Choral Music

~ Release by Benjamin Britten (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Hymn to St. Cecilia, Op. 27: I. In a garden shady this holy lady
engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Choir of King’s College, Cambridge (on 1971-07-27)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (on 1971-07-27)
recording of:
Hymn to St. Cecilia, op. 27: I. In a Garden Shady (on 1971-07-27)
lyricist:
W. H. Auden (from 1940 until 1942)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1940 until 1942)
part of:
Hymn to St. Cecilia, op. 27
2:58
2Hymn to St. Cecilia, Op. 27: II. I cannot grow
engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Choir of King’s College, Cambridge (on 1971-07-27)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (on 1971-07-27)
recording of:
Hymn to St. Cecilia, op. 27: II. I Cannot Grow (on 1971-07-27)
lyricist:
W. H. Auden (from 1940 until 1942)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1940 until 1942)
part of:
Hymn to St. Cecilia, op. 27
2:10
3Hymn to St. Cecilia, Op. 27: III. O ear whose creatures cannot wish to fall
engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Choir of King’s College, Cambridge (on 1971-07-27)
other vocals:
Richard Cross (choral singer, treble) (on 1971-07-27)
recording of:
Hymn to St. Cecilia, op. 27: III. O Ear Whose Creatures Cannot Wish to Fall (on 1971-07-27)
lyricist:
W. H. Auden (from 1940 until 1942)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1940 until 1942)
part of:
Hymn to St. Cecilia, op. 27
6:22
4A Ceremony of Carols, Op. 28: I. Procession
producer:
Christopher Bishop (conductor/producer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
treble vocals [treble]:
James Clark (Chorister) (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
balance engineer:
Neville Boyling (engineer) (from 1972-07-06 until 1972-07-10)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1972-07-06 until 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: I. Procession (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
1:16
5A Ceremony of Carols, Op. 28: II. Wolcum Yole!
producer:
Christopher Bishop (conductor/producer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
treble vocals [treble]:
James Clark (Chorister) (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
balance engineer:
Neville Boyling (engineer) (from 1972-07-06 until 1972-07-10)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1972-07-06 until 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: II. Wolcum Yole! (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
1:24
6A Ceremony of Carols, Op. 28: III. There is no rose
producer:
Christopher Bishop (conductor/producer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
balance engineer:
Neville Boyling (engineer) (from 1972-07-06 until 1972-07-10)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1972-07-06 until 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: III. There is no Rose (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
2:22
7A Ceremony of Carols, Op. 28: IV. (a) That yongë child
producer:
Christopher Bishop (conductor/producer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
treble vocals [treble]:
James Clark (Chorister) (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
balance engineer:
Neville Boyling (engineer) (from 1972-07-06 until 1972-07-10)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1972-07-06 until 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: IV. (a) That yongë child (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
1:53
8A Ceremony of Carols, Op. 28: IV. (b) Balulalow
producer:
Christopher Bishop (conductor/producer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
treble vocals [treble]:
James Clark (Chorister) (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
balance engineer:
Neville Boyling (engineer) (from 1972-07-06 until 1972-07-10)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1972-07-06 until 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: IV. (b) Balulalow (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
1:39
9A Ceremony of Carols, Op. 28: V. As dew in Aprille
engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: V. As dew in Aprille (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
0:58
10A Ceremony of Carols, Op. 28: VI. This little babe
producer:
Christopher Bishop (conductor/producer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
treble vocals [treble]:
James Clark (Chorister) (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
balance engineer:
Neville Boyling (engineer) (from 1972-07-06 until 1972-07-10)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1972-07-06 until 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: VI. This little babe (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
1:25
11A Ceremony of Carols, Op. 28: VII. Interlude (Andante pastorale)
producer:
Christopher Bishop (conductor/producer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
treble vocals [treble]:
James Clark (Chorister) (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
balance engineer:
Neville Boyling (engineer) (from 1972-07-06 until 1972-07-10)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1972-07-06 until 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: VII. Interlude. Andante pastorale (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942, from 1942-03 until 1943)
part of:
A Ceremony of Carols, op. 28
part of:
A Ceremony of Carols, op. 28 (German version)
3:35
12A Ceremony of Carols, Op. 28: VIII. In freezing winter night
producer:
Christopher Bishop (conductor/producer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
treble vocals [treble]:
James Clark (Chorister) (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
balance engineer:
Neville Boyling (engineer) (from 1972-07-06 until 1972-07-10)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1972-07-06 until 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: VIII. In Freezing Winter Night (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
4:12
13A Ceremony of Carols, Op. 28: IX. Spring Carol
producer:
Christopher Bishop (conductor/producer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
treble vocals [treble]:
James Clark (Chorister) (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
balance engineer:
Neville Boyling (engineer) (from 1972-07-06 until 1972-07-10)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1972-07-06 until 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: IX. Spring Carol (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
1:12
14A Ceremony of Carols, Op. 28: X. Deo gracias!
producer:
Christopher Bishop (conductor/producer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
treble vocals [treble]:
James Clark (Chorister) (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
balance engineer:
Neville Boyling (engineer) (from 1972-07-06 until 1972-07-10)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1972-07-06 until 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: X. Deo gracias! (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
1:12
15A Ceremony of Carols, Op. 28: XI. Recession
engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
treble vocals [treble]:
James Clark (Chorister)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
recording of:
A Ceremony of Carols, op. 28: XI. Recession (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
1:20
16Missa brevis in D major, Op. 63: I. Kyrie
engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
organ:
Ian Hare (British organist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
recording of:
Missa Brevis in D major, op. 63: I. Kyrie (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1959)
part of:
Missa Brevis in D major, op. 63
1:34
17Missa brevis in D major, Op. 63: II. Gloria
engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
organ:
Ian Hare (British organist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
recording of:
Missa Brevis in D major, op. 63: II. Gloria (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1959)
part of:
Missa Brevis in D major, op. 63
2:51
18Missa brevis in D major, Op. 63: III. Sanctus
engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
organ:
Ian Hare (British organist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
partial recording of:
Missa Brevis in D major, op. 63: III. Sanctus and Benedictus (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1959)
part of:
Missa Brevis in D major, op. 63
1:24
19Missa brevis in D major, Op. 63: IV. Benedictus
engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
organ:
Ian Hare (British organist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
partial recording of:
Missa Brevis in D major, op. 63: III. Sanctus and Benedictus (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1959)
part of:
Missa Brevis in D major, op. 63
1:45
20Missa brevis in D major, Op. 63: V. Agnus Dei
engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
organ:
Ian Hare (British organist and composer) (from 1972-07-06 until 1972-07-10)
choir vocals:
Choir of King’s College, Cambridge (from 1972-07-06 until 1972-07-10)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1972-07-06 until 1972-07-10)
recording of:
Missa Brevis in D major, op. 63: IV. Agnus Dei (from 1972-07-06 until 1972-07-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1959)
part of:
Missa Brevis in D major, op. 63
2:34
21Festival Te Deum, Op. 32
engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
organ:
James Lancelot (from 1974-03-18 until 1974-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1974-03-18 until 1974-03-20)
conductor:
Philip Ledger (from 1974-03-18 until 1974-03-20)
recording of:
Festival Te Deum, op. 32 (from 1974-03-18 until 1974-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1944-11-08 until 1944-11-09)
premiered at:
St Mark's Church, Swindon in Swindon, England, United Kingdom (on 1945-04-24)
part of:
Works of Benjamin Britten by opus number (number: op. 32)
6:28
22Rejoice in the Lamb, Op. 30: Rejoice in God, O ye Tongues —
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
organ:
James Lancelot (from 1974-03-18 until 1974-03-20)
percussion:
David Corkhill (percussion) (from 1974-03-18 until 1974-03-20)
bass vocals:
Marcus Creed (conductor) (from 1974-03-18 until 1974-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1974-03-18 until 1974-03-20)
countertenor vocals:
James Bowman (UK countertenor) (from 1974-03-18 until 1974-03-20)
tenor vocals:
Richard Morton (operatic tenor) (from 1974-03-18 until 1974-03-20)
conductor:
Philip Ledger (from 1974-03-18 until 1974-03-20)
recording of:
Rejoice in the Lamb, op. 30: I. “Rejoice in God, O ye Tongues” (chorus, (a) Rejoice in God / (b) Let Nimrod / (c) Hallelujah) (from 1974-03-18 until 1974-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
3:56
23Rejoice in the Lamb, Op. 30: For I will consider my Cat Jeoffry —
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
organ:
James Lancelot (from 1974-03-18 until 1974-03-20)
percussion:
David Corkhill (percussion) (from 1974-03-18 until 1974-03-20)
bass vocals:
Marcus Creed (conductor) (from 1974-03-18 until 1974-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1974-03-18 until 1974-03-20)
countertenor vocals:
James Bowman (UK countertenor) (from 1974-03-18 until 1974-03-20)
tenor vocals:
Richard Morton (operatic tenor) (from 1974-03-18 until 1974-03-20)
treble vocals:
Simon Channing (Treble. Classical music.)
conductor:
Philip Ledger (from 1974-03-18 until 1974-03-20)
recording of:
Rejoice in the Lamb, op. 30: II. “For I will consider my Cat Jeoffrey” (treble/soprano) (from 1974-03-18 until 1974-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
2:11
24Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour —
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
organ:
James Lancelot (from 1974-03-18 until 1974-03-20)
percussion:
David Corkhill (percussion) (from 1974-03-18 until 1974-03-20)
bass vocals:
Marcus Creed (conductor) (from 1974-03-18 until 1974-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1974-03-18 until 1974-03-20)
countertenor vocals:
James Bowman (UK countertenor) (from 1974-03-18 until 1974-03-20)
tenor vocals:
Richard Morton (operatic tenor) (from 1974-03-18 until 1974-03-20)
conductor:
Philip Ledger (from 1974-03-18 until 1974-03-20)
recording of:
Rejoice in the Lamb, op. 30: III. “For the Mouse is a creature of great personal valour” (alto) (from 1974-03-18 until 1974-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
0:55
25Rejoice in the Lamb, Op. 30: For the flowers are great blessings —
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
organ:
James Lancelot (from 1974-03-18 until 1974-03-20)
percussion:
David Corkhill (percussion) (from 1974-03-18 until 1974-03-20)
bass vocals:
Marcus Creed (conductor) (from 1974-03-18 until 1974-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1974-03-18 until 1974-03-20)
countertenor vocals:
James Bowman (UK countertenor) (from 1974-03-18 until 1974-03-20)
tenor vocals:
Richard Morton (operatic tenor) (from 1974-03-18 until 1974-03-20)
conductor:
Philip Ledger (from 1974-03-18 until 1974-03-20)
recording of:
Rejoice in the Lamb, op. 30: IV. “For the flowers are great blessings” (tenor) (from 1974-03-18 until 1974-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
2:01
26Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour —
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
organ:
James Lancelot (from 1974-03-18 until 1974-03-20)
percussion:
David Corkhill (percussion) (from 1974-03-18 until 1974-03-20)
bass vocals:
Marcus Creed (conductor) (from 1974-03-18 until 1974-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1974-03-18 until 1974-03-20)
countertenor vocals:
James Bowman (UK countertenor) (from 1974-03-18 until 1974-03-20)
tenor vocals:
Richard Morton (operatic tenor) (from 1974-03-18 until 1974-03-20)
conductor:
Philip Ledger (from 1974-03-18 until 1974-03-20)
recording of:
Rejoice in the Lamb, op. 30: V. “For I am under the same accusation with my Saviour” (chorus) (from 1974-03-18 until 1974-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
2:26
27Rejoice in the Lamb, Op. 30: For H is a spirit and therefore he is God —
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
organ:
James Lancelot (from 1974-03-18 until 1974-03-20)
percussion:
David Corkhill (percussion) (from 1974-03-18 until 1974-03-20)
bass vocals:
Marcus Creed (conductor) (from 1974-03-18 until 1974-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1974-03-18 until 1974-03-20)
countertenor vocals:
James Bowman (UK countertenor) (from 1974-03-18 until 1974-03-20)
tenor vocals:
Richard Morton (operatic tenor) (from 1974-03-18 until 1974-03-20)
conductor:
Philip Ledger (from 1974-03-18 until 1974-03-20)
recording of:
Rejoice in the Lamb, op. 30: VI. “For H is a spirit and therefore he is God” (bass) (from 1974-03-18 until 1974-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
recording of:
Rejoice in the Lamb, op. 30: VII. “For the instruments are by their rhimes” (chorus) (from 1974-03-18 until 1974-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
recording of:
Rejoice in the Lamb, op. 30: VIII. “For at that time malignity ceases” (chorus) (from 1974-03-18 until 1974-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
3:49
28Rejoice in the Lamb, Op. 30: Hallelujah from the heart of God
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
organ:
James Lancelot (from 1974-03-18 until 1974-03-20)
percussion:
David Corkhill (percussion) (from 1974-03-18 until 1974-03-20)
bass vocals:
Marcus Creed (conductor) (from 1974-03-18 until 1974-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1974-03-18 until 1974-03-20)
countertenor vocals:
James Bowman (UK countertenor) (from 1974-03-18 until 1974-03-20)
tenor vocals:
Richard Morton (operatic tenor) (from 1974-03-18 until 1974-03-20)
conductor:
Philip Ledger (from 1974-03-18 until 1974-03-20)
recording of:
Rejoice in the Lamb, op. 30: IX. “Hallelujah from the heart of God” (chorus) (from 1974-03-18 until 1974-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
1:12
29Te Deum in C major (1934)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
organ:
James Lancelot (from 1974-03-18 until 1974-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1974-03-18 until 1974-03-20)
conductor:
Philip Ledger (from 1974-03-18 until 1974-03-20)
recording of:
Te Deum in C major (from 1974-03-18 until 1974-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1934-07-11 until 1934-09-17)
premiered at:
[concert] (1935-11-13)
7:59
30Jubliate Deo (1961)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
organ:
James Lancelot (from 1974-03-18 until 1974-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1974-03-18 until 1974-03-20)
conductor:
Philip Ledger (from 1974-03-18 until 1974-03-20)
recording of:
Jubilate Deo in C major (from 1974-03-18 until 1974-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
2:29

Credits

Release

part of:Great Artists of the Century (EMI Classics) (order: 1)
Discogs:https://www.discogs.com/release/3660545 [info]
ASIN:US: B0001HAHHS [info]