Complete Love Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media: Complete Love Songs Vol. 01
#TitleArtistRatingLength
1One Perfect Day
bass:
Peter Leslie (bassist)
drums (drum set):
Alan "Clutch" Robertson
keyboard:
Martin Fisher (keyboards, in Dear Enemy)
vocals:
Roger Hart (Australian guitarist, vocalist, songwriter)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1982) and EMI Music Australia Pty. Limited (not for release label use!) (in 1982)
recording of:
One Perfect Day (Little Heroes song)
writer:
Roger Wells (Roger Garfield Ferrier)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Orient Pacific Music Pty. Ltd.
The Little Heroes3:40
2Release Me
recording of:
Release Me
writer:
Chynna Phillips, Carnie Wilson and Wendy Wilson
publisher:
EMI Blackwood Music Inc., Smooshie Music and Willphill Music
Wilson Phillips3:51
3Beautiful in My Eyes
engineer:
Simon Smart
producer:
Rod Argent and Peter Van Hooke
mixer:
David Kershenbaum and Kevin Smith (American DJ, producer and hip hop pioneer based in New York City.)
acoustic guitar:
Mark Cresswell
cello:
Paul Kegg (cellist), Ben Kennard and Roger Smith (cello, Academy of St. Martin in the Fields)
double bass:
Chris Laurence (double bassist)
drums (drum set) and percussion:
Peter Van Hooke
instruments:
Helen Liebmann (cellist)
keyboard:
Rod Argent
piano:
Joshua Kadison (US singer-songwriter, pianist & writer)
viola:
Bob Smissen (violist), Andy Parker (violist), George Robertson (violist) and Steve Tees
violin:
Mark Berrow (violinist), Ben Cruft (violinist), Roger Garland (violinist), Roy Gillard (violinist), Tim Good, Rita Manning (violinist), Peter Oxer, Bill Penham, Barry Wilde, Wilf Gibson (UK violinist), Dave Woodcock (violinist) and Gavyn Wright (UK violinist, conductor)
choir vocals:
Rod Argent, Adele Bertei, Lance Ellington (Production music composer), Carol Kenyan, David Lasley, Ian Shaw (UK jazz vocalist / producer), Helen Terry (UK singer) and Ruby Turner
vocals:
Joshua Kadison (US singer-songwriter, pianist & writer)
strings arranger:
Rod Argent
recording of:
Beautiful in My Eyes
lyricist and composer:
Joshua Kadison (US singer-songwriter, pianist & writer)
publisher:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) and Seymour Glass Songs (BMI affiliated)
Joshua Kadison34:07
4Always Something There to Remind Me
producer:
Tony Mansfield (producer & songwriter)
cover recording of:
(There’s) Always Something There to Remind Me
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
Naked Eyes4.153:34
5My Heart Is Failing Me
recording of:
My Heart Is Failing Me
composer:
Albert Hammond
Riff4:21
6(I Just) Died in Your Arms Tonight
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. and Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew34:24
7Crying in the Chapel
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1989)
recording of:
Crying in the Chapel (Peter Blakeley song)
writer:
Peter Blakeley and Aaron Zigman (American score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal/MCA Music Publishing Pty Ltd, Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Peter Blakeley3:40
8Nothing Compares 2 U
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer-songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer-songwriter)
vocals:
Sinéad O’Connor (Irish singer-songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) and Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
music videos:
Nothing Compares 2 U (music video) by Sinéad O’Connor (Irish singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:04
9I Live for You
recording of:
I Live for You
writer:
Desmond Child and Chynna Phillips
Chynna Phillips3:44
10Whats Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner4.153:46
11Only You
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe (UK producer / engineer / musician)
additional producer:
Daniel Miller (British music producer and founder of Mute Records)
producer:
Eric Radcliffe (UK producer / engineer / musician) and Yazoo (80s British synthpop duo, aka Yaz)
keyboard and synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing and Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.43:11
12More Than Words Can Say
part of:
The Downloader’s Music Source Book (number: 341)
recording of:
More Than Words Can Say (from 1989 until 1990)
writer:
Freddy Curci and Steve DeMarchi
publisher:
Could Be Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Alias53:51
13Would I Lie to You
performer:
Charles & Eddie
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recording of:
Would I Lie to You?
writer:
Michael Leeson and Peter Vale (writer/arranger)
publisher:
EMI Virgin Music Publishing Australia P/L and BMG VM Music Ltd. (from 2013-05-16 to present)
Charles & Eddie4.254:34
14Come to Me
producer:
Terry Manning (US recording engineer)
bass:
David Cochran (bass player) and Alan Gorrie
drums (drum set):
Yak Sherrit (drummer)
horn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Andrew Love
keyboard:
Bernie Worrell (keyboardist, composer and record producer)
background vocals:
Brenda Barnette (vocalist), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Phyllis Duncan (session singer), Debbie Jamison (session vocalist), Jimi Jamison, Helen Johnson (session vocalist), Sandra Rhodes and Becky Russell
vocals:
Donna Hauth (session vocalist)
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1991)
recording of:
Come to Me
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs Australia Pty. Ltd.
Diesel4:21
15Dont Want to Wait Anymore
recording of:
Don’t Want to Wait Anymore
writer:
Rick Anderson (bassist for The Tubes), Michael Cotten, David Foster (Canadian music producer, arranger and composer), Prairie Prince, Bill Spooner, Roger Steen, Fee Waybill and Vince Welnick
publisher:
Boones Tunes, Decomposition Music, Foster Frees Music Inc., Irving Music (BMI), Peermusic III, Ltd. (BMI) and Sony/ATV Songs LLC
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Tubes3:48
16How Deep Is Your Liove
cover recording of:
How Deep Is Your Love (Bee Gees song)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gibb Brothers Music (in 1977)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Portrait3:43
2▼Digital Media: Complete Love Songs Vol. 02
#TitleArtistRatingLength
1Youve Lost That Lovin Feelin
cover recording of:
You’ve Lost That Lovin’ Feelin’
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Long John Baldry35:12
2True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis (in 1983) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:31
3Tonight I Celebrate My Love for You
recording engineer:
Alan R. Hirshberg (in 1983)
engineer:
Howard Wolin and Jeremy Smith (producer/engineer)
producer:
Michael Masser
mixer:
Dick Bogart (Recording and mixing engineer) and Russ Terrano
bass guitar [bass]:
Nathan East (in 1983)
drums (drum set):
Carlos Vega (in 1983)
guitar:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
piano:
Randy Kerber (in 1983)
vocals:
Peabo Bryson (in 1983) and Roberta Flack (in 1983)
arranger:
Michael Masser and Gene Page
orchestrator:
Gene Page
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
A&M Records Studios in Hollywood, Los Angeles, California, United States (in 1983) and Studio Sound in North Hollywood, Los Angeles, California, United States (in 1983)
mixed at:
Motown Hitsville in West Hollywood, California, United States
recording of:
Tonight, I Celebrate My Love (in 1983)
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson3.753:32
4Missing You
assistant engineer:
Ken Stiger (engineer)
engineer:
Gary Hellman
producer:
Gary Gersh, David Thoener and John Waite
mixer and editor:
John Luongo
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite54:02
5This Will Be (An Everlasting Love)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 316)
recording of:
This Will Be (An Everlasting Love)
writer:
Chuck Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) and Jay’s Enterprises Inc.
Natalie Cole3.52:50
6When Your in Love With a Beautiful Woman
producer:
Ron Haffkine
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
lyricist and composer:
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:57
7It Started With a Kiss
producer:
Mickie Most (English record producer)
lead vocals:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
music videos:
It Started With a Kiss by Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. and Universal Music Publishing MGB Australia
Hot Chocolate34:01
8Love Changes Everything
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
additional percussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Neil Taylor (guitarist)
background vocals:
Coral Gordon and The Soultana's
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.854:26
9Do You Really Want to Hurt Me
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club4:24
10Classic
recording of:
Classic
lyricist and composer:
Adrian Gurvitz
publisher:
EMI Music Publishing (do not use as a release label!) and Finchley Music Corp.
Adrian Gurvitz33:40
11The First Time Ever I Saw Your Face
cover recording of:
The First Time Ever I Saw Your Face
lyricist and composer:
Ewan MacColl (folksinger, songwriter, actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. and Westbury Music Ltd.
Peter Blakeley4:17
12You Are My Lady
recording of:
You Are My Lady
writer:
Barry Eastmond
publisher:
Zomba Enterprises, Inc.
Freddie Jackson54:44
13Lady
produced in:
Australia
assistant engineer and assistant mixer:
Jim Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
engineer and mixer:
Ern Rose
producer:
John Boylan and Little River Band
acoustic guitar:
Graham Goble (in 1978-03)
bass:
George McArdle (in 1978-03)
drums (drum set), electronic drum set [syndrum] and percussion:
Derek Pellicci (in 1978-03)
electric guitar:
David Briggs (producer, guitarist of Little River Band) (in 1978-03) and Graham Goble (in 1978-03)
piano:
Peter Sullivan (in 1978-03)
talkbox:
David Briggs (producer, guitarist of Little River Band) (in 1978-03)
background vocals and lead vocals:
Beeb Birtles (in 1978-03), Graeham Goble (in 1978-03) and Glenn Shorrock (in 1978-03)
orchestra:
Melbourne Symphony Orchestra (in 1978-03)
conductor:
Rick Formosa (in 1978-03: strings)
strings arranger:
Riccardo Formosa
vocals arranger:
Graeham Goble
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Australia (company credits only; file no releases here!) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978) and EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
recorded at:
Armstrong Audio Visual (later renamed AAV Studios) in Melbourne, Victoria, Australia (in 1978-03)
mixed at:
Armstrong Audio Visual (later renamed AAV Studios) in Melbourne, Victoria, Australia
recording of:
Lady (in 1978-03)
lyricist and composer:
Graeham Goble
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band3.354:44
14Room in Your Heart
producer:
Living in a Box and Chris Porter (engineer and producer)
mixer:
Chris Porter (engineer and producer)
recording of:
Room in Your Heart
writer:
Richard Darbyshire, Albert Hammond and Marcus Vere
publisher:
Chappell Music Ltd., Empire Music Ltd. and Windswept Pacific Music Ltd.
Living in a Box24:35
15The Other Guy
recorded in:
Melbourne, Victoria, Australia (in 1982-09)
producer:
Little River Band and Ern Rose
acoustic guitar:
Beeb Birtles (in 1982-09) and Graham Goble (in 1982-09)
bass:
Wayne Nelson (in 1982-09)
drums (drum set):
Derek Pellicci (in 1982-09)
electric piano:
David Hirschfelder (Australian score composer) (in 1982-09)
guitar:
Beeb Birtles (in 1982-09) and Stephen Housden (guitarist) (in 1982-09)
synthesizer:
Peter Jones (Australian pianist/composer) (in 1982-09)
lead vocals:
John Farnham (in 1982-09)
vocals:
Beeb Birtles (in 1982-09) and Graham Goble (in 1982-09)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982, in 2002) and Capitol Records (imprint of Capitol Records, Inc.) (in 2002)
recording of:
The Other Guy (in 1982-09)
lyricist and composer:
Graeham Goble
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Music of the World (BMI publisher), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Universal/MCA Music Publishing Pty Ltd
Little River Band3.52:49
16When You Walk in the Room
producer:
Christopher Neil
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1987) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1987)
cover recording of:
When You Walk in the Room
lyricist and composer:
Jackie DeShannon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (in 1987) and United Partnership Ltd. (in 1987)
Paul Carrack2.653:31
3▼Digital Media: Complete Love Songs Vol. 03
#TitleArtistRatingLength
1Hold On
executive producer:
Charles Koppelman (American businessman and musician)
producer:
Glen Ballard
vocals:
Chynna Phillips, Carnie Wilson and Wendy Wilson
phonographic copyright (℗) by:
SBK Records (in 1990)
recording of:
Hold On
writer:
Glen Ballard, Chynna Phillips and Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips33:35
2Sharing the Night Together
producer:
Ron Haffkine
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978)
cover recording of:
Sharing the Night Together
writer:
Ava Aldridge and Eddie Struzick
publisher:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. and Leosong (publisher)
Dr. Hook42:52
3Angel of the Morning
recording engineer:
Joe Chiccarelli
associate producer:
Otha Young
producer:
Richard Landis
mixer:
Michael Verdick
arranger:
Charles Calello
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, United States
cover recording of:
Angel of the Morning (on 1980-09-04)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. and Unichappell Music
Juice Newton4.354:12
4Love Will Turn You Around
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
recording of:
Love Will Turn You Around
lyricist and composer:
David Malloy (American country music and pop songwriter, record producer and A&R executive), Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur), Thom Schuyler and Even Stevens (singer / songwriter)
Kenny Rogers53:38
5Rise to the Occasion
engineer:
John Gallen (UK music producer, recording & mix engineer.) and David Jacob
producer:
Climie Fisher and Stephen Hague
additional percussion:
Frank Ricotti (percussionist)
background vocals:
View From the Hill
recording of:
Rise to the Occasion
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
Climie Fisher24:50
6Jessie
recording of:
Jessie (Joshua Kadison song)
lyricist and composer:
Joshua Kadison (US singer-songwriter, pianist & writer)
publisher:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) and Seymour Glass Songs (BMI affiliated)
Joshua Kadison14:21
7Never Gonna Fall in Love Again
recording of:
Never Gonna Fall in Love Again
lyricist:
Eric Carmen
publisher:
Camex Music, Inc., Eric Carmen Music, Round Hill Works, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
is based on:
Symphony no. 2 in E minor, op. 27: III. Adagio
Mark Holden3:17
8And I Love You So
recording of:
And I Love You So
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Welk Music Group, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean34:16
9I Believe
recording of:
I Believe
writer:
Jeff Pence, Matthew Senatore and Eliot Sloan
Blessid Union of Souls3:50
10Love at First Sight
phonographic copyright (℗) by:
EMI Music New Zealand (in 1980)
recording of:
Love at First Night
lyricist and composer:
Alan O’Day
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Kim Hart3:24
11Oh Lamour
assistant mixer:
Phil Legg
mixer:
Flood (British producer Mark Ellis) and Daniel Miller (British music producer and founder of Mute Records)
recording of:
Oh l’amour
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Erasure3.653:10
12I Could Fall in Love
recording engineer and mixer:
Bill Whittington
bass and synthesizer programming:
Keith Thomas (CCM, country, pop producer & songwriter)
drum machine programming:
Mark Hammond (US drummer/producer/drum programmer)
assistant engineer:
Mike Corbett
producer:
Keith Thomas (CCM, country, pop producer & songwriter)
bass:
Tommy Sims (r&b, ccm)
guitar:
Dann Huff
background vocals:
Trey Lorenz
vocals:
Selena (Mexican–American cumbia/tejano singer)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
recording of:
I Could Fall in Love
lyricist and composer:
Keith Thomas (CCM, country, pop producer & songwriter)
publisher:
Elephant Music (German label) and Sony Music Publishing (worldwide except Japan, ended 1995)
Selena4:41
13Heart and Soul
recording of:
Heart and Soul
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
AMP Publishing Ltd and Virgin Music (Publishing) Ltd.
T’Pau4:07
14Solid
recording of:
Solid
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson35:08
15A Good Heart
recording of:
A Good Heart
lyricist and composer:
Maria McKee
publisher:
J. Albert & Son Pty. Ltd.
Feargal Sharkey4:27
16Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:50
4▼Digital Media: Complete Love Songs Vol. 04
#TitleArtistRatingLength
1Everytime I Think of You
recording engineer and producer:
Ron Nevison
assistant engineer:
Mike Clink
bass:
Jack Conrad
drums (drum set) and percussion:
Tony Brock
guitar:
Wally Stocker
piano:
Kevin Kelly (piano, organ, accordion player)
background vocals:
Diana Lee (credited mostly for backing vocals, does soprano too), Myrna Matthews and Marti McCall (session vocalist)
lead vocals:
John Waite
conductor:
Jimmy Haskell
brass [horns] arranger and strings arranger:
Jimmy Haskell
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978, in 1979) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979)
recording of:
Every Time I Think of You
writer:
Jack Conrad (in 1978) and Ray Kennedy (singer, songwriter, and record producer based in L.A.) (in 1978)
publisher:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music and X‐Ray Music
The Babys4.354:03
2Inseparable
recording of:
Inseparable
writer:
Chuck Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
Natalie Cole2:26
3Please Don't Go
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Please Don’t Go
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs and EMI Songs Ltd.
KC and the Sunshine Band43:52
4Don't It Make My Brown Eyes Blue
phonographic copyright (℗) by:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (not for release label use, but for copyrights and record company credits related to US label Liberty) (in 1976) and Capitol Nashville (in 1977, in 1979)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
lyricist and composer:
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
Crystal Gayle4.42:32
5(You're) Having My Baby
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974)
recording of:
(You’re) Having My Baby
lyricist and composer:
Paul Anka
Paul Anka32:32
6Reminiscing
recorded in:
Australia (in 1978-03)
produced in:
Australia
producer:
John Boylan and Little River Band
bass:
George McArdle (in 1978-03)
drums (drum set):
Derek Pellicci (in 1978-03)
electric guitar:
Beeb Birtles (in 1978-03), David Briggs (producer, guitarist of Little River Band) (in 1978-03) and Graham Goble (in 1978-03)
guest electric piano:
Peter Jones (Australian pianist/composer) (in 1978-03)
solo flugelhorn:
Bob Venier (brass) (in 1978-03)
solo trumpet:
Bill Harrower (in 1978-03)
strings:
Rick Formosa (in 1978-03)
vocals:
Beeb Birtles (in 1978-03), Graham Goble (in 1978-03) and Glenn Shorrock (in 1978-03)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978, in 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1978) and EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 17) and Billboard Year-End Hot 100 singles of 1978 (number: 65)
recording of:
Reminiscing (in 1978-03)
lyricist and composer:
Graeham Goble
publisher:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019), Wheatley Music Pty Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:09
7I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Gary Shearston53:38
8Sad Eyes
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1979) and EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (in 2002)
recording of:
Sad Eyes
lyricist and composer:
Robert John (US singer‐songwriter)
publisher:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John4:12
9Play Mumma Pla (Sing Me a Song)
recording of:
Play Mumma, Sing Me A Song
writer:
John J. Francis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
John J. Francis4:38
10The Air That I Breathe
engineer:
Mike Jarratt (Recording, mixing and lacquer cutting engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies) (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:05
11Don't Fall in Love With a Dreamer
lead vocals:
Kim Carnes and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
performer:
Kim Carnes and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1980)
recording of:
Don’t Fall in Love With a Dreamer
writer:
Kim Carnes and Dave Ellingson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Appian Music Co. and Quixotic Music Corp.
Kim Carnes3:39
12Darlin'
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
lyricist and composer:
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:06
13Lovin' You
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:21
14I Don't Know How to Love Him
cover recording of:
I Don’t Know How to Love Him
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) and Universal/MCA Music Ltd. (not for release label use!)
part of:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Helen Reddy3:19
15Softly Whispering I Love You
engineer:
Peter Vince (engineer, producer)
performer:
Brian Keith and Alan Parker (guitarist & composer)
arranger:
Ken Woodman (British trumpeter, music director, arranger and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom
cover recording of:
Softly Whispering I Love You
writer:
Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. NCB and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Congregation22:59
16If I Had Words
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
part of:
TV Cream: Real 100 Best Singles Ever (number: 45)
cover recording of:
If I Had Words
composer:
Camille Saint‐Saëns (composer)
arranger:
Jonathan Hodge
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
is based on:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
Scott Fitzgerald23:51
5▼Digital Media: Complete Love Songs Vol. 05
#TitleArtistRatingLength
1Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
drums (drum set):
John Keeble (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:52
2When He Shines
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
When He Shines (in 1981)
writer:
Dominic Bugatti and Peter Vale (writer/arranger)
publisher:
Pendulum Music (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
Sheena Easton3:54
3Everything I Own
producer:
Stewart Levine (record producer and saxophonist)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
cover recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Boy George2.83:53
4Strong Enough to Bend
additional recording engineer:
Steve Day (Recording Engineer)
assistant recording engineer:
Chris Hammond
recording engineer and mixer:
Scott Hendricks (producer)
producer:
Jerry Crutchfield (Country & Pop record producer, songwriter, musician)
assistant mixer:
Mark Nevers
acoustic guitar:
Dan Potter
bass guitar:
Bob Wray (American Bassist)
drums (drum set):
James Stroud
electric guitar:
Steve Gibson (US country vocalist and guitarist) and Kenny Mims
fiddle:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
keyboard:
Mitch Humphries
mandolin and resonator guitar [dobro]:
Steve Gibson (US country vocalist and guitarist)
resonator guitar [pedal dobro] and steel guitar:
Paul Franklin (steel guitarist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist)
synthesizer:
David Innis
background vocals:
Michael Black (Vocalist), Jessica Boucher, Beth Nielsen Chapman (American singer and songwriter), Carol Chase, Greg Gordon (backing vocalist), Katerina Kitridge, Diane Vanette, Hurshel Wiginton, Dennis Wilson (country vocals, bassist) and Curtis Young (country singer)
recorded at:
Compass Point Studios in Nassau, Bahamas
mixed at:
The Castle (Castle Recording Studios) in Franklin, Tennessee, United States
recording of:
Strong Enough to Bend
writer:
Beth Nielsen Chapman (American singer and songwriter) and Don Schlitz
Tanya Tucker42:44
5To Sir With Love
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
To Sir With Love (on 1967-03-20)
lyricist:
Don Black (English lyricist)
composer:
Mark London (musical theater)
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–EMI Music Ltd.
Lulu52:46
6The Sweetest Thing (I've Ever Known)
recording engineer:
Joe Chiccarelli
associate producer:
Otha Young
producer:
Richard Landis
mixer:
Michael Verdick
arranger:
Charles Calello
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, United States
recording of:
The Sweetest Thing (I've Ever Known)
lyricist and composer:
Otha Young
Juice Newton24:07
7A Little Bit More
producer:
Ron Haffkine and Waylon Jennings (US country musician)
cover recording of:
A Little Bit More
lyricist and composer:
Bobby Gosh (pianist, songwriter, and producer)
publisher:
Bygosh Music Corp., Intersong Music Ltd., Sunbury Music Ltd., Warner Chappell and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
recording of:
A Little Bit More
lyricist and composer:
Bobby Gosh (pianist, songwriter, and producer)
publisher:
Bygosh Music Corp., Intersong Music Ltd., Sunbury Music Ltd., Warner Chappell and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Dr. Hook32:53
8Be Tender With Me Baby
producer:
Dan Hartman
recording of:
Be Tender With Me Baby
writer:
Albert Hammond and Holly Knight
publisher:
Albert Hammond Music, BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., Knighty-Knight Music, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Universal/Empire Music Ltd.
Tina Turner24:18
9Dreaming My Dreams With You
recording of:
Dreaming My Dreams With You
lyricist and composer:
Allen Reynolds
publisher:
Image Music (Australian) and Jack Music, Inc.
Crystal Gayle2:55
10Isn't It Time
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977)
recording of:
Isn’t It Time
writer:
Jack Conrad and Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. and X‐Ray Music
The Babys4.54:01
11My Sentimental Friend
recording of:
My Sentimental Friend
composer:
John Carter (songwriter & producer, b. 1942) and Geoff Stephens
publisher:
Peermusic III, Ltd. (BMI)
Herman’s Hermits33:12
12Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:26
13Ebony Eyes
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 96)
recording of:
Ebony Eyes
lyricist and composer:
Bob Welch (early member of Fleetwood Mac)
publisher:
Cigar Music, EMI Music Publishing Australia Pty Ltd (not for release label use!) and Glenwood Music Corp.
Bob Welch3:31
14You Won't See Me Cry
producer:
Glen Ballard
recording of:
You Won’t See Me Cry (1998)
writer:
Glen Ballard and Wilson Phillips
publisher:
Areostation Corp, EMI Blackwood Music Inc., Get Out Songs, Lentle Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Smooshie Music
Wilson Phillips2.353:52
15Take the 'L'
recording of:
Take the L
writer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer), Martha Davis (of The Motels) and Marty Jourard (keyboardist and vocalist for The Motels)
publisher:
Bug Music (music publishing), Hello Mr. Wilson and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Motels43:39
16No Regrets
cover recording of:
No Regrets
lyricist and composer:
Tom Rush
publisher:
BMG Bumblebee (BMI) (A BMI-affiliated publishing entity of BMG Rights Management), Essex International and Tubbs Hill Music
Midge Ure34:02