The Good German (For Your Consideration)

~ Release by Thomas Newman (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1Unrecht oder Recht (Main Title)
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Unrecht oder Recht (Main Title)
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
2:26
2River Havel
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
River Havel
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:08
3Countess Roundheels
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Countess Roundheels
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:23
4Such a Boy
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Such a Boy
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:36
5Kraut Brain Trust
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Kraut Brain Trust
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:06
6The Russian Deals
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Russian Deals
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:13
7A Good Dose
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
A Good Dose
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:12
8Müller's Billet
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Müller's Billet
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
0:49
9Wittenbergplatz
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Wittenbergplatz
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
0:47
10Trip Ticket
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Trip Ticket
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:42
11Safe House
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Safe House
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
0:58
12A Nazi and a Jew
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
A Nazi and a Jew
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:51
13Dora
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Dora
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
2:50
14Kurfürstendamm
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Kurfürstendamm
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
0:44
15The Big Three
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Big Three
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:25
16A Persilschein
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
A Persilschein
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:36
17Stickball
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Stickball
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
0:28
18Golem
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Golem
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:10
19Atom Bomb
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Atom Bomb
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:31
20The Good German
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Good German
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
2:11
21Hannelore
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Hannelore
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:02
22Occupation Marks
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Occupation Marks
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:20
23U-Bahn
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
U-Bahn
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:37
24The Brandenburg Gate
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Brandenburg Gate
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:26
25Skinny Lena
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Skinny Lena
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:45
26Rockets for Our Side
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Rockets for Our Side
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:50
27Always Something Worse
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Always Something Worse
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
2:06
28Godless People (End Title)
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Godless People (End Title)
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
2:44
29Jedem das Seine
recording engineer:
Armin Steiner
assistant engineer:
Greg Hayes (engineer) and Tim Lauber
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
orchestra:
Hollywood Studio Symphony
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Jedem das Seine
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
2:49

Credits

Release group

part of:2007 79th Academy Award for Best Music (Original Score) (2007 - 79th (Winner and Nominees)) (number: 2) (order: 2)
other databases:http://soundtrackcollector.com/title/77955/ [info]
IMDb:https://www.imdb.com/title/tt0452624/ [info]