Attila

~ Release by Verdi; Deutekom, Raimondi, Milnes, Bergonzi, Ambrosian Singers, Royal Philharmonic Orchestra, Lamberto Gardelli (see all versions of this release, 3 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Attila: Preludio
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: N°1 Preludio (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila
Giuseppe Verdi3:04
2Attila: Prologo: Introduzione: Urli, rapine
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°2 Introduzione "Urli, rapine” (Unni, Eruli, Ostrogoti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi1:47
3Attila: Prologo: Introduzione: Eroi, levatevi!
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°3 Scena e cavatina “Eroi, levatevi” (Attila) (in 1972)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi2:22
4Attila: Prologo: Scena e Cavatina: Di vergini straniere
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°3 “Di vergini stranieri” (Attila, Uldino, Odabella, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi0:31
5Attila: Prologo: Scena e Cavatina: Santo di patria indefinito amor!
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°3b Aria “Santo di patria indefinito amor!” … “Allor, che i forti corrono” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
recording of:
Attila: Prologo. N°3b Aria “Santo di patria indefinito amor!” … “Allor, che i forti corrono” (Odabella)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi0:31
6Attila: Prologo: Scena e Cavatina: Allor...che i forti corrono
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°3b Aria “Santo di patria indefinito amor!” … “Allor, che i forti corrono” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
recording of:
Attila: Prologo. N°3b Aria “Santo di patria indefinito amor!” … “Allor, che i forti corrono” (Odabella)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi3:21
7Attila: Prologo: Scena e Cavatina: Da te questo or m'è concesso
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°3c “Da te questo or mè concesso” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi2:34
8Attila: Prologo: Duetto: Uldino, a me dinanzi l'inviato
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°3 “Uldino, a me dinanzi l'inviato” … “Tardo per gli anni” (Attila, Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
recording of:
Attila: Prologo. N°3 “Uldino, a me dinanzi l'inviato” … “Tardo per gli anni” (Attila, Ezio)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi0:31
9Attila: Prologo: Duetto: Attila! Oh, il nobil messo!
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°3 “Uldino, a me dinanzi l'inviato” … “Tardo per gli anni” (Attila, Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi1:33
10Attila: Prologo: Duetto: Tardo per gli anni
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°4 Duetto “Tardo per gli anni, e tremulo” (Attila, Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi3:56
11Attila: Prologo: Duetto: Vanitosi!
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°4 Duetto “Vanitosi!” (Ezio, Attila) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi2:21
12Attila: Prologo: Scena e Cavatina: Qual notte!
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°5 Scena e cavatina “Qual notte!” (Eremiti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi2:51
13Attila: Prologo: Scena e Cavatina: L'alito del mattin
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°5 “L'alito del mattin … Preghiam!” (Eremiti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi1:46
14Attila: Prologo: Scena e Cavatina: Quai voci!
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°5 “Quai voci!” … “Oh! Tutto di navicelle” … “Qui, qui, sostiamo” (Eremiti, Aquilejesi, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi2:17
15Attila: Prologo: Scena e Cavatina: Ella in poter del barbaro!
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°5 “Ella in poter del barbaro … Cessato alfine il turbine … Cara patria” (Foresto, Eremiti, Aquilejesi) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi3:20
16Attila: Prologo: Scena e Cavatina: Cara patria
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°5 “Ella in poter del barbaro … Cessato alfine il turbine … Cara patria” (Foresto, Eremiti, Aquilejesi) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi3:23
17Attila: Atto Primo: Scena e Romanza: Liberamente or piangi
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto I. N°6 Scena e romanza “Liberamente or piangi” … “Oh! Nel fuggente nuvolo” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
Giuseppe Verdi2:34
18Attila: Atto Primo: Scena e Romanza: Oh! nel fuggente nuvolo
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto I. N°6 Scena e romanza “Liberamente or piangi” … “Oh! Nel fuggente nuvolo” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
Giuseppe Verdi3:11
19Attila: Atto Primo: Scena e Duetto: Qual suon di passi!
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°7 Scena e duetto “Qual suon di passi!” (Odabella, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
Giuseppe Verdi1:36
20Attila: Atto Primo: Scena e Duetto: Sì, quello io son
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°7 “Sì, quell'io son” (Foresto, Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
Giuseppe Verdi3:35
21Attila: Atto Primo: Scena e Duetto: Va! racconta al sacrilego infame
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°7 “Va! Racconta al sacrilego” (Foresto, Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
Giuseppe Verdi1:16
22Attila: Atto Primo: Scena e Duetto: Oh t'inebria nell'amplesso
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°7 Duetto “Oh! t'inebria nell'amplesso” (Odabella, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
Giuseppe Verdi2:19
2▼CD
#TitleArtistRatingLength
1Attila: Atto Primo: Scena ed Aria: Uldino! Uldin!
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°8 Scena ed aria “Uldino! Uldin! … Mio Re” (Attila, Uldino) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
Giuseppe Verdi1:44
2Attila: Atto Primo: Scena ed Aria: Mentre gonfiarsi l'anima
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°8 Scena ed aria “Mentre gonfiarsi l'anima” (Attila) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
Giuseppe Verdi3:34
3Attila: Atto Primo: Scena ed Aria: Oltre a quel limite t'attendo
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°8 “Oltre a quel limite t'attendo” (Attila) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
Giuseppe Verdi2:17
4Attila: Atto Primo: Finale Primo: Parla, imponi...Vieni, le menti visita
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°9 Finale I “Parla, imponi ” – “Vieni. Le menti visita” (coro, Attila) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
Giuseppe Verdi3:39
5Attila: Atto Primo: Finale Primo: No!...non è sogno
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°9 Finale I. “No! … non é sogno” … “Spirti, fermate (Attila, Odabella, Leone, Foresto, Uldino, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
Giuseppe Verdi4:59
6Attila: Atto Secondo: Scena ed Aria: Tregua è cogl'Unni
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “Tregua è cogl'Unni … ” (Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
Giuseppe Verdi1:55
7Attila: Atto Secondo: Scena ed Aria: Dagl'immortali vertici
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
Giuseppe Verdi2:22
8Attila: Atto Secondo: Scena ed Aria: Chi vien?...Salute ad Ezio
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
partial recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
Giuseppe Verdi1:38
9Attila: Atto Secondo: Scena ed Aria: È gettata la mia sorte
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “È gettata la mia sorte” (Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
Giuseppe Verdi2:31
10Attila: Atto Secondo: Finale Secondo: Del ciel l'immensa vôlta
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 Finale II. “Del ciel l'immensa volta” (Coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
Giuseppe Verdi1:30
11Attila: Atto Secondo: Finale Secondo: Ezio, ben vieni!
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Ezio, ben vieni!” (Attila, Ezio, Druidi) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
Giuseppe Verdi2:16
12Attila: Atto Secondo: Finale Secondo: Chi dona luce al cor?
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Chi dona luce al cor?” (Sacerdotesse) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
Giuseppe Verdi1:48
13Attila: Atto Secondo: Finale Secondo: Ah!...Lo, spirto de' monti
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto II. N°11 “Lo spirto de'monti … L'orrenda procella” (tutti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
Giuseppe Verdi2:15
14Attila: Atto Secondo: Finale Secondo: L'orrenda, l'orrenda, procella sparì
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto II. N°11 “Lo spirto de'monti … L'orrenda procella” (tutti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
Giuseppe Verdi1:08
15Attila: Atto Secondo: Finale Secondo: Si riaccendan le quercie
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Si riaccendan le quercie” (tutti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
Giuseppe Verdi2:16
16Attila: Atto Secondo: Finale Secondo: Oh miei prodi!
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Oh, miei prodi!” (tutti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
Giuseppe Verdi3:06
17Attila: Atto Terzo: Sena ed Romanza: Qui del convegno è il loco
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°12 Scena e romanza “Qui del convengo è il loco” (Foresto, Uldino) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi2:46
18Attila: Atto Terzo: Sena ed Romanza: Che non avrebbe il misero
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°12 “Che non avrebbe il misero” (Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi2:36
19Attila: Atto Terzo: Terzetto: Che più s'indugia?
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°13 Terzetto “Che più s'indugia” (Ezio, Foresto, Odabella, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi1:46
20Attila: Atto Terzo: Terzetto: Cessa, deh, cessa
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°13 “Tutti d'Averno i demoni” … “Cessa, deh, cessa” (Ezio, Foresto, Odabella, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi0:58
21Attila: Atto Terzo: Terzetto: Te sol, te sol quest'anima
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°13 “Te sol, te sol quest'anima” (Ezio, Foresto, Odabella, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi3:02
22Attila: Atto Terzo: Quartetto Finale: Non involarti, seguimi
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto III. N°14 Quartetto finale “Non involarti, seguimi” … “Scellerati … Nella tenda” (Attila, Odabella, Ezio, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi0:43
23Attila: Atto Terzo: Quartetto Finale: Tu, rea donna
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto III. N°14 Quartetto finale “Non involarti, seguimi” … “Scellerati … Nella tenda” (Attila, Odabella, Ezio, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi0:55
24Attila: Atto Terzo: Quartetto Finale: Scellerati … Nella tenda
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto III. N°14 Quartetto finale “Non involarti, seguimi” … “Scellerati … Nella tenda” (Attila, Odabella, Ezio, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi3:08