Radio 10 Top 4000 editie 2018

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Just Like a Pill
assistant recording engineer:
Doug Harms
recording engineer:
Carlton Lynn
engineer:
Rick Sheppard (engineer)
producer:
Dallas Austin
mixer:
Kevin Davis (US producer/engineer “KD” Davis)
background vocals:
P!nk (American singer/songwriter)
arranger:
Dallas Austin
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2001)
recorded at:
Pinetree Studios in Miami Beach, Florida, United States
mixed at:
Larrabee Studios North (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
music videos:
Just Like a Pill by P!nk (American singer/songwriter)
recording of:
Just Like a Pill (in 2001)
miscellaneous support:
Rick Sheppard (engineer)
lyricist and composer:
Alecia Moore (American singer/songwriter) and Dallas Austin
publisher:
Cyptron Music, EMI April Music Inc., EMI Blackwood Music Inc. and P!nk Inside Publishing
P!nk43:58
2Waiting on the World to Change
bass guitar:
Pino Palladino
brass:
Roy Hargrove
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
keyboard:
Ricky Peterson (American keyboardist)
background vocals:
Scotty Crowe, Ricky Cytonbaum, Steve Jordan (US drummer/multi-instrumentalist, composer & producer), Jeannie Martinez, Kristen Moss, Lee Padgett, Pino Palladino, Harley Pasternak, Maggie Slavonic and Sandy Vongdasy
background vocals and lead vocals:
John Mayer (US singer‐songwriter)
phonographic copyright (℗) by:
Aware Records LLC (in 2006)
recording of:
Waiting on the World to Change
lyricist and composer:
John Mayer (US singer‐songwriter)
publisher:
Milky Boy Music and Reach Music Publishing, Inc.
John Mayer3.753:22
3Waiting for Tonight
recording engineer:
Ric Wake
additional programming:
Richie Jones and “Young” Dave Scheuer
assistant engineer:
Alfredo Figueroa, Juan Bohorquez and Robb Williams
engineer:
Franklyn Grant (Sound engineer and producer), Freddy Piñero, Jr., “Young” Dave Scheuer and Thomas R. Yezzi
additional producer:
Richie Jones
mixer:
Dan Hetzel
keyboard [keyboards]:
Eric Kupper
membranophone and percussion:
Richie Jones
background vocals:
Rita Quintero and Wendy Peterson
remixer:
Richie Jones
additional arranger:
Richie Jones and “Young” Dave Scheuer
arranger:
Richie Jones and Ric Wake
recorded at:
Cove City Sound Studios in Glen Cove, New York, United States, Crescent Moon Studios in Miami, Florida, United States, Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Cove City Sound Studios in Glen Cove, New York, United States
music videos:
Una noche más by Jennifer Lopez (American singer and actress aka J.Lo)
recording of:
Una noche más
lyricist and composer:
Maria Christensen (songwriter, singer), Michael Garvin (Nashville songwriter and producer) and Phil Temple (songwriter)
translator:
Manny Benito
adaptation of:
Waiting for Tonight
Jennifer Lopez3.654:07
4A Thing Called Love
cover recording of:
A Thing Called Love
lyricist and composer:
Jerry Reed
publisher:
Sixteen Stars Music (BMI-affiliated)
Johnny Cash22:33
59 to 5
producer:
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
bass guitar:
Abraham Laboriel (in 1980)
drums (drum set):
Richard Schlosser (drummer) (in 1980)
guitar:
Jeff Baxter (in 1980) and Martin K. Walsh (in 1980)
percussion:
Leonard Castro (in 1980)
piano:
Larry Knechtel (in 1980)
saxophone:
Tom Saviano (in 1980)
trombone:
William Reichenbach (jazz trombonist) (in 1980)
trumpet:
Jerry Hey (in 1980)
background vocals:
Anita Ball (in 1980), Denise Maynelli (in 1980) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographic copyright (℗) by:
BMG Entertainment (in 1980) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 191)
recording of:
9 to 5 (in 1980)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2)
Dolly Parton4.052:46
6You’ll Never Find Another Love Like Mine
recording of:
You’ll Never Find Another Love Like Mine
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls3:33
7When Am I Going to Make a Living
producer:
Robin Millar
bass guitar:
Paul S. Denman (from 1983-10 until 1983-11)
guitar and saxophone:
Stuart Matthewman (from 1983-10 until 1983-11)
keyboard:
Andrew Hale (keyboardist/composer) (from 1983-10 until 1983-11)
vocals:
Sade Adu (from 1983-10 until 1983-11)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recorded at:
Power Plant in London (Greater London), England, United Kingdom (from 1983-10 until 1983-11)
recording of:
When Am I Going to Make a Living (from 1983-10 until 1983-11)
lyricist:
Sade Adu
composer:
Sade Adu and Stuart Matthewman
publisher:
Angel Music Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, Windswept Music (London) Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Sade3.353:26
8Babe
recording of:
Babe (Take That song)
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Take That4:55
9Living Next Door to Alice
Smokie3:27
10Runaway Train
assistant engineer:
David Michael Dill (engineer) and Dan Gellert (sound engineer)
producer:
Michael Beinhorn
assistant mixer:
Craig Doubet (recording engineer) and Steve Sisco
mixer:
Andy Wallace (engineer)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
lyricist and composer:
Dave Pirner
publisher:
EMI Music Publishing Taiwan, LFR Music, Standing Water Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
Soul Asylum4.44:26
11Me and Mrs. Jones
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
performer:
MFSB (in 1972)
brass [horns] arranger and strings arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:42
12No One
edit of:
No One by Alicia Keys
music videos:
No One by Alicia Keys
recording of:
No One
writer:
Kerry Brothers, George M. Harry and Alicia Keys
Alicia Keys44:08
13Truly Madly Deeply
producer:
Charles Fisher (Australian producer)
mixer:
Mike Pela
vocals arranger:
Jim Bonnefond, Charles Fisher (Australian producer) and Darren Hayes
orchestrator:
Jackie Orszaczky
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1997)
mixed at:
Whitfield Street Studios (London) in London (Greater London), England, United Kingdom
recording of:
Truly Madly Deeply
publisher:
Savage Garden
writer:
Darren Hayes and Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Publishing
Savage Garden4.254:39
14If You Could See Me Now
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2012)
recording of:
If You Could See Me Now
writer:
Andrew Frampton, Steve Kipner, Danny O’Donoghue and Mark Sheehan
The Script53:39
15Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:07
16Chariot
recording of:
Chariot
writer:
Gavin DeGraw
publisher:
G. Degraw Music Inc.
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Gavin DeGraw3:52
17All Cried Out
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recording of:
All Cried Out
writer:
Steve Jolley, Alison Moyet and Tony Swain (songwriter, producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), J&S Music, Mega Music Ltd., Rondor Music (London) Ltd., Sonet Publishing Ltd. and Sony/ATV Music Publishing Ltd.
Alison Moyet53:42
18Save Room
mixer:
Tony Maserati (engineer / mixer)
samples:
Stormy by Gábor Szabó
recording of:
Save Room
writer:
Buddy Buie, James B. Cobb Jr., John Legend, William Adams (American rapper and producer) and Jessyca Wilson
John Legend3.53:57
19Slow Hand
associate producer:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) and Tim May (session/jazz guitarist)
organ:
William Smith (organist/keyboardist)
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
BMG Entertainment (in 1981), Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981) and Planet Records Inc. (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Slow Hand
lyricist:
John Bettis
composer:
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Pointer Sisters53:53
20Rainy Day Women #12 & 35
producer:
Bob Johnston (US record producer and early rockebilly singer)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-09)
recording of:
Rainy Day Women #12 & 35 (on 1966-03-10)
lyricist and composer:
Bob Dylan (from 1966-02 until 1966-03)
publisher:
Dwarf Music (from 1966 to present)
Bob Dylan3.74:34
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