At the Blue Note: The Complete Recordings

~ Release by Keith Jarrett (see all versions of this release, 6 available)

Annotation

Countries excluded (iTunes + Deezer + Spotify)

(As of 2022-03-05).

  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
Annotation last modified on 2022-03-05 23:55 UTC.

Tracklist

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1▼Digital Media
#TitleRatingLength
1In Your Own Sweet Way
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
In Your Own Sweet Way (original instrumental composition) (on 1994-06-03)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
17:59
2How Long Has This Been Going On?
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1994-06-03)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
9:09
3While We’re Young
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
While We’re Young (on 1994-06-03)
lyricist:
William Engvick
composer:
Morty Palitz and Alec Wilder (composer)
publisher:
Ludlow Music, Inc., Regent Music (BMI) and ロックンロール ミュージック (Rock ’n’ Roll Music)
11:02
4Partners
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Partners (on 1994-06-03)
composer:
Keith Jarrett (pianist) and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
8:29
5No Lonely Nights
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
No Lonely Nights (on 1994-06-03)
composer:
Keith Jarrett (pianist)
7:17
6Now’s the Time
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Now’s the Time (on 1994-06-03)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
8:31
7Lament
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Lament (on 1994-06-03)
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
7:10
2▼Digital Media
#TitleRatingLength
1I’m Old Fashioned
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1994-06-03)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
10:37
2Everything Happens to Me
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Everything Happens to Me (on 1994-06-03)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
311:49
3If I Were a Bell
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
If I Were a Bell (Guys and Dolls) (on 1994-06-03)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
11:26
4In the Wee Small Hours of the Morning
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
In the Wee Small Hours of the Morning (on 1994-06-03)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
8:46
5Oleo
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Oleo (on 1994-06-03)
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music (US drum & bass) and Sony/ATV Songs (SOCAN)
8:03
6Alone Together
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Alone Together (on 1994-06-03)
lyricist:
Howard Dietz (librettist)
writer:
Schwartz & Dietz (Howard Dietz and Arthur Schwartz (lyricist and composer respectively))
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
11:20
7Skylark
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Skylark (on 1994-06-03)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
6:36
8Things Ain’t What They Used to Be
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (pianist) (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Things Ain’t What They Used to Be (on 1994-06-03)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
7:53
3▼Digital Media
#TitleRatingLength
1Autumn Leaves
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (pianist) (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1994-06-04)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
3.526:43
2Days of Wine and Roses
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (pianist) (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Days of Wine and Roses (on 1994-06-04)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
The 35th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 1962 winner)
11:30
3Bop‐Be
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (pianist) (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Bop-Be (on 1994-06-04)
composer:
Keith Jarrett (pianist)
0.256:18
4You Don’t Know What Love Is / Muezzin
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (pianist) (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Muezzin (on 1994-06-04)
composer:
Keith Jarrett (pianist)
live instrumental recording of:
You Don’t Know What Love Is (on 1994-06-04)
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
20:31
5When I Fall in Love
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (pianist) (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-04)
live instrumental cover recording of:
When I Fall in Love (on 1994-06-04)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.55:42
4▼Digital Media
#TitleRatingLength
1How Deep Is the Ocean?
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (pianist) (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
How Deep Is the Ocean? (on 1994-06-04)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
11:25
2Close Your Eyes
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (pianist) (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Close Your Eyes (on 1994-06-04)
lyricist and composer:
Bernice Petkere (in 1933)
publisher:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. and Sherman, Clay & Co. (in 1933)
9:28
3Imagination
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (pianist) (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Imagination (on 1994-06-04)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
8:44
4I’ll Close My Eyes
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (pianist) (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
I’ll Close My Eyes (on 1994-06-04)
lyricist:
Buddy Kaye
composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. and Peter Maurice Music
10:11
5I Fall in Love So Easily / The Fire Within
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (pianist) (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
I Fall in Love Too Easily (on 1994-06-04)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
live instrumental recording of:
The Fire Within (on 1994-06-04)
composer:
Keith Jarrett (pianist)
27:08
6Things Ain’t What They Used to Be
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (pianist) (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Things Ain’t What They Used to Be (on 1994-06-04)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
8:59
5▼Digital Media
#TitleRatingLength
1On Green Dolphin Street / Joy Ride
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (pianist) (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
Joy Ride (on 1994-06-05)
composer:
Keith Jarrett (pianist)
live instrumental recording of:
On Green Dolphin Street (on 1994-06-05)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. and Patti Washington Music
21:07
2My Romance
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (pianist) (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
My Romance (on 1994-06-05)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Jumbo
9:40
3Don’t Ever Leave Me
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (pianist) (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
Don’t Ever Leave Me (from “Sweet Adeline”) (on 1994-06-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
35:09
4You’d Be So Nice to Come Home To
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (pianist) (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
You’d Be So Nice to Come Home To (on 1994-06-05)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
6:59
5La Valse Bleue
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (pianist) (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
La Valse Bleue (on 1994-06-05)
writer:
Robert Wilber
7:03
6No Lonely Nights
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (pianist) (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
No Lonely Nights (on 1994-06-05)
composer:
Keith Jarrett (pianist)
6:21
7Straight, No Chaser
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (pianist) (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
Straight, No Chaser (on 1994-06-05)
composer:
Thelonious Monk
publisher:
Thelonious Music
6:13
6▼Digital Media
#TitleRatingLength
1Time After Time
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (pianist) (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-05)
live instrumental cover recording of:
Time After Time (on 1994-06-05)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
12:37
2For Heaven’s Sake
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (pianist) (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
For Heaven’s Sake (on 1994-06-05)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
11:03
3Partners
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (pianist) (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
Partners (on 1994-06-05)
composer:
Keith Jarrett (pianist) and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
8:56
4Desert Sun
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (pianist) (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
Desert Sun (on 1994-06-05)
composer:
Keith Jarrett (pianist)
28:32
5How About You?
engineer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (pianist) (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (Edition of Contemporary Music) (in 1995)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
How About You? (on 1994-06-05)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2)
7:11

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:ECM Records GmbH (owner of label and publisher) (in 1995)
licensed to:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
purchase for download and streaming page:https://music.apple.com/us/album/1443285007 [info]
stream for free:https://open.spotify.com/album/6sJLTN1J3PhPQ0OybVsqVz [info]
https://www.deezer.com/album/675026 [info]