Fidelio

~ Release by Ludwig van Beethoven; Chor der Staatsoper Dresden, Staatskapelle Dresden, Karl Böhm (see all versions of this release, 4 available)

Tracklist

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1Fidelio: Overture
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
Ludwig van Beethoven6:17
2Fidelio: Act I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzeline)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
tenor vocals [Jaquino]:
Peter Schreier (German tenor and conductor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:55
3Fidelio: Act I, No. 1. "Der arme Jaquino!" (Marzeline)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio: Act I, No. 1. "Der arme Jaquino!" (Marzeline) (in 1969-03)
composer:
Ludwig van Beethoven (German composer)
Ludwig van Beethoven0:31
4Fidelio: Act I, No. 2. Aria "O wär ich schon mit der vereint" (Marzeline)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:09
5Fidelio: Act I, No. 3. "Marzelline, ist Fidelio noch nicht zurück-gokommen?" (Rocco, Mazeline, Leonore)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (in 1969-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:01
6Fidelio: Act I, No. 3. Quartet "Mir ist so Wunderbar" (Mazeline, Leonore, Rocco, Jaquino)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
tenor vocals [Jaquino]:
Peter Schreier (German tenor and conductor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:52
7Fidelio: Act I, No. 4. Aria "Höre, Fidelio!" (Rocco, Marzeline. Leonore)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (in 1969-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:25
8Fidelio: Act I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:38
9Fidelio: Act I, No. 5. "Ihr Könnt das leicht sagen" (Leonore, Rocco, Mrzeline)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (in 1969-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:28
10Fidelio: Act I, No. 5. Trio "Gut, Söhnchen gut" (Rocco, Leonore, Marzeline)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:50
11Fidelio: Act I, No. 6. March
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:04
12Fidelio: Act I, No. 6. "Hauptmann! drei Schildwachen auf den Wall!" (Pizzarro, Rocco)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (in 1969-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:58
13Fidelio: Act I, No. 7. Aria and Chorus "Ha! welch ein Augenblick!" (pizzarro, Chor der wache)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:58
14Fidelio: Act I, No. 7. "Hauptmann! Besteigen Sie mit einem Trompeter" (Pizzarro, Rocco)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (in 1969-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:31
15Fidelio: Act I, No. 8. Duet "Jetzt, Alter jetzt hat es Eile!" (Pizzarro, Rocco)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:10
16Fidelio: Act I, No. 9. Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:15
17Fidelio: Act I, No. 9. "Aber Marzelline..." (Jaquino, Marzeline, Rocco, Leonore)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
tenor vocals [Jaquino]:
Peter Schreier (German tenor and conductor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:52
18Fidelio: Act I, No. 10. Finale "O welche Lust" (Gefangenen, Erster Gefangener, Zweiter Gefanfener)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Second Prisoner]:
Günther Leib (baritone) (in 1969-03)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1969-03)
tenor vocals [First Prisoner]:
Eberhard Büchner (tenor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:34
19Fidelio: Act I, No. 10. "Nun sprecht, wie ging's?" (Leonore, Rocco, Marzelline, Jaquino, Pizzarro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
tenor vocals [Jaquino]:
Peter Schreier (German tenor and conductor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:21
20Fidelio: Act I, No. 10. "Leb' wohl, du warmes Sonnenlicht" (Geganfenen, Marzeline, Leonore, Jaquino, Pizarro, Rocco)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
tenor vocals [Jaquino]:
Peter Schreier (German tenor and conductor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:31
2▼CD
#TitleArtistRatingLength
1Fidelio: Act II, No. 11. Recitative and Aria "Gott! Welch Dunkel hier!" (Florestan)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven9:48
2Fidelio: Act II, No. 12. Melodrama and Duet "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:35
3Fidelio: Act II, No. 12. "Er erwacht, sagst du?" (Rocco, Leonore, Florestan)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:32
4Fidelio: Act II, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:14
5Fidelio: Act II, No. 13. "Ist alles bereit?" (Pizarro, Rocco, Leonore)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1969-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:21
6Fidelio: Act II, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
tenor vocals [Jaquino]:
Peter Schreier (German tenor and conductor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:12
7Fidelio: Act II, No. 14. "Vater, Rocco" (Jaquino, Rocco, Leonore, Florestan, Pizarro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:32
8Fidelio: Act II, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:58
9Fidelio: Overture "Leonore III"
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
Ludwig van Beethoven13:33
10Fidelio: Act II, No. 16. Finale "Heil sei dem Tag" (Chor der Gefangenen und des Volkes, Fernando, Rocco, Pizarro, Leonore, Marzeline, Jaquino)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Don Fernando]:
Martti Talvela (operatic bass) (in 1969-03)
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1969-03)
solo tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
tenor vocals [Jaquino]:
Peter Schreier (German tenor and conductor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale) (in 1969-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven14:10