
Michael Fleming (bass) (am 1964-07-22)
Schlagzeug:
Steve Ellington (jazz drummer) (am 1964-07-22)
Roland Kirk3:36
19Papa’s Got a Brand New Bag
Bass:
Christian McBride (American jazz bassist) (in 1995-01)
Gitarre:
Mark Whitfield (American jazz guitarist) (in 1995-01)
Orgel:
Jimmy Smith (US jazz organist) (in 1995-01)
Schlagzeug:
Bernard “Pretty” Purdie
Trompete:
Roy Hargrove (in 1995-01) und Nicholas Payton (US trumpet player and multi-instrumentalist) (in 1995-01)
instrumental cover recording of:
Papa’s Got a Brand New Bag (in 1995-01)
Texter und Komponist(in):
James Brown (The Godfather of Soul)
Teil von:
MJ: The Musical
Jimmy Smith7:37
2▶CD

Nennungen

Veröffentlichung

hergestellt in:Australien
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:PolyGram Pty Ltd. (AU subsidiary of PolyGram, fka PolyGram Records Pty Ltd.) (in 1997)
lizenziert an und vermarkted von:PolyGram (AU subsidiary of PolyGram, fka PolyGram Records Pty Ltd.)
Discogs:https://www.discogs.com/release/3443384 [Info]