Columbia House Presents the Best of Modern Rock, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Cult of Personality
engineer:
Paul Hamingson
producer and mixer:
Ed Stasium (US record producer & audio engineer)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 12) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 69)
recording of:
Cult of Personality
writer:
Will Calhoun, Corey Glover, Vernon Reid (English-born US guitarist and songwriter) and Muzz Skillings
Living Colour4.34:56
2In the Meantime
engineer:
Bryce Goggin
producer:
Bryce Goggin and Spacehog
assistant mixer:
Sue Dryer and Dave Voight
recorded at:
Bearsville Studios in Bearsville, New York, United States
mixed at:
RPM Studios in New York, New York, United States
music videos:
In the Meantime (music video) by Spacehog
part of:
Indie 88: Top 500 Indie Rock Songs (number: 498)
recording of:
In the Meantime
lyricist and composer:
Royston Langdon
Spacehog4.25:00
3Hey Leonardo (She Likes Me for Me)Blessid Union of Souls4.253:26
4Closer to Fine
engineer and producer:
Scott Litt (producer and engineer)
bodhrán:
Liam Ó Maonlaí
guitar:
Amy Ray and Emily Saliers
mandolin:
Peter O’Toole (bassist and mandolinist)
percussion:
Paulinho da Costa (Brazilian percussionist)
tin whistle:
Fiachna Ó Braonáin
background vocals:
Luka Bloom, Fiachna Ó Braonáin, Liam Ó Maonlaí and Peter O’Toole (bassist and mandolinist)
vocals:
Amy Ray and Emily Saliers
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
recording of:
Closer to Fine (on 1989-02-28)
lyricist and composer:
Emily Saliers
publisher:
EMI Virgin Music and Godhap Music
Indigo Girls54:01
5No Myth
drum machine programming:
Michael Penn
engineer:
Susan Rogers (US sound engineer)
producer:
Tony Berg (record producer, executive, and session guitarist)
bass, guitar and lead vocals:
Michael Penn
electric cello:
David Coleman (American cellist & composer)
keyboard:
Patrick Warren
percussion:
Art Wood (US session drummer/percussionist)
recorded at:
Zeitgeist Studio in Los Angeles, California, United States
recording of:
No Myth
lyricist and composer:
Michael Penn
publisher:
Careers Music, Inc. (in 1989) and Liafail Music (publisher) (in 1989)
Michael Penn3.54:12
6Lullaby
recording of:
Lullaby
lyricist and composer:
Shawn Mullins
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Roadieodie Music Inc.
Shawn Mullins5:30
7Not an Addict
engineer:
Werner Pensaert (Belgian engineer, producer & keyboardist)
editor:
Uwe Teichert (Belgian mastering engineer)
part of:
ZAMU Award: Song (number: 1995)
recording of:
Not an Addict
writer:
Gert Bettens (Belgian musician) and Sam Bettens
K’s Choice4.44:49
8She's So HighTal Bachman53:45
9Rush
assistant engineer:
Serge Glanzberg and Dave Mercer
engineer:
Andre Shapps
producer:
Mick Jones (The Clash/Big Audio Dynamite), Olimax and DJ Shapps
bass:
Gary Stonadge
drums (drum set):
Chris Kavanagh
guitar:
Nick Hawkins and Mick Jones (The Clash/Big Audio Dynamite)
vocals:
Nick Hawkins, Mick Jones (The Clash/Big Audio Dynamite), Chris Kavanagh and Gary Stonadge
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recording of:
Rush
lyricist, writer and composer:
Mick Jones (The Clash/Big Audio Dynamite)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite II4.54:19
10I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:47
11Little Miss Can't Be Wrong
engineer:
Peter Denenberg
producer and mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass:
Mark White (Spin Doctors)
guitar:
Eric Schenkman
Hammond organ, drums (drum set) and percussion and background vocals:
Aaron Comess
vocals:
Chris Barron
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Little Miss Can’t Be Wrong
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Spin Doctors3.83:55
12All I Want
recording engineer, producer and mixer:
Gavin MacKillop
recording of:
All I Want
writer:
Dean Dinning, Randy Guss, Todd Nichols and Glen Phillips (American lyricist, singer and guitarist; lead singer of Toad the Wet Sprocket)
Toad the Wet Sprocket4.353:16
3CD

Credits

Release

ASIN:US: B002GODUPK [info]