The Rock ’n’ Roll Era: 1957 Still Rockin’

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1That’ll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:18
2Diana
vocals:
Paul Anka
conductor:
Don Costa (US pop music arranger & producer)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 26)
recording of:
Diana (on 1957-05-20)
lyricist and composer:
Paul Anka
publisher:
Pamco Music Inc. (ended), Epa Publishing and Warner Chappell Music (publisher as Warner/Chappell Music)
Paul Anka4.752:28
3Black Slacks
Joe Bennett & the Sparkletones2:04
4Blue Monday
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Frank Music (in 1956), Liberty Records (not for release label use, but for copyrights and record company credits related to US label Liberty) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 12)
recording of:
Blue Monday (on 1955-03-30)
writer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
Chappell Music (UK) and Chappell Music Ltd.
Fats Domino52:18
5Raunchy
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 38)
recording of:
Raunchy
composer:
Bill Justis and Sid Manker
Bill Justis2:24
6You Send Me
producer:
Robert “Bumps” Blackwell
bass:
Ted Brinson
drums (drum set):
Earl Palmer
guitar:
Clifton White and René Hall
background vocals:
Alicia Adams (singer), Sue Allen, Lee Gotch and Charles Parlato
lead vocals:
Sam Cooke
conductor:
Glenn Osser
phonographic copyright (℗) by:
Keen (in 1958)
recorded at:
Specialty Studios in Los Angeles, California, United States (on 1957-06-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 115)
recording of:
You Send Me
lyricist and composer:
Sam Cooke
additional writer:
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Sam Cooke4.52:48
7Lucille
recording of:
Lucille
writer:
Albert Collins (US blues guitarist/vocalist/harmonica), Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) and Richard Wayne Penniman
publisher:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) and Venice Music
Little Richard2:30
8The Stroll
recording of:
The Stroll
writer:
Nancy Lee (US 1950/60s songwriter & singer) and Clyde Otis (American songwriter and record producer)
publisher:
Vogue Music
The Diamonds2:30
9Buzz‐Buzz‐Buzz
recording of:
Buzz Buzz Buzz
writer:
John Gray (US r&b/rockabilly musician, songwriter, label owner) and Robert James Byrd, Sr
publisher:
Stone Agate Music and Stone Diamond Music Corporation
The Hollywood Flames2:17
10I’m Stickin’ With You
Jimmy Bowen with The Rhythm Orchids2:05
11I’m Sorry
recorded in:
New York, New York, United States (in 1956-04)
cover recording of:
I’m Sorry (in 1956-04)
writer:
Buck Ram, Peter Tinturin and William White (Composer, "I'm Sorry")
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Platters2:56
12Rock & Roll Music
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 128)
recording of:
Rock and Roll Music (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:33
13Lotta Lovin’
bass guitar [bass]:
Bobby Jones (rock bassist) (in 1957-06)
guitar [lead guitar]:
Johnny Meeks (in 1957-06)
guitar [rhythm guitar]:
Buck Owens (in 1957-06)
handclaps [hand claps] and background vocals:
Tommy Facenda (in 1957-06) and Paul Peek (in 1957-06)
vocals:
Gene Vincent (in 1957-06)
recorded at:
Capitol Tower (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1957-06)
recording of:
Lotta Lovin’ (in 1957-06)
lyricist and composer:
Bernice Bedwell
publisher:
Song Productions
Gene Vincent2:12
14Jenny, Jenny
recording of:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song)
writer:
Enotris Johnson (until 1956-10-15) and Richard Wayne Penniman (until 1956-10-15)
publisher:
Sony/ATV Songs LLC
Little Richard2:05
15Ain’t Got No Home
recording engineer:
Cosimo Matassa (in 1956-09)
producer:
Paul Gayten (US R&B)
double bass [bass]:
Frank Fields (in 1956-09)
drums (drum set) [drums]:
Eugene Jones (drummer) (in 1956-09)
guitar:
Walter “Papoose” Nelson (guitarist in Fats Domino's band) (in 1956-09)
piano:
Paul Gayten (US R&B) (in 1956-09)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (in 1956-09) and Eddie Smith (R&B tenor sax) (in 1956-09)
trombone:
Edgar Myles (in 1956-09)
vocals:
Clarence “Frogman” Henry (in 1956-09)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (from 1956 to present)
recorded at:
J&M Studio (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States (in 1956-09)
recording of:
Ain’t Got No Home
lyricist and composer:
Clarence “Frogman” Henry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Clarence “Frogman” Henry2:22
16Hula Love
Buddy Knox2:22
17Just Because
recording of:
Just Because
lyricist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
translator:
Leonard Lee and Lloyd Price (US R&B/soul singer)
translated version of:
Caro nome
Lloyd Price2:46
18Whispering Bells
recording of:
Whispering Bells
writer:
Fred Lowery (songwriter) and Clarence E. Quick
The Del‐Vikings42:30
19Bony Moronie
baritone saxophone:
Jewell Grant (US saxophonist) (on 1957-09-11)
bass:
Ted Brinson (on 1957-09-11)
guitar:
Rene Hall (on 1957-09-11)
membranophone:
Earl Palmer (on 1957-09-11)
piano:
Larry Williams (1950s rocker) (on 1957-09-11)
saxophone:
John E. Oliveri (on 1957-09-11)
tenor saxophone:
Plas Johnson (on 1957-09-11)
vocals:
Larry Williams (1950s rocker) (on 1957-09-11)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-09-11)
recording of:
Boney Maroney (on 1957-09-11)
lyricist and composer:
Lawrence E. Williams (1950s rocker)
publisher:
ATV Music Ltd., EMI Music (do not use as release label! this is a music publisher), Sony/ATV Music Publishing (UK) Ltd. and Venice Music
Larry Williams3:07
20Rockin’ Pneumonia & The Boogie Woogie Flu
Huey “Piano” Smith & the Clowns2:20
21Sittin’ in the Balcony
cover recording of:
Sittin’ in the Balcony
Eddie Cochran2:01
22Without Love (There Is Nothing)
recorded in:
New York, New York, United States (on 1956-10-10)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
lead vocals:
Clyde McPhatter (on 1956-10-10)
vocals:
Clyde McPhatter (on 1956-10-10)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1956-10-10)
arranger:
Ray Ellis (US producer, arranger and conductor)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 16)
recording of:
Without Love (There Is Nothing) (on 1956-10-10)
lyricist and composer:
Danny Small (Songwriter and lyricist)
Clyde McPhatter52:57

Credits

Release group

part of:The Rock 'n' Roll Era (Time-Life Music) (number: 17) (order: 17)
Discogs:https://www.discogs.com/master/573580 [info]