Messiah

~ Release by Handel; London Philharmonic Orchestra, London Philharmonic Choir, Sir Adrian Boult (see all versions of this release, 1 available)

Tracklist

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1▼CD: Arias Messiah
#	Title	Artist	Rating	Length
1	Messiah: Overture orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 1. Symphony composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		4:46
2	Messiah: Comfort Ye, Comfort Ye My People solo tenor vocals: George Maran (American Tenor) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		4:04
3	Messiah: Every Valley Shall Be Exalted solo tenor vocals: George Maran (American Tenor) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:59
4	Messiah: And the Glory of the Lord choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:11
5	Messiah: Thus Saith the Lord solo bass vocals: Owen Brannigan (operatic bass) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		1:46
6	Messiah: But Who May Abide solo bass vocals: Owen Brannigan (operatic bass) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” composer: George Frideric Handel (German‐British baroque composer) version of: Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		4:42
7	Messiah: And He Shall Purify choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:40
8	Messiah: Behold a Virgin Shall Conceive solo alto vocals: Norma Procter orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:35
9	Messiah: O Thou That Tellest solo alto vocals: Norma Procter orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		6:26
10	Messiah: For Behold, Darkness Shall Cover the Earth solo bass vocals: Owen Brannigan (operatic bass) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:37
11	Messiah: The People That Walked in Darkness solo bass vocals: Owen Brannigan (operatic bass) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:36
12	Messiah: For Unto Us a Child Is Born choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		4:19
13	Messiah: Pastoral Symphony orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:27
14	Messiah: There Were Shepherds solo soprano vocals: Jennifer Vyvyan (soprano) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:04
15	Messiah: Glory to God choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:02
16	Messiah: Rejoice Greatly solo soprano vocals: Jennifer Vyvyan (soprano) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		4:59
17	Messiah: Then Shall the Eyes of the Blind solo alto vocals: Norma Procter orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:31
18	Messiah: He Shall Feed His Flock solo alto vocals: Norma Procter solo soprano vocals: Jennifer Vyvyan (soprano) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	George Frideric Handel		6:22
19	Messiah: His Yoke Is Easy choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:38

2▼CD
#	Title	Artist	Rating	Length
1	Messiah: Behold the Lamb of God choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		3:59
2	Messiah: He was despised solo alto vocals: Norma Procter orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		12:51
3	Messiah: Surely He Hath Born Our Griefs choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:45
4	Messiah: And with His stripes choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:14
5	Messiah: All We Like Sheep choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		4:38
6	Messiah: All they that see Him solo tenor vocals: George Maran (American Tenor) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		0:56
7	Messiah: He trusted in God choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:50
8	Messiah: Thy Rebuke Hath Broken His Heart solo tenor vocals: George Maran (American Tenor) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:11
9	Messiah: Behold, and see solo tenor vocals: George Maran (American Tenor) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:49
10	Messiah: He was cut off solo soprano vocals: Jennifer Vyvyan (soprano) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		0:21
11	Messiah: But thou didst not leave solo soprano vocals: Jennifer Vyvyan (soprano) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:56
12	Messiah: Lift Up Your Heads choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		3:31
13	Messiah: Unto which of the angels solo tenor vocals: George Maran (American Tenor) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		0:26
14	Messiah: Let all the angels of God choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:45
15	Messiah: Thou art gone up on high solo bass vocals: Owen Brannigan (operatic bass) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		3:37
16	Messiah: The Lord gave the word choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:06
17	Messiah: How beautiful are the feet alto vocals: Norma Procter choir vocals: London Philharmonic Choir soprano vocals: Jennifer Vyvyan (soprano) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) composer: George Frideric Handel (German‐British baroque composer) (in 1741) is based on: Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:59
18	Messiah: Their sound is gone out solo tenor vocals: George Maran (American Tenor) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:57
19	Messiah: Why do the nations bass vocals and solo bass vocals: Owen Brannigan (operatic bass) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:44
20	Messiah: Let us break their bonds asunder choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:06
21	Messiah: He that dwelleth in heaven solo tenor vocals: George Maran (American Tenor) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		0:18
22	Messiah: Thou shalt break them solo tenor vocals: George Maran (American Tenor) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:19
23	Messiah: Hallelujah choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel		4:35

3▼CD
#	Title	Artist	Rating	Length
1	Messiah: I Know That My Redeemer Liveth soprano vocals: Jennifer Vyvyan (soprano) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		7:28
2	Messiah: Since by Man Came Death choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		2:01
3	Messiah: Behold, I Tell You a Mystery solo bass vocals: Owen Brannigan (operatic bass) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		0:42
4	Messiah: The Trumpet Shall Sound solo bass vocals: Owen Brannigan (operatic bass) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		8:54
5	Messiah: Then Shall Be Brought to Pass solo alto vocals: Norma Procter orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part III	George Frideric Handel		0:25
6	Messiah: O Death, Where Is Thy Sting? solo alto vocals: Norma Procter solo tenor vocals: George Maran (American Tenor) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		4:21
7	Messiah: If God Be for Us choir vocals: London Philharmonic Choir solo soprano vocals: Jennifer Vyvyan (soprano) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		6:01
8	Messiah: Worthy Is the Lamb/Amen choir vocals: London Philharmonic Choir orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		8:41
9	Ombra Mai Fu orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Adrian Boult (conductor) recording of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) composer: George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09) librettist: [anonymous] (special purpose artist) part of: Serse, HWV 40: Atto I	George Frideric Handel		4:26
10	Air: Love in Her Eyes Sits Playing tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Sir Adrian Boult (conductor) recording of: Acis and Galatea, HWV 49: Act I, no. 7. Aria "Love in her eyes sits playing" (Acis) composer: George Frideric Handel (German‐British baroque composer) (in 1718) librettist: John Gay (English poet and dramatist) (in 1718) part of: Acis and Galatea, HWV 49: Act I	George Frideric Handel		6:32
11	Silent Worship tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House conductor: Sir Adrian Boult (conductor) recording of: Silent Worship composer: George Frideric Handel (German‐British baroque composer) arranger and translator: Sir Arthur Somervell (composer)	George Frideric Handel		2:42
12	Deeper, and Deeper Still tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Sir Adrian Boult (conductor) medley including a recording of: Jephtha, HWV 70: Act II, no. 28. Accompagnato "Deeper and deeper still, thy goodness" (Jephtha) composer: George Frideric Handel (German‐British baroque composer) librettist: Thomas Morell part of: Jephtha, HWV 70: Act II medley including a recording of: Jephtha, HWV 70: Act III, no. 32. Air "Waft her, angels, through the skies" (Jephtha) composer: George Frideric Handel (German‐British baroque composer) librettist: Thomas Morell part of: Jephtha, HWV 70: Act III	George Frideric Handel		8:42
13	Where E'er You Walk tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Sir Adrian Boult (conductor) recording of: Semele, HWV 58: Act II, no. 45. “Where’er You Walk” (Jupiter) composer: George Frideric Handel (German‐British baroque composer) (in 1743) librettist: William Congreve part of: Semele, HWV 58: Act II	George Frideric Handel		4:04
14	Thanks to My Brethren tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Sir Adrian Boult (conductor) medley including a recording of: Judas Maccabaeus, HWV 63: Act II, no. 37: "Thanks to my brethren" (Judas Maccabaeus) composer: George Frideric Handel (German‐British baroque composer) (in 1746) librettist: Thomas Morell part of: Judas Maccabaeus, HWV 63: Act II medley including a recording of: Judas Maccabaeus, HWV 63: Act II, no. 38: Aria "How vain is man who boasts in fight" (Judas Maccabaeus) composer: George Frideric Handel (German‐British baroque composer) (in 1746) librettist: Thomas Morell part of: Judas Maccabaeus, HWV 63: Act II	George Frideric Handel		7:25
15	My Arms Against This Gorgias Will I Go tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Sir Adrian Boult (conductor) medley including a recording of: Judas Maccabaeus, HWV 63: Act II, no. 44: "My arms! against this Gorgias will I go" (Judas Maccabaeus) composer: George Frideric Handel (German‐British baroque composer) (in 1746) librettist: Thomas Morell part of: Judas Maccabaeus, HWV 63: Act II medley including a recording of: Judas Maccabaeus, HWV 63: Act II, no. 45: Air "Sound an alarm!" (Judas Maccabaeus) composer: George Frideric Handel (German‐British baroque composer) (in 1746) librettist: Thomas Morell part of: Judas Maccabaeus, HWV 63: Act II	George Frideric Handel		4:00

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conductor:	Sir Adrian Boult (conductor)
choir vocals:	London Philharmonic Choir

ASIN:	UK: B000026BJP [info]

Messiah

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