Monsters of Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1We Will Rock You
engineer:
Mike Stone (producer and engineer, 1960s–80s)
assistant producer and co-producer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
Queen (UK rock group)
electric guitar and guitar:
Brian May (Queen guitarist) (from 1977-08 until 1977-09)
foot stomps [footstomps] and handclaps:
John Deacon (from 1977-08 until 1977-09), Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
background vocals:
Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
lead vocals:
Freddie Mercury (from 1977-08 until 1977-09)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1977-08 until 1977-09)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 338)
recording of:
We Will Rock You (from 1977-08 until 1977-09)
lyricist and composer:
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. and Sony/ATV
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen3.92:04
2Run to the Hills
engineer and producer:
Martin Birch
drums (drum set):
Clive Burr (from 1982-01 until 1982-02)
electric bass guitar:
Steve Harris (Iron Maiden bassist) (from 1982-01 until 1982-02)
electric guitar:
Dave Murray (Iron Maiden guitarist) (from 1982-01 until 1982-02) and Adrian Smith (UK guitarist/songwriter, Iron Maiden) (from 1982-01 until 1982-02)
lead vocals:
Bruce Dickinson (Iron Maiden vocalist) (from 1982-01 until 1982-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Iron Maiden LLP (copyrights holder) (in 1982, in 2015)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom (from 1982-01 until 1982-02)
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 10) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 14)
recording of:
Run to the Hills (from 1982-01 until 1982-02)
lyricist and composer:
Steve Harris (Iron Maiden bassist)
publisher:
Imagem London Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Iron Maiden4.153:54
3Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:26
4Here I Go Again ’87
producer:
Kevin Elson, Keith Olsen (US producer and engineer) and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Keith Olsen (US producer and engineer)
drums (drum set) and percussion:
Aynsley Dunbar
electric bass guitar:
Neil Murray (British bass guitar player)
electric guitar and background vocals:
John Sykes
guest keyboard and keyboard:
Don Airey and Bill Cuomo
solo electric guitar:
Adrian Vandenberg
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Geffen Records (in 1987) and Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
music videos:
Here I Go Again ’87 by Whitesnake
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 17)
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
渡辺音楽出版株式会社 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Whitesnake4.054:33
5Living After Midnight
engineer:
Louis Austin (engineering)
producer:
Tom Allom
drums (drum set):
Dave Holland (British rock drummer) (from 1980-01 until 1980-02)
electric bass guitar:
Ian Hill (UK bassist for Judas Priest) (from 1980-01 until 1980-02)
electric guitar:
Kenneth Downing (from 1980-01 until 1980-02) and Glenn Tipton (from 1980-01 until 1980-02)
lead vocals:
Rob Halford (from 1980-01 until 1980-02)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
recorded at:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, United Kingdom (from 1980-01 until 1980-02)
music videos:
Living After Midnight (music video) by Judas Priest
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 27)
recording of:
Living After Midnight (from 1980-01 until 1980-02)
writer:
Kenneth Downing, Rob Halford and Glenn Tipton
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Judas Priest4.053:28
6White Wedding
assistant engineer:
Steve Bates (engineer)
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
music videos:
White Wedding, Pt. 1 by Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rare Blue Music Inc
Billy Idol4.84:11
7Bittersweet
engineer:
John Bee
producer:
Charles Fisher (Australian producer)
bass guitar:
Clyde Bramley
cymbal and drums (drum set):
Mark Kingsmill
lead vocals:
Dave Faulkner (David Faulkner)
phonographic copyright (℗) by:
Hoodoo Gurus Pty Ltd (in 1985)
mixed at:
Studio 301 (Studios 301, 301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (in 1985-05)
recording of:
Bittersweet
lyricist and composer:
Dave Faulkner (David Faulkner)
publisher:
Best of All Music and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
EMI Music Publishing France
Hoodoo Gurus3:47
8Cold Shot
assistant engineer:
Rob Eaton
engineer:
Richard Mullen
executive producer:
John Hammond (producer)
producer:
Jim Capfer, Chris Layton, Richard Mullen, Tommy Shannon and Stevie Ray Vaughan
bass guitar:
Tommy Shannon
drums (drum set):
Chris Layton
guitar:
Stevie Ray Vaughan
vocals:
Stevie Ray Vaughan
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Cold Shot
writer:
W.C. Clark and Mike Kindred
Stevie Ray Vaughan and Double Trouble43:58
9Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers (George Thorogood & the Destroyers)
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
publisher:
Del Sound Music
George Thorogood & the Destroyers4.354:51
10Heroes
mastering:
Dr. Toby Mountain (American musician and mastering engineer)
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
mixer:
David Bowie (English singer‐songwriter), David Richards (Swiss-based producer and engineer) and Tony Visconti
bass:
George Murray (American bass guitarist)
guitar:
Carlos Alomar and Robert Fripp
guitar, keyboard and saxophone and lead vocals:
David Bowie (English singer‐songwriter)
keyboard and synthesizer:
Brian Eno
percussion:
Dennis Davis (drummer)
recorded at:
Hansa by the Wall in Berlin, Germany (from 1977-07-23 until 1977-08-08)
recording of:
“Heroes” (from 1977-07-23 until 1977-08-08)
lyricist:
David Bowie (English singer‐songwriter)
composer:
David Bowie (English singer‐songwriter) and Brian Eno
publisher:
BMG Songs Ltd., E.G. Music Ltd. (publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Universal Music Careers and Universal Music Publishing International MGB Ltd.
David Bowie3.73:36
11London Calling
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 15), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 42), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 63), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 143)
recording of:
London Calling (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd., Nineden Music (publisher) and Virgin Music (Publishers) Ltd.
The Clash4.13:19
12The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 66) and Cachitos Nochevieja 2022 (number: 155)
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe4.15:08
13Nothin’ but a Good TimePoison4.53:44
14Better
phonographic copyright (℗) by:
rooArt (in 1991)
recording of:
Better
writer:
Grant Walmsley
publisher:
Polygram Music, Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Screaming Jets4:38
15Don’t Need Love
recording engineer, producer and mixer:
Terry Manning (US recording engineer)
bass:
Johnny 'Tatt' Dalzell
guitar:
Diesel (Australian pop rock aka Mark Lizotte)
saxophone and background vocals:
Bernie Bremond
instruments arranger:
Brent Eccles and Terry Manning (US recording engineer)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1989) and EMI Music Australia Pty. Limited (not for release label use!) (in 1989)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (from 1988-08 until 1988-09)
recording of:
Don’t Need Love
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs and Mushroom Music Pty. Ltd.
Johnny Diesel & the Injectors4:12
16Smoke on the Water
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (in 1971-12)
assistant engineer:
Jeremy Gee
engineer:
Martin Birch
producer:
Deep Purple
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ:
Jon Lord (in 1971-12)
lead vocals:
Ian Gillan (in 1971-12)
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
recording of:
Smoke on the Water (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, EMI Music Publishing Scandinavia AB, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple4.353:46
17Still Got the Blues
assistant engineer and assistant mixer:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris and Greg Muden
engineer and mixer:
Ian Taylor (Rock Producer/Engineer)
producer:
Gary Moore (Thin Lizzy, blues guitar) and Ian Taylor (Rock Producer/Engineer)
bass guitar:
Andy Pyle
drums (drum set):
Graham Walker (UK drummer)
guest keyboard:
Don Airey
guest piano:
Nicky Hopkins (pianist and organist)
guest strings:
Gavyn Wright (UK violinist, conductor)
guitar:
Gary Moore (Thin Lizzy, blues guitar)
vocals:
Gary Moore (Thin Lizzy, blues guitar)
conductor:
Don Airey
strings arranger:
Don Airey and Gary Moore (Thin Lizzy, blues guitar)
recording of:
Still Got the Blues (for You)
lyricist and composer:
Gary Moore (Thin Lizzy, blues guitar)
publisher:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs and Mushroom Music Pty. Ltd.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore4.256:09
18Surfing With the AlienJoe Satriani4.754:19
19LibertySteve Vai2:04
2CD
#TitleArtistRatingLength
1Lust for Life
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977, in 1990) and Virgin Records America (used for copyrights) (in 1977)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 325)
recording of:
Lust for Life (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
David Bowie (English singer‐songwriter) and Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) and James Osterberg Music (in 1988)
Iggy Pop4.455:11
2Are You Gonna Be My Girl?
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:34
3Freak
recording engineer and producer:
Nick Launay
mixer:
Andy Wallace (engineer)
phonographic copyright (℗) by:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1996)
recording of:
Freak
lyricist and composer:
Daniel Johns
Silverchair4.23:45
4Every You Every Me
assistant recording engineer:
Jacquie Turner
additional engineer:
Paul Corkett
engineer:
Adrian Bushby
producer:
Steve Osborne (producer)
assistant mixer:
Jake Davies
phonographic copyright (℗) by:
Elevator Lady Ltd. (in 1998) and Elevator Music Ltd. (Placebo vanity label) (in 1998)
produced for:
140 DB Management
recorded at:
Real World Studios in Box, Wiltshire, England, United Kingdom
mixed at:
Whitfield Street (London) in London (Greater London), England, United Kingdom
recording of:
Every You Every Me
lyricist:
Paul Campion and Brian Molko
composer:
Placebo (UK alternative rock band)
publisher:
BMG Consortium Music Publishing Germany, BMG FM Music Limited, BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Elevator Lady Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mukka Music, Sony/ATV Music Publishing LLC (1995–2020), Stage Three Music Publishing Limited, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Placebo4.153:33
5Going Under
additional programming:
Zac Baird, David Hodges (American record producer & songwriter) and Chris Johnson (programming/production for Ivy Lane Music)
programming:
Ben Moody (American guitarist and producer)
additional engineer:
Ben Moody (American guitarist and producer)
assistant engineer:
Sergio Chavez, Jason Cupp, Ai Fujisaki, Dean Nelson and Sam Storey
engineer:
Jeremy Parker (engineer)
producer and mixer:
Dave Fortman
bass guitar:
Francesco DiCosmo
drums (drum set):
Josh Freese (American drummer)
guitar and percussion:
Ben Moody (American guitarist and producer)
keyboard and piano:
David Hodges (American record producer & songwriter)
lead vocals:
Amy Lee (singer and keyboardist of Evanescence)
music videos:
Going Under by Evanescence
recording of:
Going Under
writer:
David Hodges (American record producer & songwriter), Amy Lee (singer and keyboardist of Evanescence) and Ben Moody (American guitarist and producer)
Evanescence3.93:33
6Chop Suey!
additional engineer:
Greg Collins (engineer) and Darren Mora
engineer:
David Schiffman (American producer/audio engineer)
co-producer:
Serj Tankian
producer:
Daron Malakian and Rick Rubin (US record producer, former co‐president of Columbia Records)
mixer:
Andy Wallace (engineer)
bass guitar and additional vocals:
Shavo Odadjian
drums (drum set):
John Dolmayan
guitar:
Daron Malakian
keyboard:
Serj Tankian
vocals:
Daron Malakian and Serj Tankian
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2001)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States
mixed at:
Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 37)
recording of:
Chop Suey!
lyricist:
Daron Malakian and Serj Tankian
composer:
Daron Malakian
publisher:
DDevil Music, ilovecoffee and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Kobalt Music Publishing Ltd. Canada II, Sony/ATV Tunes (SOCAN), ソニー・ミュージックパブリッシング (Sony Music Publishing (Japan) Inc., song publisher, never a release label) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
System of a Down4.33:31
7Got the Life
additional recording engineer:
John Ewing, Jr. (engineer)
recording engineer:
Toby Wright (producer & engineer)
producer:
Korn (US nu metal band), Steve Thompson (producer) and Toby Wright (producer & engineer)
mixer:
Brendan O’Brien (engineer)
editor:
Don C. Tyler
recording of:
Got the Life
writer:
Brian Welch (Brian Phillip Welch, member of Korn), Jonathan Davis (vocalist for Korn), James Shaffer, Reginald Arvizu and David Silveria
Korn3.653:46
8The People
engineer:
Simon “Barny” Barnicott
producer:
Jim Abbiss
recording of:
The People
writer:
The Music
The Music4:58
9Paranoid Android
recorded in:
United Kingdom (from 1996-07 until 1997-03)
recording engineer and producer:
Nigel Godrich (English record producer) and Radiohead
programming:
Thom Yorke
assistant engineer:
Jon Bailey (engineer), Gerard Navarro (engineer) and Chris Scard
mixer and editor:
Nigel Godrich (English record producer)
bass guitar and bass synthesizer:
Colin Greenwood (English bassist in Radiohead) (from 1996-07 until 1997-03)
drums (drum set):
Philip Selway (drummer in Radiohead) (from 1996-07 until 1997-03)
effects and background vocals:
Ed O’Brien (guitarist & songwriter in Radiohead) (from 1996-07 until 1997-03)
glockenspiel, keyboard, mellotron and organ:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03)
guitar:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03), Ed O’Brien (guitarist & songwriter in Radiohead) (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
percussion:
Colin Greenwood (English bassist in Radiohead) (from 1996-07 until 1997-03), Ed O’Brien (guitarist & songwriter in Radiohead) (from 1996-07 until 1997-03) and Philip Selway (drummer in Radiohead) (from 1996-07 until 1997-03)
piano:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
vocals:
Thom Yorke (from 1996-07 until 1997-03)
conductor:
Nick Ingman (from 1996-07 until 1997-03)
strings arranger:
Radiohead
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 2017)
music videos:
Paranoid Android by Radiohead
part of:
Triple J’s Hottest 100: Twenty Years (2013) (number: 13), Indie 88: Top 500 Indie Rock Songs (number: 20), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 38) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 256)
recording of:
Paranoid Android (from 1996-07 until 1997-03)
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
Radiohead4.46:23
10Clocks
recording of:
Clocks
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay5:07
11Behind the Sun
recording engineer:
Judy Clapp
engineer:
James Bauerlein (engineer)
producer:
Michael Beinhorn
assistant mixer:
Russell Bracher and Stan Katayama
mixer:
John Potoker (producer/engineer aka Tokes)
bass:
Flea (US bassist)
drums (drum set):
Jack Irons
guitar:
Hillel Slovak
instruments:
Jack Irons
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1987)
produced for:
Demolition Sound
recording of:
Behind the Sun
writer:
Michael Beinhorn, Jack Irons, Anthony Kiedis, Michael Peter Balzary (US bassist) and Hillel Slovak
publisher:
EMI Music Inc., Moebetoblame Music, More Cut Music and Screen Gems
Red Hot Chili Peppers3.74:40
12Rooster
recording engineer:
Bryan Carlstrom (engineer, producer)
artist & repertoire support:
Nick Terzo
producer:
Alice in Chains and Dave Jerden
mixer:
Dave Jerden
bass guitar:
Mike Starr (Alice in Chains)
drums (drum set):
Sean Kinney
guitar and background vocals:
Jerry Cantrell
lead vocals:
Layne Staley
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
music videos:
Rooster by Alice in Chains
recording of:
Rooster
lyricist and composer:
Jerry Cantrell
Alice in Chains4.36:14
13Drive
assistant recording engineer:
Matt Griffin (US drummer/sound engineer) and Evan Hollander
recording engineer:
Michael “Elvis” Baskette
engineer:
Michael Elvis Baskette
audio engineer:
Dave Holdridge
producer:
Incubus (US alternative rock band) and Scott Litt (producer and engineer)
mixer:
Scott Litt (producer and engineer) and Rick Will
bass guitar:
Dirk Lance
cello:
Dave Holdredge and Dave Holdridge
drums (drum set):
Jose Pasillas II
guitar:
Michael Einziger
turntable:
DJ Kilmore
vocals:
Brandon “invisible floating torso man” Boyd (American singer, leader of Incubus)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999)
recorded at:
NRG Recording Services in North Hollywood, Los Angeles, California, United States
music videos:
Drive by Incubus (US alternative rock band)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 206)
recording of:
Drive (Incubus)
writer:
Brandon Boyd (American singer, leader of Incubus), Mike Einziger, Alex Katunich, Chris Kilmore and José Pasillas
publisher:
EMI April Music Inc. (from 1999 to present) and Hunglikeyora Music (from 1999 to present)
Incubus3.753:53
14Shimmer
recorded at:
KNDD (alternative rock radio station) in Seattle, Washington, United States
recording of:
Shimmer
lyricist and composer:
Carl Bell
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Fuel33:31
15Higher
assistant engineer:
Kirk Kelsey
engineer, producer and mixer:
John Kurzweg
assistant mixer:
Steve Bearsley, Mark Kiczula and Barrett Miller
editor:
Dana Cornock
bass:
Brian Marshall (bassist)
drums (drum set):
Scott Phillips (drummer for Creed, Alter Bridge)
guitar and additional vocals:
Mark Tremonti
lead vocals:
Scott Stapp
music videos:
Higher by Creed (US rock band from Tallahassee, FL)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 95)
recording of:
Higher
writer:
Scott Stapp and Mark Tremonti
Creed3.85:12
16Prisoner of Society
assistant recording engineer and assistant engineer:
Matt Voight
recording engineer and engineer:
Lindsay Gravina (engineer & guitarist)
producer:
Lindsay Gravina (engineer & guitarist) and The Living End (Australian punk band)
mixer:
Jerry Finn
phonographic copyright (℗) by:
The Living End Pty. Ltd. (in 1997, in 1998)
recorded at:
Sing Sing Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
music videos:
Prisoner of Society (US version) (film clip) by The Living End (Australian punk band)
recording of:
Prisoner of Society
writer:
Chris Cheney (The Living End frontman)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. and EMI Music Publishing (do not use as a release label!)
The Living End3.653:52
17Bohemian Like You
producer:
David Sardy (American score composer) and Courtney Taylor-Taylor
mixer:
David Sardy (American score composer)
bass and keyboard:
Zia McCabe
drums (drum set) and background vocals:
Brent DeBoer
guest organ:
Erik Gavriluk
guitar:
Peter Holmström and Courtney Taylor-Taylor
slide guitar:
Troy Stewart
vocals:
Courtney Taylor-Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor-Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Dandy Warhols Music (BMI)
The Dandy Warhols4.23:32
18Last Goodbye
engineer and mixer:
Andy Wallace (engineer)
producer:
Mary Guibert, Michael Tighe (singer-songwriter/guitarist) and Andy Wallace (engineer)
bass guitar:
Mick Grondahl
drums (drum set) and percussion:
Matt Johnson (drummer for Jeff Buckley)
guitar and lead vocals:
Jeff Buckley
part of:
Triple J’s Hottest 100: Twenty Years (2013) (number: 3)
recording of:
Last Goodbye
lyricist and composer:
Jeff Buckley
Jeff Buckley3.54:35