Jazz 'N' Samba (remastered)

~ Release by Milt Jackson (see all versions of this release, 5 available)

Annotation

Originally released in 1964.

Comes in gatefold mini LP replica with OBI & Japanese insert.

24-Bit/96KHz remastering.

Other Identifiers
Rights Society: JASRAC

Annotation last modified on 2025-08-14 00:43 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Blues for Juanita
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-08-06)
drums (drum set):
Connie Kay (on 1964-08-06)
piano:
Tommy Flanagan (on 1964-08-06)
tenor saxophone:
Jimmy Heath (on 1964-08-06)
vibraphone:
Milt Jackson (on 1964-08-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-08-06)
recording of:
Blues for Juanita
writer:
Milt Jackson
5:44
2I Got It Bad and That Ain't Good
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-08-06)
drums (drum set):
Connie Kay (on 1964-08-06)
piano:
Tommy Flanagan (on 1964-08-06)
tenor saxophone:
Jimmy Heath (on 1964-08-06)
vibraphone:
Milt Jackson (on 1964-08-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-08-06)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (on 1964-08-06)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
2:43
3Big George
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-08-06)
drums (drum set):
Connie Kay (on 1964-08-06)
piano:
Tommy Flanagan (on 1964-08-06)
vibraphone:
Milt Jackson (on 1964-08-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-08-06)
recording of:
Big George
writer:
Milt Jackson
4:49
4Gingerbread Boy
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-08-06)
drums (drum set):
Connie Kay (on 1964-08-06)
piano:
Tommy Flanagan (on 1964-08-06)
tenor saxophone:
Jimmy Heath (on 1964-08-06)
vibraphone:
Milt Jackson (on 1964-08-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-08-06)
recording of:
Gingerbread Boy (on 1964-08-06)
composer:
Jimmy Heath
3:47
5Jazz 'N' Samba
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-08-07)
drums (drum set):
Connie Kay (on 1964-08-07)
guitar:
Howard Collins (Guitarist) (on 1964-08-07) and Barry Galbraith (on 1964-08-07)
tenor saxophone:
Jimmy Heath (on 1964-08-07)
vibraphone:
Milt Jackson (on 1964-08-07)
vocal:
Lillian Clark
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-08-07)
instrumental recording of:
Só danço samba (on 1964-08-07)
lyricist:
Vinicius de Moraes (O poetinha)
writer:
Norman Gimbel
composer:
Antônio Carlos Jobim
2:14
6The Oo-Oo Bossa Noova
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-08-07)
drums (drum set):
Connie Kay (on 1964-08-07)
guitar:
Howard Collins (Guitarist) (on 1964-08-07) and Barry Galbraith (on 1964-08-07)
tenor saxophone:
Jimmy Heath (on 1964-08-07)
vibraphone:
Milt Jackson (on 1964-08-07)
vocals:
Joe E. Ross (on 1964-08-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-08-07)
recording of:
The Oo-Oo Bossa Noova
writer:
Manny Albam
3:09
7I Love You
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-08-07)
drums (drum set):
Connie Kay (on 1964-08-07)
guitar:
Howard Collins (Guitarist) (on 1964-08-07) and Barry Galbraith (on 1964-08-07)
vibraphone:
Milt Jackson (on 1964-08-07)
vocal:
Lillian Clark
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-08-07)
instrumental recording of:
I Love You (Mexican Hayride musical) (on 1964-08-07)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
4:40
8Kiss & Run
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-08-07)
drums (drum set):
Connie Kay (on 1964-08-07)
guitar:
Howard Collins (Guitarist) (on 1964-08-07) and Barry Galbraith (on 1964-08-07)
tenor saxophone:
Jimmy Heath (on 1964-08-07)
vibraphone:
Milt Jackson (on 1964-08-07)
vocals:
Lillian Clark (on 1964-08-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-08-07)
recording of:
Kiss and Run
lyricist:
William Engvick
composer:
René Denoncin and Jack Ledru
3:28
9Jazz Bossa Nova
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-08-07)
drums (drum set):
Connie Kay (on 1964-08-07)
guitar:
Howard Collins (Guitarist) (on 1964-08-07) and Barry Galbraith (on 1964-08-07)
tenor saxophone:
Jimmy Heath (on 1964-08-07)
vibraphone:
Milt Jackson (on 1964-08-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-08-07)
recording of:
Jazz Bossa Nova
writer:
Milt Jackson
3:01

Credits

Release

photography:Charles Stewart (photographer, best known for his portraits of jazz singers and musicians)
liner notes:Leonard Feather
engineer:Rudy van Gelder
producer:Bob Thiele (producer & songwriter)
bass:Richard Davis (American jazz bassist)
copyrighted (©) by and phonographic copyright (℗) by:MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
part of:impulse! MORE BEST 50 (number: 37) (order: 1)
Discogs:https://www.discogs.com/release/6501549 [info]