Les voix des cathédrales

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Gloria in excelsis deo, extrait du Gloria en ré majeur, RV 589
instruments:
Taverner Players
choir vocals:
Taverner Choir (in 1992-11) and Taverner Consort (in 1992-11)
orchestra:
Taverner Players (in 1992-11)
conductor:
Andrew Parrott (conductor) (in 1992-11)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1992-11)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1992-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:28
2Miserere à 9
recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri13:21
3Beatus vir à 6, extrait de Selva morale e spirituale
conductor:
Andrew Parrott (conductor)
performer:
The Taverner Choir, Consort & Players
recording of:
Selva morale e spirituale: Beatus vir I a 6 [Psalm 112] SV 268
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 268)
part of:
Selva morale e spirituale
Claudio Monteverdi8:55
4Spem in alium, motet à 40
recording of:
Spem in alium
composer:
Thomas Tallis (composer)
Thomas Tallis10:17
5Nisi Dominus
Henri Dumont8:52
6Dixit Dominus
choir vocals:
Taverner Choir
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Dixit Dominus in G minor, HWV 232: I. Chorus "Dixit Dominus"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Dixit Dominus in G minor, HWV 232
Georg Friedrich Händel5:20
7Hallelujah, extrait du Messie
choir vocals:
Taverner Choir (in 1988-04)
orchestra:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
performer:
The Taverner Choir, Consort & Players (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-04)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1988-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:58
8Jésus que ma joie demeure, extrait de la Cantate BWV 147
choir vocals:
Taverner Choir (in 1987) and Taverner Consort (in 1987)
orchestra:
Taverner Players (in 1987)
conductor:
Andrew Parrott (conductor) (in 1987)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1987)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:15
9Jauchzet, Frohlocket, Auf, Preiset Die Tage, extrait de l'Oratorio de Noël, BWV 248
choir vocals:
Chorus of Collegium Vocale, Ghent (in 1989-01)
orchestra:
Orchestra of Collegium Vocale, Ghent (in 1989-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-01)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recorded at:
Mindersbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1989-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1989-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:45
10Euntes ibant et flebant, extrait du motet In convertendo
Jean‐Philippe Rameau4:29
11Omnes gentes, motet à 16
recording of:
Omnes gentes plaudite manibus à 16, Ch. 52 (Sacrae symphoniae, Liber 1)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 52)
part of:
Sacrae symphoniae, Liber 1
Giovanni Gabrieli4:20
12Alleluia (Organum)
[anonymous]3:03
2▼CD
#TitleArtistRatingLength
1Agnus dei, extrait du Requiem
choir vocals:
Harrogate Ladies' College Chapel Choir
conductor:
Harvey Brough (composer, arranger and performer)
recording of:
Requiem, op. 573: Agnus Dei
composer:
Jean Catoire (composer)
part of:
Requiem, op. 573
Jean Catoire1:51
2Kyrie, extrait de la Messe en ut mineur, K.427
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): I. Kyrie
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K. 427/417a ('Große Messe') (Great Mass in C minor, K. 427/417a, fragment)
Wolfgang Amadeus Mozart6:43
3Ave verum corpus, motet K.618
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 618)
Wolfgang Amadeus Mozart2:36
4Lacrymosa, extrait du Requiem en ré mineur, K.626
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:37
5Psaume 42: Wie der Hirsh schreit nach frishem Wasser
choir vocals:
London Symphony Chorus
contralto vocals and mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
City of London Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
recording of:
Psalm 42, op. 42, MWV A 15: I. Chorus, "Wie der Hirsch schreit"
composer:
Felix Mendelssohn (composer)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
Felix Mendelssohn5:51
6Un Requiem Allemend: Wie lieblish sind deine Wohnungen
choir vocals:
The Schütz Choir of London (in 1992-03)
orchestra:
London Classical Players (in 1992-03)
conductor:
Sir Roger Norrington (conductor) (in 1992-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1992-03)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (in 1992-03)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:38
7Agnus dei
choir vocals:
Winchester Cathedral Choir
conductor:
David Hill (organist and conductor)
recording of:
Agnus Dei (arr. Samuel Barber for chorus)
lyricist:
[anonymous] (special purpose artist)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
arranger:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1967)
part of:
Works of Samuel Barber by opus number (number: op. 11)
arrangement of:
Adagio for Strings
Samuel Barber7:41
8Ave Maria, extrait des Vêpres, Opus 37
recording of:
Всенощное бдение, op. 37: 6. Богородице Дево, радуйся (All-Night Vigil, Op. 37: VI. Rejoice, O Virgin)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1915)
part of:
Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)
Сергей Васильевич Рахманинов2:38
9Cantique de Jean Racine
choir vocals:
Winchester Cathedral Choir
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian-born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
Gabriel Fauré5:47
10Psaume 150 en ut majeur
recording of:
Psalm 150, WAB 38
composer:
Anton Bruckner (composer) (in 1892)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 38)
Anton Bruckner8:25
11Motets sur des thèmes Grégoriens, Opus 10: Ubi caritas
choir vocals:
Winchester Cathedral Choir
conductor:
David Hill (organist and conductor)
recording of:
Quatre motets sur des thèmes grégoriens, op. 10: No. 1. Ubi caritas et amor
composer:
Maurice Duruflé (French composer & organist, 1902–1986)
part of:
Quatre motets sur des thèmes grégoriens, op. 10
Maurice Duruflé2:36
12Motets sur des thèmes Grégoriens, Opus 10: Tantum ergo
choir vocals:
Winchester Cathedral Choir
conductor:
David Hill (organist and conductor)
recording of:
Quatre motets sur des thèmes grégoriens, op. 10: No. 4: Tantum ergo
composer:
Maurice Duruflé (French composer & organist, 1902–1986)
part of:
Quatre motets sur des thèmes grégoriens, op. 10
Maurice Duruflé3:13
13Laudamus te, extrait du Gloria
choir vocals:
Westminster Singers (UK, often worked with Richard Hickox)
soprano vocals:
Catherine Dubosc (soprano)
orchestra:
City of London Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
recording of:
Gloria, for Soprano, Chorus and Orchestra, FP 177: II. Laudamus te
composer:
Francis Poulenc (French composer and pianist) (from 1959 until 1960)
part of:
Gloria, for Soprano, Chorus and Orchestra, FP 177
Francis Poulenc3:08
14Vinea mea electa, extrait des 4 motets pour un temps de pénitence
choir vocals:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Quatre motets pour un temps de pénitence: No. 2. Vinea mea electa
composer:
Francis Poulenc (French composer and pianist) (in 1938)
part of:
Quatre motets pour un temps de pénitence, FP 97
Francis Poulenc3:47
15De profundis
organ:
Christopher Bowers-Broadbent (organist)
percussion:
Tõnu Kaljuste (conductor)
choir vocals:
Eesti Filharmoonia Kammerkoor (Estonian Philharmonic Chamber Choir)
conductor:
Tõnu Kaljuste (conductor)
recording of:
De profundis (for male choir, percussion ad lib. and organ)
lyricist:
[anonymous] (special purpose artist)
composer:
Arvo Pärt (in 1980)
publisher:
Universal Edition AG (Wien) (publisher; do NOT use as release label)
premiered at:
Martinskirche in Kassel, Hessen (Hesse), Germany (on 1981-04-25)
Arvo Pärt5:16
16A.M.D.G.
choir vocals:
London Sinfonietta Chorus
conductor:
Terry Edwards (British choir director)
recording of:
A.M.D.G.: V. O Deus, ego amo te
lyricist:
Gerard Manley Hopkins (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939-08)
part of:
A.M.D.G.
Benjamin Britten2:02
173 Petites liturgies de la Présence Divine
ondes Martenot:
Cynthia Millar (English Ondes Martenot player)
piano:
Rolf Hind (pianist and composer)
choir vocals:
London Sinfonietta Chorus and London Sinfonietta Voices
orchestra:
London Sinfonietta
conductor:
Terry Edwards (British choir director)
recording of:
Trois petites liturgies de la présence divine: No. 2. Séquence du verbe, cantique divin
lyricist:
Olivier Messiaen (composer and organist)
composer:
Olivier Messiaen (composer and organist) (from 1943-11-15 until 1944-03-15)
part of:
Trois petites liturgies de la présence divine
Olivier Messiaen6:16