| # | Title | Artist | Rating | Length |
|---|
| 1 | Body and Soul (live at Philharmonic Hall, Los Angeles, 1945)- alto saxophone:
- Willie Smith (on 1945-02-12)
- double bass [bass]:
- Charles Mingus (on 1945-02-12)
- drums (drum set):
- Davie Coleman (on 1945-02-12)
- electric guitar:
- Dave Barbour (on 1945-02-12)
- piano:
- Milt Raskin (on 1945-02-12)
- tenor saxophone:
- Wardell Gray (on 1945-02-12), Illinois Jacquet (on 1945-02-12) and Charlie Ventura (on 1945-02-12)
- trumpet:
- Howard McGhee (on 1945-02-12)
- vocals:
- Billie Holiday (on 1945-02-12)
- recorded at:
- Billie Holliday at Philharmonic Auditorium (1945-02-12)
- recorded at:
- Philharmonic Auditorium in Los Angeles, California, United States (on 1945-02-12)
- live recording of:
- Body and Soul (on 1945-02-12)
- lyricist:
- Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
- composer:
- Edward Heyman, Robert Sour and John Green (in 1930)
- publisher:
- Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Billie Holiday | 4 | 3:33 |
| 2 | Strange Fruit (live at Philharmonic Hall, Los Angeles, 1945) | Billie Holiday | 4 | 2:52 |
| 3 | I Cried for You (live at Carnegie Hall/1946) | Billie Holiday | 3 | 2:18 |
| 4 | Fine and Mellow (live at Carnegie Hall/1946) | Billie Holiday | 3 | 3:51 |
| 5 | He’s Funny That Way (live at Carnegie Hall/1946) | Billie Holiday | 3 | 3:22 |
| 6 | The Man I Love (live at Carnegie Hall, 1946) | Billie Holiday | 4 | 3:04 |
| 7 | Gee, Baby, Ain’t I Good to You? (live at Carnegie Hall, 1946) | Billie Holiday | 4 | 2:20 |
| 8 | All of Me (live at Carnegie Hall, 1946) | Billie Holiday | 4 | 1:56 |
| 9 | Billie’s Blues (live at Carnegie Hall, New York, 1946) | Billie Holiday | 4 | 3:39 |
| 10 | Trav’lin’ Light (live at the Shrine Auditorium, Los Angeles, 1946) | Billie Holiday | 4 | 3:28 |
| 11 | He’s Funny That Way (live at the Shrine Auditorium, Los Angeles, 1946) | Billie Holiday | | 2:56 |
| 12 | Norman Granz Announcement (live at Carnegie Hall/1947) | Norman Granz | 1 | 0:09 |
| 13 | You Better Go Now (live at Carnegie Hall/1947) | Billie Holiday | 3 | 2:56 |
| 14 | You’re Driving Me Crazy (live at Carnegie Hall/1947) | Billie Holiday | 4 | 1:30 |
| 15 | (There Is) No Greater Love (live at Carnegie Hall/1947) | Billie Holiday | 4 | 2:34 |
| 16 | I Cover the Waterfront (live at Carnegie Hall/1947) | Billie Holiday | 4 | 2:58 |
| 17 | Norman Granz Announcement of Billie Holiday and Intermission (live at Carnegie Hall/1947) | Norman Granz | 1 | 0:29 |
| 18 | Announcement by Willis Conover (live at the Newport Jazz Festival/1957) | Willis Conover | 1 | 0:54 |
| 19 | Announcement by Johnny Mercer (live at the Newport Jazz Festival/1957) | Johnny Mercer | 1 | 0:42 |
| 20 | Fanfare From Oh, Lady Be Good (live at the Newport Jazz Festival/1957) | Mal Waldron, Joe Benjamin & Jo Jones | 1 | 0:11 |
| 21 | Nice Work If You Can Get It (live at the Newport Jazz Festival, 1957) | Billie Holiday | 3 | 2:39 |
| 22 | Willow Weep for Me (live at the Newport Jazz Festival, 1957) | Billie Holiday | 3 | 3:08 |
| 23 | My Man (live at the Newport Jazz Festival, 1957) | Billie Holiday | 4 | 3:30 |
| 24 | Lover, Come Back to Me (live at the Newport Jazz Festival, 1957)- double bass [bass]:
- Joe Benjamin (on 1957-07-06)
- drums (drum set):
- Jo Jones (on 1957-07-06)
- piano:
- Mal Waldron (on 1957-07-06)
- vocals:
- Billie Holiday (on 1957-07-06)
- recorded at:
- Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
- recorded at:
- Freebody Park in Newport, Rhode Island, United States (on 1957-07-06)
- live recording of:
- Lover, Come Back to Me (on 1957-07-06)
- lyricist:
- Oscar Hammerstein II (in 1928)
- writer:
- Sigmund Romberg
- composer:
- Sigmund Romberg (in 1928)
- publisher:
- Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (in 1928)
- sub-publisher:
- ワーナー・チャペル音楽出版 Synch事業部 , ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
- part of:
- The New Moon: Act II
- cover recording of:
- Lover, Come Back to Me
- lyricist:
- Oscar Hammerstein II (in 1928)
- writer:
- Sigmund Romberg
- composer:
- Sigmund Romberg (in 1928)
- publisher:
- Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (in 1928)
- sub-publisher:
- ワーナー・チャペル音楽出版 Synch事業部 , ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
- part of:
- The New Moon: Act II
| Billie Holiday | 4 | 2:06 |
| 25 | Lady Sings the Blues (live at the Newport Jazz Festival, 1957) | Billie Holiday | 5 | 3:00 |
| 26 | What a Little Moonlight Can Do (live at the Newport Jazz Festival/1957) | Billie Holiday | | 2:54 |
| 27 | Fanfare From Oh, Lady Be Good With Conover Announcement (live at the Newport Jazz Festival/1957) | Mal Waldron, Joe Benjamin, Jo Jones & Willis Conover | 1 | 0:23 |
| 28 | Announcement by Leonard Feather (live from Seven Ages of Jazz Festival/1958) | Leonard Feather | 1 | 0:47 |
| 29 | I Wished on the Moon (live from Seven Ages of Jazz Festival/1958) | Billie Holiday | 3 | 2:44 |
| 30 | Lover Man (Oh, Where Can You Be?) (live from Seven Ages of Jazz Festival /1958) | Billie Holiday | 3 | 3:01 |