The Symphonies / Kindertotenlieder

~ Release by Mahler; Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich
engineer:
John Newton (editor, engineer mixer) (in 1987-10) and Onno Scholtze (sound engineer) (in 1987-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Amelia Rogers
orchestra:
Boston Symphony Orchestra (in 1987-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-10)
balance engineer:
Onno Scholtze (sound engineer) (in 1987-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-10)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (in 1987-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler15:54
2Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
engineer:
John Newton (editor, engineer mixer) (in 1987-10) and Onno Scholtze (sound engineer) (in 1987-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Amelia Rogers
orchestra:
Boston Symphony Orchestra (in 1987-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-10)
balance engineer:
Onno Scholtze (sound engineer) (in 1987-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-10)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1987-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler7:25
3Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
engineer:
John Newton (editor, engineer mixer) (in 1987-10) and Onno Scholtze (sound engineer) (in 1987-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Amelia Rogers
orchestra:
Boston Symphony Orchestra (in 1987-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-10)
balance engineer:
Onno Scholtze (sound engineer) (in 1987-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-10)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1987-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler10:34
4Symphony no. 1 in D major: IV. Stürmisch bewegt
engineer:
John Newton (editor, engineer mixer) (in 1987-10) and Onno Scholtze (sound engineer) (in 1987-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Amelia Rogers
orchestra:
Boston Symphony Orchestra (in 1987-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-10)
balance engineer:
Onno Scholtze (sound engineer) (in 1987-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-10)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (in 1987-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler20:01
2▼CD
#TitleArtistRatingLength
1Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1986-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-12)
balance engineer:
Onno Scholtze (sound engineer) (in 1986-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-12)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1986-12)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler21:01
2Symphony no. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1986-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-12)
balance engineer:
Onno Scholtze (sound engineer) (in 1986-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-12)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1986-12)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler10:12
3▼CD
#TitleArtistRatingLength
1Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1986-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-12)
balance engineer:
Onno Scholtze (sound engineer) (in 1986-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-12)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1986-12)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler10:15
2Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (in 1986-12)
orchestra:
Boston Symphony Orchestra (in 1986-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-12)
balance engineer:
Onno Scholtze (sound engineer) (in 1986-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-12)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 1986-12)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:54
3Symphony no. 2 in C minor "Resurrection": V. Im tempo des Scherzo. Wild herausfahrend -
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
additional choir vocals:
Tanglewood Festival Chorus (in 1986-12)
orchestra:
Boston Symphony Orchestra (in 1986-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-12)
balance engineer:
Onno Scholtze (sound engineer) (in 1986-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-12)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1986-12)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler9:32
4Symphony no. 2 in C minor "Resurrection": Maestoso. Sehr zurückhaltend - Wieder zurückhaltend -
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
additional choir vocals:
Tanglewood Festival Chorus (in 1986-12)
orchestra:
Boston Symphony Orchestra (in 1986-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-12)
balance engineer:
Onno Scholtze (sound engineer) (in 1986-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-12)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1986-12)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler7:22
5Symphony no. 2 in C minor "Resurrection": Sehg langsam und gedehnt -
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
additional choir vocals:
Tanglewood Festival Chorus (in 1986-12)
orchestra:
Boston Symphony Orchestra (in 1986-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-12)
balance engineer:
Onno Scholtze (sound engineer) (in 1986-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-12)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1986-12)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler2:27
6Symphony no. 2 in C minor "Resurrection": Langsam. Misterioso - ("Aufersteh'n") -
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
additional choir vocals:
Tanglewood Festival Chorus (in 1986-12)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (in 1986-12)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1986-12)
orchestra:
Boston Symphony Orchestra (in 1986-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-12)
balance engineer:
Onno Scholtze (sound engineer) (in 1986-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-12)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1986-12)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler6:34
7Symphony no. 2 in C minor "Resurrection": Etwas bewegter ("O glaube, mein Herz, o glaube")
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
additional choir vocals:
Tanglewood Festival Chorus (in 1986-12)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1986-12)
orchestra:
Boston Symphony Orchestra (in 1986-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-12)
balance engineer:
Onno Scholtze (sound engineer) (in 1986-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-12)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1986-12)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler7:32
4▼CD
#TitleArtistRatingLength
1Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1992-02)
conductor:
Seiji Ozawa (conductor and composer) (in 1992-02)
balance engineer:
Onno Scholtze (sound engineer) (in 1992-02)
phonographic copyright (℗) by:
Phonogram Japan (in 1993)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1992-02)
live recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (in 1992-02)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler23:40
2Symphony no. 6 in A minor: II. Scherzo. Wuchtig
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1992-02)
conductor:
Seiji Ozawa (conductor and composer) (in 1992-02)
balance engineer:
Onno Scholtze (sound engineer) (in 1992-02)
phonographic copyright (℗) by:
Phonogram Japan (in 1993)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1992-02)
live recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (in 1992-02)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler13:38
3Symphony no. 6 in A minor: III. Andante moderato
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1992-02)
conductor:
Seiji Ozawa (conductor and composer) (in 1992-02)
balance engineer:
Onno Scholtze (sound engineer) (in 1992-02)
phonographic copyright (℗) by:
Phonogram Japan (in 1993)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1992-02)
live recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (in 1992-02)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler15:06
5▼CD
#TitleArtistRatingLength
1Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1992-02)
conductor:
Seiji Ozawa (conductor and composer) (in 1992-02)
balance engineer:
Onno Scholtze (sound engineer) (in 1992-02)
phonographic copyright (℗) by:
Phonogram Japan (in 1993)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1992-02)
live recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (in 1992-02)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler30:43
2Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1993-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1993-04)
balance engineer:
Onno Scholtze (sound engineer) (in 1993-04)
phonographic copyright (℗) by:
Phonogram Japan (in 1994)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1993-04)
live recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1993-04)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler33:54
6▼CD
#TitleArtistRatingLength
1Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1993-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1993-04)
balance engineer:
Onno Scholtze (sound engineer) (in 1993-04)
phonographic copyright (℗) by:
Phonogram Japan (in 1994)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1993-04)
live recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1993-04)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler9:18
2Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1993-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1993-04)
balance engineer:
Onno Scholtze (sound engineer) (in 1993-04)
phonographic copyright (℗) by:
Phonogram Japan (in 1994)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1993-04)
live recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1993-04)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler16:42
3Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
soprano vocals:
Jessye Norman (soprano) (in 1993-04)
orchestra:
Boston Symphony Orchestra (in 1993-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1993-04)
balance engineer:
Onno Scholtze (sound engineer) (in 1993-04)
phonographic copyright (℗) by:
Phonogram Japan (in 1994)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1993-04)
live recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1993-04)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler10:20
4Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
American Boychoir (in 1993-04) and Tanglewood Festival Chorus (in 1993-04)
soprano vocals:
Jessye Norman (soprano) (in 1993-04)
orchestra:
Boston Symphony Orchestra (in 1993-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1993-04)
balance engineer:
Onno Scholtze (sound engineer) (in 1993-04)
phonographic copyright (℗) by:
Phonogram Japan (in 1994)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1993-04)
live recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (in 1993-04)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
arrangement of:
Des Knaben Wunderhorn: Es sungen drei Engel
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:05
5Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1993-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1993-04)
balance engineer:
Onno Scholtze (sound engineer) (in 1993-04)
phonographic copyright (℗) by:
Phonogram Japan (in 1994)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1993-04)
live recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1993-04)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler23:00
7▼CD
#TitleArtistRatingLength
1Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich
engineer:
John Newton (editor, engineer mixer) (in 1987-10) and Onno Scholtze (sound engineer) (in 1987-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1987-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-11)
balance engineer:
Onno Scholtze (sound engineer) (in 1987-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-11)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (in 1987-11)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler16:20
2Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
engineer:
John Newton (editor, engineer mixer) (in 1987-10) and Onno Scholtze (sound engineer) (in 1987-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1987-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-11)
balance engineer:
Onno Scholtze (sound engineer) (in 1987-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-11)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (in 1987-11)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler9:04
3Symphony no. 4 in G major: III. Ruhevoll. Poco adagio
engineer:
John Newton (editor, engineer mixer) (in 1987-10) and Onno Scholtze (sound engineer) (in 1987-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1987-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-11)
balance engineer:
Onno Scholtze (sound engineer) (in 1987-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-11)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (in 1987-11)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler20:24
4Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich
engineer:
John Newton (editor, engineer mixer) (in 1987-10) and Onno Scholtze (sound engineer) (in 1987-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1987-11)
orchestra:
Boston Symphony Orchestra (in 1987-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-11)
balance engineer:
Onno Scholtze (sound engineer) (in 1987-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-11)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1987-11)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler8:35
8▼CD
#TitleArtistRatingLength
1Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I
engineer:
Henk Kooistra (dutch audio engineer) (in 1990-09) and Everett Porter (in 1990-09)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Fiona Gale
orchestra:
Boston Symphony Orchestra (in 1990-09)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-09)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1990-09) and Onno Scholtze (sound engineer) (in 1990-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-09)
live recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (in 1990-09)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler12:52
2Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -
engineer:
Henk Kooistra (dutch audio engineer) (in 1990-09) and Everett Porter (in 1990-09)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Fiona Gale
orchestra:
Boston Symphony Orchestra (in 1990-09)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-09)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1990-09) and Onno Scholtze (sound engineer) (in 1990-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-09)
live recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (in 1990-09)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler14:53
3Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell
engineer:
Henk Kooistra (dutch audio engineer) (in 1990-09) and Everett Porter (in 1990-09)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Fiona Gale
orchestra:
Boston Symphony Orchestra (in 1990-09)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-09)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1990-09) and Onno Scholtze (sound engineer) (in 1990-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-09)
live recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (in 1990-09)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler17:46
4Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam
engineer:
Henk Kooistra (dutch audio engineer) (in 1990-09) and Everett Porter (in 1990-09)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Fiona Gale
orchestra:
Boston Symphony Orchestra (in 1990-09)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-09)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1990-09) and Onno Scholtze (sound engineer) (in 1990-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-09)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1990-09)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:57
5Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro
engineer:
Henk Kooistra (dutch audio engineer) (in 1990-09) and Everett Porter (in 1990-09)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Fiona Gale
orchestra:
Boston Symphony Orchestra (in 1990-09)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-09)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1990-09) and Onno Scholtze (sound engineer) (in 1990-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-09)
live recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (in 1990-09)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:22
9▼CD
#TitleArtistRatingLength
1Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo
engineer:
Henk Kooistra (dutch audio engineer) (in 1989-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1989-03)
conductor:
Seiji Ozawa (conductor and composer) (in 1989-03)
balance engineer:
Onno Scholtze (sound engineer) (in 1989-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1989-03)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo (in 1989-03)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler21:11
2Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato
engineer:
Henk Kooistra (dutch audio engineer) (in 1989-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1989-03)
conductor:
Seiji Ozawa (conductor and composer) (in 1989-03)
balance engineer:
Onno Scholtze (sound engineer) (in 1989-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1989-03)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato (in 1989-03)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler16:45
3Symphony no. 7 in E minor: III. Scherzo
engineer:
Henk Kooistra (dutch audio engineer) (in 1989-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1989-03)
conductor:
Seiji Ozawa (conductor and composer) (in 1989-03)
balance engineer:
Onno Scholtze (sound engineer) (in 1989-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1989-03)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio (in 1989-03)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler10:35
4Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso
engineer:
Henk Kooistra (dutch audio engineer) (in 1989-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1989-03)
conductor:
Seiji Ozawa (conductor and composer) (in 1989-03)
balance engineer:
Onno Scholtze (sound engineer) (in 1989-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1989-03)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso (in 1989-03)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler14:07
10▼CD
#TitleArtistRatingLength
1Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico
engineer:
Henk Kooistra (dutch audio engineer) (in 1989-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Boston Symphony Orchestra (in 1989-03)
conductor:
Seiji Ozawa (conductor and composer) (in 1989-03)
balance engineer:
Onno Scholtze (sound engineer) (in 1989-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1989-03)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale (in 1989-03)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler17:51
2Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
recorded in:
Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (in 1988-12)
engineer:
Cees Heijkoop (recording engineer) (in 1988-12) and Willem van Leeuwen (recording engineer) (in 1988-12)
producer:
Volker Straus (producer/engineer)
soprano vocals:
Jessye Norman (soprano) (in 1988-12)
orchestra:
Boston Symphony Orchestra (in 1988-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-12)
balance engineer:
Volker Straus (producer/engineer) (in 1988-12)
live recording of:
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” (in 1988-12)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:30
3Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
recorded in:
Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (in 1988-12)
engineer:
Cees Heijkoop (recording engineer) (in 1988-12) and Willem van Leeuwen (recording engineer) (in 1988-12)
producer:
Volker Straus (producer/engineer)
soprano vocals:
Jessye Norman (soprano) (in 1988-12)
orchestra:
Boston Symphony Orchestra (in 1988-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-12)
balance engineer:
Volker Straus (producer/engineer) (in 1988-12)
live recording of:
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (in 1988-12)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:59
4Kindertotenlieder: Wenn dein Mütterlein
recorded in:
Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (in 1988-12)
engineer:
Cees Heijkoop (recording engineer) (in 1988-12) and Willem van Leeuwen (recording engineer) (in 1988-12)
producer:
Volker Straus (producer/engineer)
soprano vocals:
Jessye Norman (soprano) (in 1988-12)
orchestra:
Boston Symphony Orchestra (in 1988-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-12)
balance engineer:
Volker Straus (producer/engineer) (in 1988-12)
live recording of:
Kindertotenlieder: III. “Wenn dein Mütterlein” (in 1988-12)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:52
5Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen
recorded in:
Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (in 1988-12)
engineer:
Cees Heijkoop (recording engineer) (in 1988-12) and Willem van Leeuwen (recording engineer) (in 1988-12)
producer:
Volker Straus (producer/engineer)
soprano vocals:
Jessye Norman (soprano) (in 1988-12)
orchestra:
Boston Symphony Orchestra (in 1988-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-12)
balance engineer:
Volker Straus (producer/engineer) (in 1988-12)
live recording of:
Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” (in 1988-12)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler3:17
6Kindertotenlieder: In diesem Wetter
recorded in:
Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (in 1988-12)
engineer:
Cees Heijkoop (recording engineer) (in 1988-12) and Willem van Leeuwen (recording engineer) (in 1988-12)
producer:
Volker Straus (producer/engineer)
soprano vocals:
Jessye Norman (soprano) (in 1988-12)
orchestra:
Boston Symphony Orchestra (in 1988-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-12)
balance engineer:
Volker Straus (producer/engineer) (in 1988-12)
live recording of:
Kindertotenlieder: V. “In diesem Wetter” (in 1988-12)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler6:33
11▶CD
12▶CD
13▶CD
14▶CD

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ASIN:UK: B00006YXOS [info]