Classic CD, Volume 89: The Conductor

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

label: Classic CD(89)

Annotation last modified on 2006-06-28 02:21 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Concert Paraphrase on Mozart’s “Turkish March”
piano:
Arcadi Volodos (pianist)
recording of:
Concert Paraphrase on Mozart’s Turkish March
arranger:
Arcadi Volodos (pianist)
is based on:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
Wolfgang Amadeus Mozart, Arcadi Volodos3:07
2Faulte d’argent c’est douleur non pareille
recording engineer and editor:
Markus Heiland
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Huelgas Ensemble (Belgian early music ensemble) (from 1996-04-18 until 1996-04-20)
orchestra:
Huelgas Ensemble (Belgian early music ensemble) (from 1996-04-18 until 1996-04-20)
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (from 1996-04-18 until 1996-04-20)
recorded at:
Chapel of the Episcopal College in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (from 1996-04-18 until 1996-04-20)
recording of:
Faulte d’argent c’est douleur non pareille (from 1996-04-18 until 1996-04-20)
composer:
Pierre de Manchicourt (Franco-Flemish 16th century composer)
Pierre de Manchicourt3:20
3Cello Suite no. 5 in C minor: Prelude
cello:
Jaap ter Linden (cellist/violist/conductor) (from 1996-10-21 until 1996-10-28)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (from 1996-10-21 until 1996-10-28)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: I. Prélude (Suite for Cello Solo No. 5 in C minor, BWV 1011: I. Prélude) (from 1996-10-21 until 1996-10-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
Johann Sebastian Bach6:09
4String Quartet no. 7: Ⅱ. Andante (ending)
strings:
Cuarteto Latinoamericano
partial recording of:
String Quartet no. 7, W435: II. Andante
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
part of:
String Quartet no. 7, W435
Heitor Villa‐Lobos4:40
5Violin Concerto in E minor, op. 64: Ⅲ. Allegro molto vivace
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
violin:
Ruggiero Ricci (violinist) (in 1957-01)
orchestra:
London Symphony Orchestra (in 1957-01)
conductor:
Piero Gamba (conductor and pianist) (in 1957-01)
balance engineer:
Cyril Windebank (in 1957-01) and Kenneth Wilkinson (engineer) (in 1957-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1957-01)
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace) (in 1957-01)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn6:19
6Symphony 1997: Song of Peace (Prelude)
bell [bianzhong]:
Imperial Bells Ensemble of China
cello:
Yo‐Yo Ma (cellist)
choir vocals:
Yip’s Children’s Choir
orchestra:
Hong Kong Philharmonic Orchestra
conductor:
Tan Dun (Chinese composer)
partial recording of:
Heaven Earth Mankind (Symphony 1997)
composer:
谭盾 (Tan Dun, Chinese composer) (in 1997)
publisher:
G. Schirmer Inc.
Tan Dun4:04
7Serenade for Cello and String Orchestra (opening)
cello:
Alexander Baillie (cellist)
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
partial recording of:
Serenade for Cello & String Orchestra
composer:
Christopher Headington (English composer)
Christopher Headington2:47
8The Dream of Gerontius, Part Ⅱ: “But hark! Upon my sense comes a fierce hubbub”
engineer:
Andrew Groves (engineer)
producer:
Andrew Walton (producer)
choir vocals:
Bournemouth Symphony Chorus (from 1996-11-13 until 1996-11-14) and Waynflete Singers (from 1996-11-13 until 1996-11-14)
mezzo-soprano vocals:
Sarah Fryer (from 1996-11-13 until 1996-11-14)
tenor vocals:
William Kendall (tenor) (from 1996-11-13 until 1996-11-14)
orchestra:
Bournemouth Symphony Orchestra (from 1996-11-13 until 1996-11-14)
conductor:
David Hill (organist and conductor) (from 1996-11-13 until 1996-11-14)
additional chorus master:
David Hill (organist and conductor) (from 1996-11-13 until 1996-11-14)
chorus master:
Neville Creed (from 1996-11-13 until 1996-11-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1997)
recorded at:
Wessex Hall (The Lighthouse, Poole Arts Centre) in Poole, England, United Kingdom (from 1996-11-13 until 1996-11-14)
recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1996-11-13 until 1996-11-14)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar5:13
9Prélude à l’après-midi d’un faune
producer:
Thomas Z. Shepard
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1966-12-19 until 1966-12-21)
conductor:
Pierre Boulez (composer and conductor) (from 1966-12-19 until 1966-12-21)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (from 1966-12-19 until 1966-12-21)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1966-12-19 until 1966-12-21)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:47
10Prince Igor: no. 12. Polovtsian Dances and Chorus, “Uletaj na kryl’jach vetra”
bass vocals:
Bulat Minjelkiev (operatic bass)
choir vocals:
Kirov Chorus (Mariinsky Theatre Chorus, fka Kirov Chorus till 1992)
orchestra:
Kirov Orchestra, St. Petersburg (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
partial recording of:
Prince Igor: Act II. Polovtsian Dance with Choir
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Prince Igor: Act II
Alexander Borodin6:09
11Bassoon Concerto no. 33 in C: Ⅲ. Allegro
engineer and producer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s)
bassoon:
Daniel Smith (bassoonist)
orchestra:
English Chamber Orchestra
conductor:
Philip Ledger
phonographic copyright (℗) by:
ASV Ltd (not for release label use; known as ASV Ltd. since 1995-02-03) (in 1986) and ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1996)
recording of:
Bassoon Concerto in C major, RV 470: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Bassoon Concerto in C major, RV 470
Antonio Vivaldi2:42
12Elijah, Part Ⅱ: “It is enough! O Lord now take away” / “See now he sleepeth”
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Paul Daniel (conductor)
recording of:
Elijah, op. 70: Air (Elijah) - "It is enough, O Lord"
composer:
Felix Mendelssohn (composer)
librettist:
Julius Schubring
translator:
William Bartholomew
part of:
Elijah, op. 70, Part II (with English libretto by William Bartholomew)
recording of:
Elijah, op. 70: Recitative - "See, now he sleepeth"
composer:
Felix Mendelssohn (composer)
librettist:
Julius Schubring
translator:
William Bartholomew
part of:
Elijah, op. 70, Part II (with English libretto by William Bartholomew)
Felix Mendelssohn6:28
13Symphony no. 9 in D minor, op. 125: Ⅲ. Adagio molto e cantabile — Andante moderato (opening)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Felix Weingartner (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven9:04

Credits

Release

mastering:Peter Crooks (mastering engineer)
mastered at:Tape to Tape in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:Classic CD (Future Publishing release series) (number: 89) (order: 55)
Discogs:https://www.discogs.com/release/9764257 [info]
ASIN:US: B000OM2MR8 [info]