Now! That’s What I Call Music 18

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1A Little Time
Techniker(in):
Rupert Coulson (sound engineer), Ben Kape und Lance Phillips
Produzent(in):
Mike Hedges (UK producer/recording engineer)
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1990)
Musikvideos:
A Little Time von The Beautiful South
recording of:
A Little Time
Texter:
Paul Heaton
Komponist(in):
Paul Heaton und Dave Rotheray
publisher:
Island Music Ltd. und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Beautiful South33:00
2The Joker
assistierende(r) Techniker(in) und assistierende(r) Mix:
Gene Hicks
Techniker(in) und Mix:
Jay Ranellucci
Produzent(in):
Steve Miller (leader of Steve Miller Band)
phonographisches Urheberrecht (℗) von:
Sailor Music (in 1973)
recording of:
The Joker
Verfasser(in):
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) und Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.153:36
3Sacrifice
Assistent recording engineer:
Karl Lever
recording engineer und Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Romeo Williams
Keyboard:
Guy Babylon, Elton John (English singer, songwriter, pianist, and composer) und Fred Mandel
Schlagzeug:
Jonathan Moffett
Hintergrundgesang:
Davey Johnstone
Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
phonographisches Urheberrecht (℗) von:
Happenstance Ltd. (record and publishing company) (in 1989)
aufgenommen bei:
Puk Recording Studios in Gjerlev, Central Denmark Region (Region Midtjylland), Dänemark
recording of:
Sacrifice
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd. und Universal–Songs of PolyGram International, Inc.
Elton John2.95:08
4It Must Have Been Love
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:19
5Something Happened on the Way to Heaven
recording of:
Something Happened on the Way to Heaven
Verfasser(in):
Phil Collins (of Genesis) und Daryl Stuermer
publisher:
Bug Music Ltd., Imagem Music, Hit & Run Music (Publishing) Ltd (in 1989) und Philip Collins Ltd. (in 1989)
Phil Collins4:38
6Hold On
leitende(r) Produzent(in):
Charles Koppelman (American businessman and musician)
Produzent(in):
Glen Ballard
vocals:
Chynna Phillips, Carnie Wilson und Wendy Wilson
phonographisches Urheberrecht (℗) von:
SBK Records (in 1990)
recording of:
Hold On
Verfasser(in):
Glen Ballard, Chynna Phillips und Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) und Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips33:40
7Nothing Compares 2 U
Techniker(in):
Chris Birkett
Produzent(in):
Nellee Hooper und Sinéad O’Connor (Irish singer-songwriter)
Mix:
Chris Birkett, Fachtna Ó Ceallaigh und Sinéad O’Connor (Irish singer-songwriter)
vocals:
Sinéad O’Connor (Irish singer-songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) und Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
Musikvideos:
Nothing Compares 2 U (music video) von Sinéad O’Connor (Irish singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 184) und Indie 88: Top 500 Indie Rock Songs (Nummer: 413)
cover recording of:
Nothing Compares 2 U
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:04
8Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:36
9(We Want) The Same Thing
Produzent(in):
Rick Nowels
phonographisches Urheberrecht (℗) von:
Artist Management Services Ltd. (in 1989) und Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
(We Want) The Same Thing
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Future Furniture Music (in 1988), Shipwreck Music (publisher) (in 1988) und Virgin Songs, Inc. (in 1988)
Belinda Carlisle3.54:16
10Anniversary Waltz, Part 1
recording of:
The Anniversary Waltz, Part 1
Medley von:
Let’s Dance
Medley von:
Red River Rock
Medley von:
No Particular Place to Go
Medley von:
The Wanderer
Medley von:
I Hear You Knocking
Medley von:
Lucille
Medley von:
Great Balls of Fire
Status Quo5:31
11Suicide Blonde
Programmierung:
Jon und Kirk
assistierende(r) Techniker(in):
Brendan Morley und Andy Strange
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Editing:
Tim Young (mastering engineer)
Bass und E-Bass [bass]:
Garry Gary Beers
E-Gitarre [guitar] und Gitarre:
Andrew Farriss (in band INXS), Tim Farriss und Kirk Pengilly
Keyboard [keyboards]:
Andrew Farriss (in band INXS) und Jon Farris
Saxophon und Hintergrundgesang [vocals]:
Kirk Pengilly
Schlagzeug [drums]:
Jon Farris
Schlagzeug und Keyboard [keyboards]:
Jon Farriss
Sologesang [vocals]:
Michael Hutchence
vocals:
Michael Hutchence und Kirk Pengilly
phonographisches Urheberrecht (℗) von:
INXS (in 1990)
phonographisches Urheberrecht (℗) von:
INXS (label and copyrights holder for INXS) (in 1990)
aufgenommen bei:
Rhinoceros Studio 2 in Sydney, New South Wales, Australien und Rhinoceros Studio 2 in Sydney, New South Wales, Australien
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Suicide Blonde
Texter:
Michael Hutchence
Komponist(in):
Andrew Farriss (in band INXS)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Tol Muziek (in 1990)
INXS4.13:53
12Don't Ask Me
Techniker(in):
Susan Rogers (US sound engineer)
Produzent(in):
Tony Berg (record producer, executive, and session guitarist)
Mix:
Mike Shipley (audio engineer, mixer, producer)
recording of:
Don’t Ask Me
Verfasser(in):
Allan Dias, John Lydon (Johnny Rotten of the Sex Pistols) und John McGeoch
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd.3:43
13It's My Life
Produzent(in):
Tim Friese‐Greene
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.83:52
14There She Goes
Techniker(in):
Dave Charles (British drummer as well as producer & engineer)
Produzent(in):
Bob Andrews (keyboardist and producer)
Mix:
Steve Lillywhite
Bassgitarre und Hintergrundgesang:
John Power (of The La’s and Cast)
E-Gitarre:
John Byrne (John 'Boo' Byrne, electric guitarist)
Schlagzeug:
Chris Sharrock
Sologesang:
Lee Mavers
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 45), TV Cream: Real 100 Best Singles Ever (Nummer: 62) und Indie 88: Top 500 Indie Rock Songs (Nummer: 418)
recording of:
There She Goes (The La’s)
Texter und Komponist(in):
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:42
15Be Tender With Me Baby
Produzent(in):
Dan Hartman
recording of:
Be Tender With Me Baby
Verfasser(in):
Albert Hammond und Holly Knight
publisher:
Albert Hammond Music, BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., Knighty-Knight Music, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Universal/Empire Music Ltd.
Tina Turner24:17
16I'll Be Your Baby Tonight
Produzent(in):
Robert Palmer (English singer‐songwriter)
Mix:
Eric "E.T." Thorngren
Interpret(in):
UB40
cover recording of:
I’ll Be Your Baby Tonight
Texter und Komponist(in):
Bob Dylan (von 1967-10 bis 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Dwarf Music (in 1968)
Robert Palmer and UB404.653:26
2▼CD
Nr.TitelKünstlerBewertungLänge
1So Hard
Techniker(in):
Bob Kraushaar und Brian Reeves
Produzent(in):
Harold Faltermeyer
Mix:
Julian Mendelsohn (Australian record producer and engineer)
phonographisches Urheberrecht (℗) von:
Pet Shop Boys Partnership Ltd. (in 1990) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recording of:
So Hard
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd. und Cage Music Ltd.
Pet Shop Boys44:00
2Fascinating Rhythm
Techniker(in):
Dave Chelsea und Richard Dight
Produzent(in) und Mix:
William Orbit (English musician, composer and record producer)
vocals:
Inna One Step und Sharon Musgrave
Interpret(in):
William Orbit (English musician, composer and record producer)
recording of:
Fascinating Rhythm
Komponist(in):
Inna One Step, Laurie Mayer, Sharon Musgrave, William Orbit (English musician, composer and record producer) und Steve Roberts (in Ramshackle)
Bassomatic24:09
3Missing You
Gast vocals:
Kym Mazelle
recording of:
Missing You (vocal version)
Verfasser(in):
Simon Law (Soul II Soul), Kym Mazelle und Beresford Romeo
Soul II Soul feat. Kym Mazelle4:50
4Tom's Diner
zusätzliche(r) Produzent(in):
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
vocals und Interpret(in):
Suzanne Vega (American singer-songwriter)
remixer:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (UK) (in 1990) und A&M Records (in 1991)
Samples:
Tom’s Diner von Suzanne Vega (American singer-songwriter)
recording of:
Tom’s Diner
Texter und Verfasser(in):
Suzanne Vega (American singer-songwriter)
Komponist(in):
Suzanne Vega (American singer-songwriter) (in 1982)
publisher:
Waifer Songs Ltd., Warner Chappell North America und WB Music Corp. (1929–2019)
DNA feat. Suzanne Vega3.93:48
5An Englishman in New York
Produzent(in):
Neil Dorfsman und Sting (singer, songwriter & member of The Police)
assistierende(r) Mix:
Mark McKenna (engineer) und Bob Vogt
Mix:
Neil Dorfsman und Hugh Padgham
Sologesang:
Sting (singer, songwriter & member of The Police)
arranger:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1997)
Musikvideos:
Englishman in New York von Sting (singer, songwriter & member of The Police)
recording of:
Englishman in New York
Texter und Verfasser(in):
Sting (singer, songwriter & member of The Police)
publisher:
Songs of Universal, Inc. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sting44:29
6Close to Me (closest mix)
Techniker(in):
Steve Osborne (producer)
Produzent(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Bassgitarre:
Simon Gallup
Horn [horns]:
Rent Party (UK swing band)
Keyboard:
Porl Thompson und Lol Tolhurst
Schlagzeug:
Boris Williams
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
remixer:
Paul Oakenfold (in 1990-06)
Bearbeitung von:
Close to Me (Closer mix) von The Cure
recording of:
Close to Me
Texter und Komponist(in):
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co. und Fiction Songs Ltd.
The Cure4.354:19
7I've Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Born to Dance
Neneh Cherry3:44
8Little Brother
Techniker(in):
Andy Falconer, Thrash (UK electronic producer Kris Weston) und Tyrrell (Joel LeBlanc)
Produzent(in):
Youth (producer/bassist Martin Glover)
zusätzliche(r) Produzent(in):
Howard Gray (UK producer, engineer, and electronic musician)
Mix:
Howard Gray (UK producer, engineer, and electronic musician)
recording of:
Little Brother
Komponist(in):
Martin Glover, Durga McBroom und Guy Pratt
vorher zugeschrieben zu:
Youth (producer/bassist Martin Glover)
Blue Pearl24:04
9Step Back in Time
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
recording of:
Step Back in Time
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited und Sid’s Songs Limited
Kylie Minogue33:04
10Don't Worry
recording of:
Don’t Worry
Verfasser(in):
Kim Appleby und Craig Logan
Kim Appleby2.353:32
11Megamix
recording of:
Megamix
Verfasser(in):
Jo Bogaert (Belgian producer), Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi), Eric Martin (member of Technotronic) und Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
Medley von:
This Beat Is Technotronic
Medley von:
Rockin' Over the Beat
Medley von:
Pump Up the Jam
Medley von:
Get Up! (Before the Night Is Over)
Technotronic24:17
12Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
Techniker(in):
Robin Sellers
leitende(r) Produzent(in):
Les McCutcheon und Andrew Lloyd Webber (English composer and impresario of musical theatre)
Produzent(in):
Nigel Wright (British producer, orchestrator and songwriter)
aufgenommen bei:
Skratch Studios in Surrey, England, Vereinigtes Königreich
Samples:
Bongo Rock '73 von Incredible Bongo Band, Here We Go (live at the Funhouse) von Run‐D.M.C., The Bottle (12" version) von Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer) und Think (About It) von Lyn Collins
cover recording of:
Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
Verfasser(in):
Lee Pockriss und Paul Vance (US songwriter and producer)
publisher:
Campbell Connelly & Co. Ltd., Emily Music Corp. (publisher) und Music Sales Corporation (American copyright holder in both popular and classical music)
Bombalurina1.53:39
13Where Are You Baby
recording of:
Where Are You Baby?
Texter und Komponist(in):
Alison Clarkson (British dance music singer-songwriter)
publisher:
Rhythm King Music (Publishing arm of Rhythm King Records)
Betty Boo3:32
14Dirty Cash (Money Talks)
recording of:
Dirty Cash (Money Talks)
Verfasser(in):
Stevie Vincent und Mick Walsh (UK vocalist)
Adventures of Stevie V24:03
15Have You Seen Her
Bearbeitung von:
Have You Seen Her von M.C. Hammer
recording of:
Have You Seen Her (Rap Version)
Verfasser(in):
Barbara Acklin und Eugene Record
überarbeitet von:
MC Hammer
basiert auf:
Have You Seen Her
MC Hammer2.53:53
16To Love Somebody
Produzent(in):
Stephen Hague
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1990)
cover recording of:
To Love Somebody
geschrieben in:
New York, New York, Vereinigte Staaten (in 1967)
Verfasser(in):
Barry Gibb (in 1967) und Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
Teil von:
50/50
Jimmy Somerville14:17

Nennungen

Veröffentlichung

Design/Illustrationen und Grafikdesign:Qd Design Ltd.
Zusammensteller:Ashley Abram
Discogs:https://www.discogs.com/release/1556886 [Info]
ASIN:UK: B0015OR35A [Info]