Cantatas, BWV 19–20

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate, BWV 19 “Es erhub sich ein Streit”: I. Coro “Es erhub sich ein Streit”
choir vocals:
Gächinger Kantorei Stuttgart (from 1971-02 until 1971-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1971-02 until 1971-05)
conductor:
Helmuth Rilling (conductor) (from 1971-02 until 1971-05)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit" (from 1971-02 until 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach4:41
2Kantate, BWV 19 “Es erhub sich ein Streit”: II. Recitativo (Basso) “Gottlob! der Drache liegt”
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1971-02 until 1971-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1971-02 until 1971-05)
conductor:
Helmuth Rilling (conductor) (from 1971-02 until 1971-05)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": II. Recitativo (Basso) "Gottlob! der Drache liegt" (from 1971-02 until 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:15
3Kantate, BWV 19 “Es erhub sich ein Streit”: III. Aria (Soprano) “Gott schickt uns Mahanaim zu”
soprano vocals:
Barbara Rondelli (American soprano) (from 1971-02 until 1971-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1971-02 until 1971-05)
conductor:
Helmuth Rilling (conductor) (from 1971-02 until 1971-05)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": III. Aria (Soprano) "Gott schickt uns Mahanaim zu" (from 1971-02 until 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach4:54
4Kantate, BWV 19 “Es erhub sich ein Streit”: IV. Recitativo (Tenore) “Was ist der schnöde Mensch, das Erdenkind?”
tenor vocals:
Adalbert Kraus (tenor) (from 1971-02 until 1971-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1971-02 until 1971-05)
conductor:
Helmuth Rilling (conductor) (from 1971-02 until 1971-05)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": IV. Recitativo (Tenore) "Was ist der schnöde Mensch, das Erdenkind?" (from 1971-02 until 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:02
5Kantate, BWV 19 “Es erhub sich ein Streit”: V. Aria (Tenore) “Bleibt, ihr Engel, bleibt bei mir!”
tenor vocals:
Adalbert Kraus (tenor) (from 1971-02 until 1971-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1971-02 until 1971-05)
conductor:
Helmuth Rilling (conductor) (from 1971-02 until 1971-05)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": V. Aria (Tenore) "Bleibt, ihr Engel, bleibt bei mir!" (from 1971-02 until 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach6:27
6Kantate, BWV 19 “Es erhub sich ein Streit”: VI. Recitativo (Soprano) “Laßt uns das Angesicht”
soprano vocals:
Barbara Rondelli (American soprano) (from 1971-02 until 1971-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1971-02 until 1971-05)
conductor:
Helmuth Rilling (conductor) (from 1971-02 until 1971-05)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VI. Recitativo (Soprano) "Laßt uns das Angesicht" (from 1971-02 until 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:55
7Kantate, BWV 19 “Es erhub sich ein Streit”: VII. Choral “Laß dein’ Engel mit mir fahren”
choir vocals:
Gächinger Kantorei Stuttgart (from 1971-02 until 1971-05)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1971-02 until 1971-05)
conductor:
Helmuth Rilling (conductor) (from 1971-02 until 1971-05)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VII. Choral "Laß dein' Engel mit mir fahren" (from 1971-02 until 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 99)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:20
8Kantate, BWV 20, “O Ewigkeit, du Donnerwort”: Teil I, I. Chorale “O Ewigkeit, du Donnertwort”
choir vocals:
Frankfurter Kantorei (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, I. Chorale "O Ewigkeit, du Donnertwort" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach6:36
9Kantate, BWV 20, “O Ewigkeit, du Donnerwort”: Teil I, II. Recitativo (Tenore) “Kein Unglück ist in aller Welt zu finden”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, II. Recitativo (Tenore) "Kein Unglück ist in aller Welt zu finden" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:02
10Kantate, BWV 20, “O Ewigkeit, du Donnerwort”: Teil I, III. Aria (Tenore) “Ewigkeit, du machst mir bange”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, III. Aria (Tenore) "Ewigkeit, du machst mir bange" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:59
11Kantate, BWV 20, “O Ewigkeit, du Donnerwort”: Teil I, IV. Recitativo (Basso) “Gesetzt, es dau’rte der Verdammten Qual”
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, IV. Recitativo (Basso) "Gesetzt, es dau'rte der Verdammten Qual" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:39
12Kantate, BWV 20, “O Ewigkeit, du Donnerwort”: Teil I, V. Aria (Basso) “Gott ist gerecht in seinen Werken”
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, V. Aria (Basso) "Gott ist gerecht in seinen Werken" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach5:49
13Kantate, BWV 20, “O Ewigkeit, du Donnerwort”: Teil I, VI. Aria (Alto) “O Mensch, errette deine Seele”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, VI. Aria (Alto) "O Mensch, errette deine Seele" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:20
14Kantate, BWV 20, “O Ewigkeit, du Donnerwort”: Teil I, VII. Chorale “Solang ein Gott im Himmel lebt”
choir vocals:
Frankfurter Kantorei (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, VII. Chorale "Solang ein Gott im Himmel lebt" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:21
15Kantate, BWV 20, “O Ewigkeit, du Donnerwort”: Teil II, VIII. Aria (Basso) “Wacht auf, wacht auf, verlorne Schafe”
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, VIII. Aria (Basso) "Wacht auf, wacht auf, verlorne Schafe" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:00
16Kantate, BWV 20, “O Ewigkeit, du Donnerwort”: Teil II, IX. Recitativo (Alto) “Verlaß, o Mensch, die Wollust dieser Welt”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, IX. Recitativo (Alto) "Verlaß, o Mensch, die Wollust dieser Welt" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:32
17Kantate, BWV 20, “O Ewigkeit, du Donnerwort”: Teil II, X. Aria (Duetto: Alto, Tenore) “O Menschenkind, hör auf geschwind”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, X. Aria (Duetto: Alto, Tenore) "O Menschenkind, hör auf geschwind" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:28
18Kantate, BWV 20, “O Ewigkeit, du Donnerwort”: Teil II, XI. Chorale “O Ewigkeit, du Donnerwort”
choir vocals:
Frankfurter Kantorei (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, XI. Chorale "O Ewigkeit, du Donnerwort" (from 1970-06 until 1970-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 276)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:20

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 6) (order: 6)