Much Ado About Nothing

~ Release by Patrick Doyle (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1The Picnic
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
spoken vocals [recited]:
Emma Thompson
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
The Picnic
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
2:58
2Overture
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Overture (Much Ado About Nothing)
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
part of:
Much Ado About Nothing
4:21
3The Sweetest Lady
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
The Sweetest Lady
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
2:07
4The Conspirators
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
The Conspirators
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
2:42
5The Masked Ball
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
The Masked Ball
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
1:58
6The Prince Woos Hero
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
The Prince Woos Hero
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
1:20
7A Star Danced
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
A Star Danced
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
2:46
8Rich She Shall Be
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Rich She Shall Be
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
1:44
9Sigh No More Ladies
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Sigh No More Ladies
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
1:59
10The Gulling of Benedick
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
The Gulling of Benedick
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
3:13
11It Must Be Requited
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
It Must Be Requited
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
2:01
12The Gulling of Beatrice
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
The Gulling of Beatrice
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
1:42
13Contempt Farewell
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Contempt Farewell
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
1:38
14The Lady Is Disloyal
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
The Lady Is Disloyal
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
2:18
15Hero’s Wedding
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Hero’s Wedding
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
0:48
16Take Her Back Again
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Take Her Back Again
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
3:11
17Die to Live
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Die to Live
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
4:45
18You Have Killed a Sweet Lady
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
You Have Killed a Sweet Lady
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
3:04
19Choose Your Revenge
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Choose Your Revenge
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
1:51
20Pardon Goddess of the Night
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Pardon Goddess of the Night
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
4:34
21Did I Not Tell You
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Did I Not Tell You
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
1:43
22Hero Revealed
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Hero Revealed
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
1:28
23Benedick the Married Man
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Benedick the Married Man
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
2:09
24Strike Up Pipers
assistant engineer:
James Collins (engineer)
engineer:
Chris Dibble (engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
conductor:
David Snell (British harpist and conductor, library music)
additional orchestrator:
John Bell (arranger, conductor, orchestrator)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Strike Up Pipers
orchestrator:
John Bell (orchestrator)
composer:
Patrick Doyle (Scottish score composer)
2:43