Big City Sounds

~ Release by The Jazztet, Art Farmer & Benny Golson (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1The Cool One
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
The Cool One
composer:
Benny Golson
3:08
A2Blues on Down
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Blues On Down (in 1960-09)
composer:
Benny Golson
6:06
A3Hi-Fly
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Hi Fly (from 1960-09-16 until 1960-09-20)
composer:
Randy Weston
5:54
A4My Funny Valentine
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (from 1960-09-16 until 1960-09-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
4:36
B1Wonder Why
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
instrumental recording of:
Wonder Why (Rich, Young and Pretty) (from 1960-09-16 until 1960-09-20)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
5:57
B2Con Alma
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Con Alma (from 1960-09-16 until 1960-09-20)
composer:
Dizzy Gillespie
publisher:
Dizlo Music Corp.
5:03
B3Lament
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Lament (from 1960-09-16 until 1960-09-20)
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:33
B4Bean Bag
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Bean Bag (from 1960-09-16 until 1960-09-20)
composer:
Benny Golson
4:56
B5Five Spot After Dark
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Five Spot After Dark (from 1960-09-16 until 1960-09-20)
writer:
Benny Golson
3:18

Credits

Release

photography:Chuck Stewart (photographer, best known for his portraits of jazz singers and musicians)
Discogs:https://www.discogs.com/release/2960617 [info]