Panorama

~ Release by Gabriel Fauré (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Requiem, op. 48: I. Introït et Kyrie “Requiem aeternam dona eis, Domine” – “Kyrie eleison”
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: I. Introït et Kyrie (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
7:52
2Requiem, op. 48: II. Offertoire “O Domine Jesu Christe, Rex gloriae”
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: II. Offertoire (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
9:46
3Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth”
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: III. Sanctus (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
3:39
4Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine”
recording engineer:
Hans Weber (producer/engineer) (in 1986-03)
executive producer:
Günther Breest (producer for classical music)
producer:
Joseph Szurly
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano) (in 1986-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
4:06
5Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi”
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
7:08
6Requiem, op. 48: VI. Libera me “Libera me, Domine, de morte aeterna”
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: VI. Libera me (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
5:50
7Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli”
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor) (in 1986-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
3:50
8Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pelléas et Mélisande, op. 80: I. Prélude. Quasi adagio (in 1986-11)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
6:19
9Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pelléas et Mélisande, op. 80: II. Fileuse. Andantino quasi allegretto (in 1986-11)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
2:33
10Pelléas et Mélisande, op. 80: III. Chanson de Mélisande
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
soprano vocals:
Lorraine Hunt (American soprano / mezzo) (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pelléas et Mélisande, op. 80: Acte III, Scène I: Chanson de Mélisande
orchestrator:
Charles Koechlin (composer)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
3:03
11Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pelléas et Mélisande, op. 80: III. Sicilienne (in 1986-11)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
4:06
12Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pelléas et Mélisande, op. 80: IV. La Mort de Mélisande. Molto adagio (in 1986-11)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
4:39
13Une châtelaine en sa tour, op. 110
harp:
Nicanor Zabaleta (harpist)
arranger:
Nicanor Zabaleta (harpist)
recording of:
Une châtelaine en sa tour, op. 110
composer:
Gabriel Fauré (French composer) (in 1918)
part of:
Works of Gabriel Fauré by opus number (number: op. 110)
5:05
2▼CD
#TitleRatingLength
1Pavane, op. 50
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
producer:
Hanno Rinke
choir vocals:
Tanglewood Festival Chorus (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
chorus master:
John Oliver (chorus master) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1986-11)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
6:50
2Dolly, op. 56: I. Berceuse: Allegretto moderato
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
recording of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
2:32
3Dolly, op. 56: II. Mi‐a‐ou: Allegro vivo – Più lento – Allegro
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
recording of:
Dolly, op. 56 : II. Mi-a-ou (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
1:45
4Dolly, op. 56: III. Le Jardin de Dolly: Andantino
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
recording of:
Dolly, op. 56 : III. Le Jardin de Dolly (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
3:07
5Dolly, op. 56: IV. Kitty‐Valse: Tempo di valse
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
recording of:
Dolly, op. 56 : IV. Kitty Valse (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
2:21
6Dolly, op. 56: V. Tendresse: Andante
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
recording of:
Dolly, op. 56 : V. Tendresse (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
3:49
7Dolly, op. 56: VI. Le Pas espagnol: Allegro
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
recording of:
Dolly, op. 56 : VI. Le Pas espagnol (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
2:00
8Trois Mélodies, op. 23 no. 1: Les Berceaux
piano:
Dalton Baldwin (American pianist)
baritone vocals:
Gérard Souzay (baritone)
recording of:
Les Berceaux, op. 23 no. 1
lyricist:
Sully Prudhomme
composer:
Gabriel Fauré (French composer) (in 1879)
part of:
3 Songs, op. 23
2:54
9Trois Mélodies, op. 23 no. 2: Le Secret
piano:
Dalton Baldwin (American pianist)
baritone vocals:
Gérard Souzay (baritone)
2:23
10Trois Mélodies, op. 23 no. 3: Soir
piano:
Dalton Baldwin (American pianist)
baritone vocals:
Gérard Souzay (baritone)
2:33
11L’Horizon chimérique, op. 118 no. 1: La Mer est infinie
piano:
Dalton Baldwin (American pianist)
baritone vocals:
Gérard Souzay (baritone)
recording of:
L’Horizon chimérique, op. 118: 1. La mer est infinie
lyricist:
Jean de La Ville de Mirmont
composer:
Gabriel Fauré (French composer) (in 1921)
part of:
L’Horizon chimérique, op. 118
1:38
12L’Horizon chimérique, op. 118 no. 2: Je me suis embarqué
piano:
Dalton Baldwin (American pianist)
baritone vocals:
Gérard Souzay (baritone)
recording of:
L’Horizon chimérique, op. 118: 2. Je me suis embarqué
lyricist:
Jean de La Ville de Mirmont
composer:
Gabriel Fauré (French composer) (in 1921)
part of:
L’Horizon chimérique, op. 118
2:32
13L’Horizon chimérique, op. 118 no. 3: Diane. Séléné
piano:
Dalton Baldwin (American pianist)
baritone vocals:
Gérard Souzay (baritone)
recording of:
L’Horizon chimérique, op. 118: 3. Diane, Séléné
lyricist:
Jean de La Ville de Mirmont
composer:
Gabriel Fauré (French composer) (in 1921)
part of:
L’Horizon chimérique, op. 118
2:03
14Après un rêve, op. 7 no. 1
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
cello:
Jules Eskin (cellist) (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Après un rêve, op. 7 no. 1 (for cello and orchestra, Dubensky) (in 1986-11)
composer:
Gabriel Fauré (French composer) (in 1877)
arranger:
Arcady Dubensky
arrangement of:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
3:18
15Élégie, op. 24
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
cello:
Jules Eskin (cellist) (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Élégie, op. 24 (for cello and orchestra) (in 1986-11)
orchestrator:
Gabriel Fauré (French composer)
composer:
Gabriel Fauré (French composer) (in 1883)
orchestration of:
Élégie, op. 24 (for cello and piano)
6:52
16Nocturne no. 4 in E‐flat major, op. 36
engineer:
Simon Eadon (classical music engineer)
producer:
Paul Myers (classical record producer)
piano:
Pascal Rogé (pianist) (in 1989-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1989-01)
recording of:
Nocturne no. 4 en Mi bémol majeur, op. 36 (in 1989-01)
composer:
Gabriel Fauré (French composer) (in 1884)
part of:
Works of Gabriel Fauré by opus number (number: op. 36)
7:20
17Barcarolle no. 2 in G major, op. 41
piano:
Pascal Rogé (pianist)
recording of:
Barcarolle no. 2 in G major, op. 41
composer:
Gabriel Fauré (French composer) (in 1885)
part of:
Works of Gabriel Fauré by opus number (number: op. 41)
6:52
18Masques et bergamasques, op. 112: I. Ouverture: Allegro molto vivo
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1995-04)
recording of:
Suite, op. 112 "Masques et bergamasques": I. Overture: Allegro molto vivo (in 1995-04)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : I. Ouverture
part of:
Suite, op. 112 "Masques et bergamasques"
3:25
19Masques et bergamasques, op. 112: II. Menuet: Tempo di minuetto – Allegretto moderato
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1995-04)
recording of:
Suite, op. 112 "Masques et bergamasques": II. Menuet: Tempo di minuetto – Allegretto moderato (in 1995-04)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : V. Menuet
part of:
Suite, op. 112 "Masques et bergamasques"
2:29
20Masques et bergamasques, op. 112: III. Gavotte: Allegro vivo
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1995-04)
recording of:
Suite, op. 112 "Masques et bergamasques": III. Gavotte: Allegro vivo (in 1995-04)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : VII. Gavotte
part of:
Suite, op. 112 "Masques et bergamasques"
recording of:
Suite, op. 112 "Masques et bergamasques": IV. Pastorale: Andantino tranquillo (in 1995-04)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : II. Pastorale
part of:
Suite, op. 112 "Masques et bergamasques"
3:10
21Masques et bergamasques, op. 112: IV. Pastorale: Andantino tranquillo
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1995-04)
recording of:
Suite, op. 112 "Masques et bergamasques": IV. Pastorale: Andantino tranquillo (in 1995-04)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : II. Pastorale
part of:
Suite, op. 112 "Masques et bergamasques"
5:23
22Cantique de Jean Racine, op. 11
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (from 1996-07-01 until 1996-07-05)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian-born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
5:36

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Release

part of:Panorama (Deutsche Grammophon) (order: 40)
ASIN:UK: B00005IB63 [info]