The Classical Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Ave Maria
recording engineer:
Thijs Hoekstra, Everett Porter und Roger de Schot
Produzent(in):
Anna Barry (classical producer)
Mix und Tonmeister(in):
Jean‐Marie Geijsen
Tenor-Gesang:
Andrea Bocelli (tenor)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
aufgenommen bei:
Auditorium Conciliazione in Roma (Rom), Roma, Lazio, Italien
recording of:
Ave Maria (Bach/Gounod)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer) (in 1853)
basiert auf:
Méditation sur le Premier Prélude de Piano de S. Bach
basiert auf:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach43:06
2The Four Seasons: Winter (Allegro)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Geige / Violine:
Nigel Kennedy (violinist) (von 1986-11-28 bis 1989-03-14)
Orchester:
English Chamber Orchestra (von 1986-11-28 bis 1989-03-14)
conductor:
Nigel Kennedy (violinist) (von 1986-11-28 bis 1989-03-14)
Tonmeister(in):
Mike Clements (engineer) (von 1986-11-28 bis 1989-03-14) und Mike Hatch (engineer/editor) (von 1986-11-28 bis 1989-03-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
aufgenommen bei:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, Vereinigtes Königreich (von 1986-11-28 bis 1989-03-14)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (von 1986-11-28 bis 1989-03-14)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:29
3Turandot: “Nessun dorma”
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (for copyrights use only!) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini52:59
4Duet from Lakmé
Soprangesang:
Lesley Garrett (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Greenwood (conductor)
Léo Delibes3:50
5Toccata and Fugue in D minor
Geige / Violine:
Vanessa‐Mae
Orchester:
Royal Philharmonic Orchestra
conductor:
Mike Batt
recording of:
Toccata and Fugue in D minor (arr. Mike Batt)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Mike Batt
Arrangement von:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach7:50
6Let the Bright Seraphim
Trompete:
Crispian Steele‐Perkins (classical trumpeter and composer)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Librettist:
Newburgh Hamilton
Teil von:
Samson, HWV 57: Act III
Georg Friedrich Händel5:56
7Adiemus
assistierende(r) Techniker(in) und assistierende(r) Mix:
Kirsten Cowie
Techniker(in) und Mix:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
zusätzliche(r) Techniker(in):
Gary Thomas (engineer)
Soprangesang:
Miriam Stockley (in 1995)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (in 1995)
Perkussion arranger:
Mike Ratledge
Orchestrator(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist)
phonographisches Urheberrecht (℗) von:
Jenkins Ratledge Ltd. (in 1995)
aufgenommen bei und mixed at:
Angel Recording Studios in Islington, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Adiemus von Adiemus
recording of:
Adiemus
Texter:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
Komponist(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist) und Mike Ratledge
publisher:
FB Media in GSA
Teil von:
Adiemus I: Songs of Sanctuary
live recording of:
Adiemus
Texter:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
Komponist(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist) und Mike Ratledge
publisher:
FB Media in GSA
Teil von:
Adiemus I: Songs of Sanctuary
Karl Jenkins2.654:00
8Celebration (from Standing Stone)
Chorgesang:
London Symphony Chorus
Orchester:
London Symphony Orchestra
conductor:
Lawrence Foster (conductor)
Paul McCartney6:19
9Braveheart: Main Theme
Orchester:
London Symphony Orchestra
conductor:
James Horner (American score composer)
James Horner2:53
10'O sole mio
Tenor-Gesang:
The Three Tenors
Orchester:
Orchestra del Maggio Musicale Fiorentino und Orchestra del Teatro dell’Opera di Roma
conductor:
Zubin Mehta (conductor)
Eduardo di Capua2:36
11Puer natus est nobis
Sound-Engineering:
Angel Barco
Produzent(in):
Maria Francisca Bonmati
Chorgesang:
Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos (The Benedictine Monks of Santo Domingo de Silos) (in 1973-03)
chorus master:
Ismael Fernández de la Cuesta (in 1973-03)
phonographisches Urheberrecht (℗) von:
Hispavox, S.A. (not for release label use! Spanish record company) (in 1973)
aufgenommen bei:
Iglesia del Monasterio Benedictino de Santo Domingo de Silos in Santo Domingo de Silos, Burgos (Provinz Burgos), Castilla y León (Kastilien und León), Spanien (in 1973-03)
recording of:
Puer natus est nobis
Texter und Komponist(in):
[anonymous] (special purpose artist)
The Benedictine Monks of Santo Domingo de Silos3:41
12The Piano: Main Theme
Klavier:
Michael Nyman (composer)
Michael Nyman1:37
13Nulla in mundo pax sincera
Techniker(in):
John Dunkerley (engineer)
Produzent(in):
Peter Wadland (producer)
Barocktrompete [natural trumpet]:
Michael Laird (classical trumpeter) (in 1978-06)
Bratsche / Viola:
Annette Isserlis (violist) (in 1978-06), Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06) und Colin Kitching (in 1978-06)
Cello:
Anthony Pleeth (cellist) (in 1978-06) und Richard Webb (cellist) (in 1978-06)
Fagott:
Jeremy Ward (UK classical bassoonist) (in 1978-06)
Geige / Violine:
Joan Brickley (in 1978-06), Judith Falkus (in 1978-06), Miles Golding (violinist) (in 1978-06), Rachel Isserlis (in 1978-06), June Baines (in 1978-06), Catherine Mackintosh (violinist) (in 1978-06), Michela Comberti (English violinist) (in 1978-06), Simon Standage (English violinist and conductor) (in 1978-06), Robin Stowell (in 1978-06), Kay Usher (in 1978-06), Polly Waterfield (in 1978-06) und Christel Wiehe (in 1978-06)
Kontrabass:
Peter McCarthy (double bassist) (in 1978-06)
Oboe:
Clare Shanks (oboist) (in 1978-06)
Truhenorgel:
Christopher Hogwood (conductor, harpsichordist) (in 1978-06)
Soprangesang:
Emma Kirkby (soprano) (in 1978-06)
Orchester:
Academy of Ancient Music (in 1978-06)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1978-06)
aufgenommen bei:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1978-06)
recording of:
Nulla in mundo pax sincera, RV 630: I. Aria “Nulla in mundo pax”. Larghetto (in 1978-06)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Nulla in mundo pax sincera, RV 630
recording of:
Nulla in mundo pax sincera, RV 630
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1735)
Teil von:
Ryom-Verzeichnis (Nummer: RV 630)
Antonio Vivaldi36:48
14La bohème: “Che gelida manina”
Tenor-Gesang:
José Carreras (Spanish tenor) (in 1979-02)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1979-02)
conductor:
Sir Colin Davis (English conductor) (in 1979-02)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1979)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1979-02)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini24:50
15Star Wars: Main Theme
Produzent(in):
George Korngold (producer)
Orchester:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1980-06)
recording of:
Main Title (Star Wars) (in 1980-06)
Komponist(in):
John Williams (American score composer) (beendet)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teil von:
Star Wars Holiday Special (television soundtrack)
Teil von:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
Teil von:
Star Wars, Episode II: Attack of the Clones (2002 film score)
Teil von:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
Teil von:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
Teil von:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
Teil von:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
Teil von:
Star Wars, Episode VII: The Force Awakens (2015 film score)
Teil von:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
Teil von:
Star Wars: Shadows of the Empire
John Williams5:39
16The Beyondness of Things: Main Theme
recording engineer:
John Richards (engineer) (in 1997-10)
Produzent(in):
John Barry (English score composer)
Orchester:
English Chamber Orchestra (in 1997-10)
conductor:
John Barry (English score composer) (in 1997-10)
Interpret(in):
John Barry (English score composer)
arranger:
John Barry (English score composer)
aufgenommen bei:
EMI Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1997-10)
recording of:
The Beyondness Of Things (in 1997-10)
Komponist(in):
John Barry (English score composer)
John Barry4:17
17Gaudete
Produzent(in):
Declan Colgan und Toby Wood
Interpret(in):
Mediæval Bæbes
arranger:
Katharine Blake und Ruth Galloway
recording of:
Gaudete
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Mediæval Bæbes22:20
18World in Union
Bass-Gesang:
Bryn Terfel (bass-baritone opera singer)
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
Charlie Skarbek3:46
2▼CD
Nr.TitelKünstlerBewertungLänge
1Andréa Chenier: “La mamma morta”
Produzent(in):
Walter Legge (British classical producer)
Soprangesang [Maddalena]:
Maria Callas (soprano) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
conductor:
Tullio Serafin (conductor) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
aufgenommen bei:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-17 bis 1954-09-18) und Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-20 bis 1954-09-21)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (von 1954-09-17 bis 1954-09-18)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (von 1954-09-20 bis 1954-09-21)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
Umberto Giordano4:54
2The Lark Ascending (excerpt)
Geige / Violine:
Nigel Kennedy (violinist)
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
teilweise recording of:
The Lark Ascending (for violin and orchestra)
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1914)
Premiere bei:
[concert] (1921-06-14)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1921-06-14)
Arrangement von:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams6:50
3Cavatina
Gitarre:
John Williams (classical guitarist)
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
Komponist(in):
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. und Robbins Music Corp. Ltd.
Stanley Myers3:36
4Cello Concerto in E minor, Op. 85: I.
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1965-08-19)
Orchester:
London Symphony Orchestra (am 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-19)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-19)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (am 1965-08-19)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Sir Edward Elgar7:59
5Ave Maria
Soprangesang:
Lesley Garrett (soprano)
Orchester:
Britten Sinfonia
conductor:
Ivor Bolton (conductor and harpsichordist)
Giulio Caccini4:01
6Agnus Dei
Chorgesang:
Choir of New College, Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Agnus Dei (arr. Samuel Barber for chorus)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
arranger:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1967)
Teil von:
Works of Samuel Barber by opus number (Nummer: op. 11)
Arrangement von:
Adagio for Strings
Samuel Barber7:59
7Scottish Fantasy: Andante Sostenuto
Geige / Violine:
Vanessa‐Mae
Orchester:
London Symphony Orchestra
conductor:
Viktor Fedotov
recording of:
Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto
Komponist(in):
Max Bruch (composer and conductor) (von 1879 bis 1880)
basiert auf:
I'm a Doun for Lack o' Johnnie
Teil von:
Scottish Fantasy in E-flat major, op. 46
Max Bruch5:34
8Myfanwy
Bass-Gesang:
Bryn Terfel (bass-baritone opera singer)
Joseph Parry3:30
9Inspector Morse: Main Theme
Gitarre:
Barrington Pheloung (composer)
Barrington Pheloung2:35
10La bohème: “O soave fanciulla”
Soprangesang:
Angela Gheorghiu (Romanian soprano)
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Armstrong (conductor)
Giacomo Puccini3:47
11Norma: “Casta diva”
vocals:
Filippa Giordano (classic crossover singer)
conductor:
Celso Valli
Vincenzo Bellini4:07
12The Lord is my Shepherd
Produzent(in):
Simon Woods (producer)
Oboe:
Christopher Hooker (oboist)
Chorgesang:
Choir of King’s College, Cambridge (von 1997-07-15 bis 1997-07-18)
Orchester:
City of London Sinfonia (chamber orchestra) (von 1997-07-15 bis 1997-07-18)
conductor:
Stephen Cleobury (organist, conductor) (von 1997-07-15 bis 1997-07-18)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios) (von 1997-07-15 bis 1997-07-18)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1997-07-15 bis 1997-07-18)
recording of:
Requiem: VI. The Lord Is My Shepherd (arr. for choir and orchestra) (von 1997-07-15 bis 1997-07-18)
Komponist(in):
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1985)
Arrangement von:
The Lord is my Shepherd (original arr. for choir, solo oboe, and organ)
Teil von:
Requiem
John Rutter4:43
13Chorale 1 (from Adiemus II)
vocals:
Miriam Stockley
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
recording of:
Chorale I (Za Ma Ba)
Komponist(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist)
Teil von:
Adiemus II: Cantata Mundi
Karl Jenkins1:53
14Waltz No. 2
Geige / Violine:
André Rieu
Orchester:
Wiener Johann Strauss Orchester
conductor:
Jurre Haanstra
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer)
Teil von:
Suite for Variety Orchestra
Дмитрий Дмитриевич Шостакович3:44
15All that Jazz (from Chicago)
vocals:
Ute Lemper
conductor:
Gareth Valentine
recording of:
All That Jazz (Chicago)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Larry Shayne Enterprises, Inc. und Warner/Chappell North America
Teil von:
Chicago (Kander & Ebb musical)
John Kander4:06
16Song from Athene (excerpt)
Chorgesang:
Choir of King’s College, Cambridge
teilweise recording of:
Song for Athene
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
John Tavener (20th century composer) (in 1993)
publisher:
Chester Music Ltd.
John Tavener3:26
17Agnus Dei
Chorgesang:
The Monks and Choirboys of Downside Abbey
William Byrd3:15
18Rigoletto: “La donna è mobile”
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
Giuseppe Verdi2:20

Nennungen