Mastermix Classic Cuts: 50 Years of Pop

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Here in My Heart
recording of:
Here in My Heart
writer:
Bill Borrelli (writer “Here in My Heart”), Pat Genaro (Songwriter) and Lou Levinson (writer “Here in My Heart”)
publisher:
Algonquin Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and Mellin Music
Al Martino3:17
2I BelieveFrankie Laine2:12
3Cara Mia
recording of:
Cara mia (in 1954)
writer:
Lee Lange and Tulio Trapani
David Whitfield & Mantovani & His Orchestra33:12
4Rose Marie
recording of:
Rose-Marie (title song of the 1924 operetta)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach
composer:
Rudolf Friml
publisher:
Chappell & Co.
part of:
Rose-Marie (1924 operetta-style musical)
Slim Whitman2:22
5I’ll Be Home
Pat Boone3:02
6Love Letters in the Sand
recording of:
Love Letters in the Sand
lyricist:
Charles Kenny (songwriter, violinist) and Nick Kenny
composer:
J. Fred Coots, Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. and Francis, Day & Hunter Ltd.
Pat Boone22:25
7All I Have to Do Is Dream
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 141) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 323)
recording of:
All I Have to Do Is Dream (in 1958)
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
The Everly Brothers42:23
8Living Doll
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Drifters (London group, pre-Shadows)
recording of:
Living Doll
lyricist and composer:
Lionel Bart
publisher:
J. Albert & Son Pty. Ltd.
Cliff Richard & The Drifters2:41
9Cathy’s Clown
recording of:
Cathy’s Clown
lyricist and composer:
Don Everly
writer:
Don Everly and Phil Everly
publisher:
Acuff-Rose (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:26
10Runaway
solo clavioline [musitron]:
Max Crook
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 100) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 466)
recording of:
Runaway
writer:
Max Crook and Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. and Vicki Music
Del Shannon4.42:22
11Stranger on the Shore
Acker Bilk3:11
12From Me to You
recording of:
From Me to You
written in:
England, United Kingdom (on 1963-02-28)
writer:
John Lennon (The Beatles) (on 1963-02-28) and Paul McCartney (The Beatles) (on 1963-02-28)
publisher:
Ambassador Music Ltd., Gil Music Corporation, Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
The Beatles1:58
13I Love You Because
recording of:
I Love You Because
lyricist and composer:
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1949-10-12)
Jim Reeves2:49
14I’ll Never Find Another You
producer:
Tom Springfield
performer:
The Seekers (Australian pop quartet) (in 1964)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
I'll Never Find Another You (in 1964)
lyricist and composer:
Tom Springfield
publisher:
Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The Seekers52:45
15Distant Drums
engineer:
Jim Malloy
producer:
Chet Atkins
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
recording of:
Distant Drums (1961 song) (on 1966-02-09)
lyricist and composer:
Cindy Walker (US songwriter, singer and dancer)
Jim Reeves2:56
16Release Me
Engelbert Humperdinck3:22
17What a Wonderful World
recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong2:20
18My Way
recording of:
My Way (Frank Sinatra song)
lyricist:
Paul Anka
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
Frank Sinatra4:36
2CD
#TitleArtistRatingLength
1The Wonder of You
cover recording of:
The Wonder of You
lyricist and composer:
Baker Knight
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music Ltd., Universal Duchess Music Corp. and Universal/MCA Music Ltd. (not for release label use!)
Elvis Presley2:40
2My Sweet Lord
recording engineer:
Phil McDonald (engineer and producer) (from 1970-05-26 until 1970-08) and Ken Scott (UK record producer & engineer) (from 1970-05-26 until 1970-08)
producer:
George Harrison (The Beatles) and Phil Spector
acoustic guitar:
Eric Clapton (from 1970-05-26 until 1970-08), Tom Evans (UK guitarist for Badfinger) (from 1970-05-26 until 1970-08), Peter Frampton (from 1970-05-26 until 1970-08), Pete Ham (from 1970-05-26 until 1970-08), George Harrison (The Beatles) (from 1970-05-26 until 1970-08) and Joey Molland (from 1970-05-26 until 1970-08)
bass guitar:
Klaus Voormann (from 1970-05-26 until 1970-08)
drums (drum set):
Andy White (Scottish drummer) (from 1970-05-26 until 1970-08)
electric piano:
Gary Wright (US singer/keyboardist) (from 1970-05-26 until 1970-08)
piano:
Billy Preston (from 1970-05-26 until 1970-08)
slide guitar and lead vocals:
George Harrison (The Beatles) (from 1970-05-26 until 1970-08)
tambourine:
Mike Gibbins (drummer for Badfinger) (from 1970-05-26 until 1970-08) and Ringo Starr (The Beatles) (from 1970-05-26 until 1970-08)
background vocals:
Eric Clapton (from 1970-05-26 until 1970-08), George Harrison (The Beatles) (from 1970-05-26 until 1970-08), Phil Spector (from 1970-05-26 until 1970-08) and Bobby Whitlock (from 1970-05-26 until 1970-08)
vocals:
Bobby Whitlock (from 1970-05-26 until 1970-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) and G.H. Estate Limited (in 2014)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1970-05-26 until 1970-08)
music videos:
My Sweet Lord (50th anniversary video) by George Harrison (The Beatles)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 454)
recording of:
My Sweet Lord (from 1970-05-26 until 1970-08)
written in:
Europe (in 1969-12)
lyricist and composer:
George Harrison (The Beatles) (from 1969-12 until 1970)
publisher:
Harrisongs Ltd.
version of:
He’s So Fine
George Harrison4.44:40
3Amazing Grace
The Royal Scots Dragoon Guards2:43
4Tie a Yellow Ribbon Round the Old Oak Tree
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 52)
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
writer:
Lawrence Russell Brown (lyricist) and Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. and peermusic (publisher)
Tony Orlando & Dawn53:27
5Tiger Feet
co-producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
performer:
Mud (UK glam rock band)
phonographic copyright (℗) by:
RAK (in 1974)
recording of:
Tiger Feet
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) and BMG Music Publishing Ltd.
Mud53:55
6Bye Bye Baby
engineer:
Barry Hammond and Peter Tattersall
producer:
Phil Wainman
cover recording of:
Bye, Bye, Baby (Baby Goodbye)
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. and Seasons’ Four Music Inc.
Bay City Rollers2:50
7Save Your Kisses for Me
recording of:
Save Your Kisses for Me
writer:
Tony Hiller, Martin Lee (singer, of UK pop group Brotherhood of Man) and Lee Sheriden
publisher:
ATV Music, Easy Listening Music Corp., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Tony Hiller Music (publisher), Tony Hills Music Co. Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Brotherhood of Man3:07
8Don’t Give Up on Us
vocals:
David Soul
phonographic copyright (℗) by:
David Soul (in 1976)
phonographic copyright (℗) by:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) and Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
lyricist and composer:
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. and Universal Music Publishing International Ltd.
David Soul33:40
9Rivers of Babylon
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett, Frank Farian and Liz Mitchell
cover recording of:
Rivers of Babylon (Boney M. version)
lyricist:
Brent Dowe and Trevor McNaughton
composer:
Brent Dowe, Frank Farian, Trevor McNaughton and George Reyam
publisher:
Blue Mountain Music and FAR Music (publisher for Frank Farian)
is based on:
Rivers of Babylon
Boney M.44:19
10Bright EyesArt Garfunkel4:00
11Don’t Stand So Close to Me
engineer:
Nigel Gray (UK producer)
producer:
Nigel Gray (UK producer) and The Police (British rock band)
drums (drum set):
Stewart Copeland (from 1980-07-07 until 1980-08-07)
electric bass guitar, synthesizer and lead vocals:
Sting (singer, songwriter & member of The Police) (from 1980-07-07 until 1980-08-07)
electric guitar:
Andy Summers (from 1980-07-07 until 1980-08-07)
background vocals:
Stewart Copeland (from 1980-07-07 until 1980-08-07), Sting (singer, songwriter & member of The Police) (from 1980-07-07 until 1980-08-07) and Andy Summers (from 1980-07-07 until 1980-08-07)
phonographic copyright (℗) by:
A&M Records Ltd. (in 1980, in 2003) and A&M Records, Inc. (in 1980, in 1997)
recorded at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1980-07-07 until 1980-08-07)
recording of:
Don’t Stand So Close to Me (from 1980-07-07 until 1980-08-07)
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
Warner Bros. (holding: file NO releases) (ended), EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc. (Sting), GM Sumner, Chappell Music (UK) (from 1980 to ????), Chappell Music Co. (from 1980 to ????), Virgin Music (Publishers) Ltd. (from 1980 to ????), Virgin Music, Inc. (US arm of Virgin’s publishing company) (from 1980 to ????), Virgin Publishing (from 1984 to ????), EMI Music Publishing, Ltd. (PRS‐affiliated) (from 2003 to ????) and Songs of Universal, Inc. (BMI) (from 2022-02 to present)
The Police3.953:55
12Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:45
13Come On Eileen
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4:16
14Karma Chameleon
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
harmonica:
Judd Lander (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3.754:04
15Do They Know It’s Christmas?
programming:
Midge Ure (on 1984-11-25)
producer:
Trevor Horn and Midge Ure
drums (drum set):
Phil Collins (of Genesis) (on 1984-11-25)
electric bass guitar:
John Taylor (UK bassist for Duran Duran) (on 1984-11-25)
guitar:
Andy Taylor (of Duran Duran) (on 1984-11-25)
keyboard:
Midge Ure (on 1984-11-25)
lead vocals:
Bono (singer of U2) (on 1984-11-25), Boy George (on 1984-11-25), George Michael (on 1984-11-25), Simon Lebon (singer for Duran Duran) (on 1984-11-25) and Paul Young (English pop singer and musician) (on 1984-11-25)
other vocals [chorus]:
Paul Weller (English singer-songwriter and musician) (on 1984-11-24), Robert “Kool” Bell (on 1984-11-25), Pete Briquette (on 1984-11-25), Adam Clayton (on 1984-11-25), Phil Collins (of Genesis) (on 1984-11-25), Chris Cross (UK bassist for Ultravox) (on 1984-11-25), Simon Crowe (on 1984-11-25), Sara Dallin (on 1984-11-25), Siobhan Fahey (on 1984-11-25), Johnnie Fingers (on 1984-11-25), Bob Geldof (on 1984-11-25), Tony Hadley (on 1984-11-25), John Keeble (on 1984-11-25), Gary Kemp (on 1984-11-25), Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (on 1984-11-25), Jon Moss (on 1984-11-25), Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (on 1984-11-25), Rick Parfitt (UK guitarist for Status Quo) (on 1984-11-25), Nick Rhodes (on 1984-11-25), Francis Rossi (on 1984-11-25), Andy Taylor (of Duran Duran) (on 1984-11-25), James “J.T.” Taylor (US R&B vocalist for Kool & the Gang) (on 1984-11-25), John Taylor (UK bassist for Duran Duran) (on 1984-11-25), Roger Taylor (Duran Duran drummer) (on 1984-11-25), Dennis “D.T.” Thomas (Kool & The Gang) (on 1984-11-25), Midge Ure (on 1984-11-25), Martyn Ware (on 1984-11-25), Jody Watley (on 1984-11-25) and Keren Woodward (on 1984-11-25)
vocals:
Glenn Gregory (on 1984-11-25), Marilyn (British pop singer) (on 1984-11-25) and Sting (singer, songwriter & member of The Police) (on 1984-11-25)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1984) and The Band Aid Trust (in 2004)
recorded at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1984-11-25)
music videos:
Do They Know It's Christmas? (music video) by Band Aid (UK charity supergroup)
recording of:
Do They Know It’s Christmas? (from 1984-11-24 until 1984-11-25)
writer:
Bob Geldof and Midge Ure
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Band Aid3.63:43
16The Power of Love
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984) and Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy DeRouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Jennifer Rush2.54:25
3CD
#TitleArtistRatingLength
1Don’t Leave Me This Way
producer:
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:29
2Never Gonna Give You Up
keyboard [Fairlight] programming:
Ian Curnow (in 1986-10)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (on 1987-01-01)
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1986-10)
guitar [guitars]:
Matt Aitken (in 1986-10)
keyboard [keyboards]:
Matt Aitken (in 1986-10) and Mike Stock (of Stock Aitken Waterman) (in 1986-10)
background vocals [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) and Suzanne Rhatigan (in 1986-10)
lead vocals:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1987), Pete Waterman Ltd. (copyrights holder) (in 1987) and PWL (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) and PWL Studios (London) in London (Greater London), England, United Kingdom (in 1986-10)
mixed at:
PWL Studio 1 (on 1987-01-01) and PWL Studio 2 (on 1987-01-01)
music videos:
Never Gonna Give You Up by Rick Astley (English singer, songwriter and radio personality)
part of:
Cachitos Nochevieja 2022 (number: 48) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal Music Publishers MGB Australia Pty Ltd, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Terrace Music (in 1987)
Rick Astley4.43:34
3Mistletoe & Wine
recording of:
Mistletoe and Wine
writer:
Jeremy Paul (British songwriter and producer Jeremy Paul Roche), Leslie Stewart and Keith Strachan
publisher:
Patch Music Ltd.
Cliff Richard3:57
4Ride on TimeBlack Box4:38
5Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:39
6(Everything I Do) I Do It for You
engineer:
Nigel Green (engineer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
A&M Records, Inc. (in 1991)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 23)
recording of:
(Everything I Do) I Do It for You
writer:
Bryan Adams (Canadian singer/songwriter) (on 1991-04-10), Michael Kamen (American score composer) (on 1991-04-10) and Robert John “Mutt” Lange (Robert John Lange) (on 1991-04-10)
publisher:
2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Miracle Creek Music, Inc. (in 1991), Zachary Creek Music Inc. (in 1991) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1991)
part of:
The 64th Academy Award for Best Original Song (number: 2)
Bryan Adams44:12
7I Will Always Love You
engineer:
David Reitzas, Bill Schnee and Peter Yianilos
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Whitney Houston
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
David Reitzas
creative direction:
Rickey Minor (bass player, music director, composer, music producer)
solo saxophone:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
part of:
The Co-Op: Top 10 British Funeral Songs (number: 3), New York Post: 100 Greatest Covers (2007) (number: 59), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 60), Billboard: Greatest of All Time Hot 100 Songs (number: 60) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 94)
cover recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Whitney Houston4.54:36
8I’ll Do Anything for Love (But I Won’t Do That)
recording of:
I’d Do Anything for Love (but I Won’t Do That)
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf5:27
9Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1994) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.64:08
10Unchained Melody
cover recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
Robson & Jerome3:22
11Killing Me Softly
recording engineer and mixer:
Wyclef Jean (Haitian rapper, musician and actor) and Warren Riker
engineer:
Warren Riker
co-producer:
Jerry Duplessis and Pras Michel (Pras, American rapper, member of The Fugees)
producer:
Lauryn Hill and Wyclef Jean (Haitian rapper, musician and actor)
background vocals and lead vocals:
Lauryn Hill
lead vocals:
Wyclef Jean (Haitian rapper, musician and actor)
performer:
Fugees
vocals arranger:
Lauryn Hill
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1996 to present) and Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1996)
recorded at and mixed at:
Booga Basement Studio in Bloomfield, New Jersey, United States
samples:
Bonita Applebum by A Tribe Called Quest, Fool Yourself by Little Feat, Killing Me Softly With His Song by Roberta Flack, Memory Band by Rotary Connection and The Day Begins (1972 stereo mix) by The Moody Blues with the London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) conducted by Peter Knight (British arranger, conductor and composer)
a cappella versions:
Killing Me Softly (L∆VINCi Remix) by L∆VINCi (LAVINCi) feat. Fugees & Kay Flock
part of:
Flak: Best Cover Songs of the 90's, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 136) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 359)
cover recording of:
Killing Me Softly With His Song
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC and Fox-Gimbel Productions Inc. (in 1972)
Fugees4.154:57
12Candle in the Wind 97
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 58)
recording of:
Candle in the Wind 1997
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
revised by:
Bernie Taupin (in 1997)
dedicated to:
Diana, Princess of Wales
publisher:
Universal–Songs of PolyGram International, Inc.
revision of:
Candle in the Wind
Elton John4:17
13Believe
producer:
Brian Rawling and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) and Rive Droite Music Productions
recorded at and mixed at:
Dreamhouse Studios in London (Greater London), England, United Kingdom
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 159) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 337)
recording of:
Believe
lyricist:
Brian Higgins (British producer and song writer) and Matt Gray (UK techno DJ/producer, former video game composer)
composer:
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) and Steve Torch (in 1998)
publisher:
Rive Droite Music and Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.74:00
14Baby One More Time
recording engineer, producer and mixer:
Max Martin (Swedish record producer) and Rami (Swedish record producer and songwriter)
bass guitar:
Tomas Lindberg (Swedish bass player)
guitar:
Johan Carlberg
background vocals:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) and Britney Spears
lead vocals:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) and Zomba Recording LLC (in 1999)
mixed for and produced for:
Cheiron Productions
recorded at and mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
…Baby One More Time by Britney Spears, …Baby One More Time (official music video) by Britney Spears, …Baby One More Time (Angle 1) by Britney Spears and …Baby One More Time (Angle 2) by Britney Spears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 205) and BILLIONS CLUB
recording of:
…Baby One More Time
lyricist and composer:
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Freaky Friday (2003)
Britney Spears4.053:34
15Can We Fix It
recording of:
Can We Fix It? (Bob the Builder theme)
composer:
Paul K. Joyce
publisher:
EMI Music Publishing (do not use as a release label!)
Bob the Builder3:12
16Pure & Simple
music videos:
Pure & Simple by Hearsay
recording of:
Pure & Simple
writer:
Alison Clarkson (British dance music singer-songwriter), Tim Hawes (songwriter) and Pete Kirtley (songwriter, producer)
publisher:
Strongsongs and Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
Hear’Say33:49