The History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼Digital Media: Haydn: Symphonies no. 45 “Farewell”, no. 88 & no. 104 “London”
#TitleArtistRatingLength
1Symphony no. 45 in F‐sharp minor “Farewell”, Hob. I:45: I. Allegro assai
orchestra:
English Chamber Orchestra (in 1978-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1978-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-03)
recording of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie": I. Allegro assai (in 1978-03)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie"
Joseph Haydn5:36
2Symphony no. 45 in F‐sharp minor “Farewell”, Hob. I:45: II. Adagio
orchestra:
English Chamber Orchestra (in 1978-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1978-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-03)
recording of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie": II. Adagio (in 1978-03)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie"
Joseph Haydn7:32
3Symphony no. 45 in F‐sharp minor “Farewell”, Hob. I:45: III. Menuet. Allegretto
orchestra:
English Chamber Orchestra (in 1978-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1978-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-03)
recording of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie": III. Menuet and Trio. Allegretto (in 1978-03)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie"
Joseph Haydn4:02
4Symphony no. 45 in F‐sharp minor “Farewell”, Hob. I:45: IV. Finale. Presto – Adagio
orchestra:
English Chamber Orchestra (in 1978-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1978-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-03)
recording of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie": IV. Finale. Presto - Adagio (in 1978-03)
composer:
Joseph Haydn (composer)
part of:
Symphony no. 45 in F-sharp minor, Hob. I:45 "Abschiedssymphonie"
Joseph Haydn7:46
5Symphony no. 88 in G major, Hob. I:88: I. Adagio – Allegro
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1972-09)
recording of:
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro (in 1972-09)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn6:40
6Symphony no. 88 in G major, Hob. I:88: II. Largo
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1972-09)
recording of:
Symphony no. 88 in G major, Hob. I:88: II. Largo (in 1972-09)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn7:20
7Symphony no. 88 in G major, Hob. I:88: III. Menuetto. Allegretto
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1972-09)
recording of:
Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio (in 1972-09)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn4:48
8Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1972-09)
recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (in 1972-09)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn4:04
9Symphony no. 104 in D major “London”, Hob. I:104: I. Adagio – Allegro
producer:
Günther Breest (producer for classical music)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1971-10)
conductor:
Eugen Jochum (conductor) (in 1971-10)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1971-10)
recorded at:
Barking Assembly Hall in Barking, Barking and Dagenham (London Borough of Barking and Dagenham), London (Greater London), England, United Kingdom (in 1971-10)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio - Allegro (in 1971-10)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn8:57
10Symphony no. 104 in D major “London”, Hob. I:104: II. Andante
producer:
Günther Breest (producer for classical music)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1971-10)
conductor:
Eugen Jochum (conductor) (in 1971-10)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1971-10)
recorded at:
Barking Assembly Hall in Barking, Barking and Dagenham (London Borough of Barking and Dagenham), London (Greater London), England, United Kingdom (in 1971-10)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante (in 1971-10)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn8:28
11Symphony no. 104 in D major “London”, Hob. I:104: III. Menuet. Allegro
producer:
Günther Breest (producer for classical music)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1971-10)
conductor:
Eugen Jochum (conductor) (in 1971-10)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1971-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Barking Assembly Hall in Barking, Barking and Dagenham (London Borough of Barking and Dagenham), London (Greater London), England, United Kingdom (in 1971-10)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro (in 1971-10)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn5:11
12Symphony no. 104 in D major “London”, Hob. I:104: IV. Finale. Spiritoso
producer:
Günther Breest (producer for classical music)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1971-10)
conductor:
Eugen Jochum (conductor) (in 1971-10)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1971-10)
recorded at:
Barking Assembly Hall in Barking, Barking and Dagenham (London Borough of Barking and Dagenham), London (Greater London), England, United Kingdom (in 1971-10)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale. Spiritoso (in 1971-10)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn6:41
2▼Digital Media: Haydn: String Quartets “Emperor”, “The Lark” & “The Rider”
#TitleArtistRatingLength
1String Quartet in D major “The Lark”, op. 64 no. 5 (Hob. III:63): I. Allegro moderato
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1974-03)
string quartet:
Amadeus Quartet (in 1974-03)
viola:
Peter Schidlof (violist) (in 1974-03)
violin [violin I]:
Norbert Brainin (violinist) (in 1974-03)
violin [violin II]:
Siegmund Nissel (violinist) (in 1974-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1974-03)
recording of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”: I. Allegro moderato (in 1974-03)
composer:
Joseph Haydn (composer)
part of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”
Joseph Haydn5:45
2String Quartet in D major “The Lark”, op. 64 no. 5 (Hob. III:63): II. Adagio. Cantabile
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1974-03)
string quartet:
Amadeus Quartet (in 1974-03)
viola:
Peter Schidlof (violist) (in 1974-03)
violin [violin I]:
Norbert Brainin (violinist) (in 1974-03)
violin [violin II]:
Siegmund Nissel (violinist) (in 1974-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1974-03)
recording of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”: II. Adagio. Cantabile (in 1974-03)
composer:
Joseph Haydn (composer)
part of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”
Joseph Haydn6:19
3String Quartet in D major “The Lark”, op. 64 no. 5 (Hob. III:63): III. Menuet. Allegretto
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1974-03)
string quartet:
Amadeus Quartet (in 1974-03)
viola:
Peter Schidlof (violist) (in 1974-03)
violin [violin I]:
Norbert Brainin (violinist) (in 1974-03)
violin [violin II]:
Siegmund Nissel (violinist) (in 1974-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1974-03)
recording of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”: III. Menuet. Allegretto (in 1974-03)
composer:
Joseph Haydn (composer)
medley of:
String Quartet no. 7 in D major, D. 94: III. Menuetto. Allegro
part of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”
Joseph Haydn3:11
4String Quartet in D major “The Lark”, op. 64 no. 5 (Hob. III:63): IV. Finale. Vivace
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1974-03)
string quartet:
Amadeus Quartet (in 1974-03)
viola:
Peter Schidlof (violist) (in 1974-03)
violin [violin I]:
Norbert Brainin (violinist) (in 1974-03)
violin [violin II]:
Siegmund Nissel (violinist) (in 1974-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1974-03)
recording of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”: IV. Finale. Vivace (in 1974-03)
composer:
Joseph Haydn (composer)
part of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”
Joseph Haydn2:09
5String Quartet in G minor “The Rider”, op. 74 no. 3 (Hob. III:74): I. Allegro
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (from 1978-11 until 1978-12)
string quartet:
Amadeus Quartet (from 1978-11 until 1978-12)
viola:
Peter Schidlof (violist) (from 1978-11 until 1978-12)
violin [violin I]:
Norbert Brainin (violinist) (from 1978-11 until 1978-12)
violin [violin II]:
Siegmund Nissel (violinist) (from 1978-11 until 1978-12)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1978-11 until 1978-12)
recording of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider": I. Allegro (from 1978-11 until 1978-12)
composer:
Joseph Haydn (composer)
part of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider"
Joseph Haydn5:10
6String Quartet in G minor “The Rider”, op. 74 no. 3 (Hob. III:74): II. Largo assai
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (from 1978-11 until 1978-12)
string quartet:
Amadeus Quartet (from 1978-11 until 1978-12)
viola:
Peter Schidlof (violist) (from 1978-11 until 1978-12)
violin [violin I]:
Norbert Brainin (violinist) (from 1978-11 until 1978-12)
violin [violin II]:
Siegmund Nissel (violinist) (from 1978-11 until 1978-12)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1978-11 until 1978-12)
recording of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider": II. Largo assai (from 1978-11 until 1978-12)
composer:
Joseph Haydn (composer)
part of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider"
Joseph Haydn7:15
7String Quartet in G minor “The Rider”, op. 74 no. 3 (Hob. III:74): III. Menuetto. Allegretto. Trio
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (from 1978-11 until 1978-12)
string quartet:
Amadeus Quartet (from 1978-11 until 1978-12)
viola:
Peter Schidlof (violist) (from 1978-11 until 1978-12)
violin [violin I]:
Norbert Brainin (violinist) (from 1978-11 until 1978-12)
violin [violin II]:
Siegmund Nissel (violinist) (from 1978-11 until 1978-12)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1978-11 until 1978-12)
recording of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider": III. Menuet. Allegretto (from 1978-11 until 1978-12)
composer:
Joseph Haydn (composer)
part of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider"
Joseph Haydn3:28
8String Quartet in G minor “The Rider”, op. 74 no. 3 (Hob. III:74): IV. Finale. Allegro con brio
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (from 1978-11 until 1978-12)
string quartet:
Amadeus Quartet (from 1978-11 until 1978-12)
viola:
Peter Schidlof (violist) (from 1978-11 until 1978-12)
violin [violin I]:
Norbert Brainin (violinist) (from 1978-11 until 1978-12)
violin [violin II]:
Siegmund Nissel (violinist) (from 1978-11 until 1978-12)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1978-11 until 1978-12)
recording of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider": IV. Finale. Allegro con brio (from 1978-11 until 1978-12)
composer:
Joseph Haydn (composer)
part of:
String Quartet in G minor, op. 74 no. 3, Hob. III:74 "The Rider"
Joseph Haydn5:43
9String Quartet in C major “Emperor”, op. 76 no. 3 (Hob. III:77): I. Allegro
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-09)
string quartet:
Amadeus Quartet (in 1963-09)
viola:
Peter Schidlof (violist) (in 1963-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-09)
violin [violin II]:
Siegmund Nissel (violinist) (in 1963-09)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: I. Allegro (in 1963-09)
composer:
Joseph Haydn (composer)
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn5:04
10String Quartet in C major “Emperor”, op. 76 no. 3 (Hob. III:77): II. Poco adagio. Cantabile. Var. I–IV
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-09)
string quartet:
Amadeus Quartet (in 1963-09)
viola:
Peter Schidlof (violist) (in 1963-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-09)
violin [violin II]:
Siegmund Nissel (violinist) (in 1963-09)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile (in 1963-09)
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn7:33
11String Quartet in C major “Emperor”, op. 76 no. 3 (Hob. III:77): III. Menuetto. Allegro
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-09)
string quartet:
Amadeus Quartet (in 1963-09)
viola:
Peter Schidlof (violist) (in 1963-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-09)
violin [violin II]:
Siegmund Nissel (violinist) (in 1963-09)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: III. Menuetto e Trio (in 1963-09)
composer:
Joseph Haydn (composer)
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn4:36
12String Quartet in C major “Emperor”, op. 76 no. 3 (Hob. III:77): IV. Finale. Presto
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-09)
string quartet:
Amadeus Quartet (in 1963-09)
viola:
Peter Schidlof (violist) (in 1963-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-09)
violin [violin II]:
Siegmund Nissel (violinist) (in 1963-09)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: IV. Finale. Presto (in 1963-09)
composer:
Joseph Haydn (composer)
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn3:59
3▼Digital Media: Haydn: The Creation (highlights)
#TitleArtistRatingLength
1Die Schöpfung Hob. XXI:2: Erster Teil. Ia. Einleitung. Die Vorstellung des Chaos (Largo)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn7:05
2Die Schöpfung Hob. XXI:2: Erster Teil. Ib. Rezitativ mit Chor: Im Anfange schuf Gott Himmel und Erde
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:58
3Die Schöpfung Hob. XXI:2: Erster Teil. II. Arie mit Chor: Nun schwanden vor dem heiligen Strahle
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:02
4Die Schöpfung Hob. XXI:2: Erster Teil. VI. Arie: Rollend in schäumenden Wellen
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:14
5Die Schöpfung Hob. XXI:2: Erster Teil. VIII. Arie: Nun beut die Flur das frische Grün
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn5:37
6Die Schöpfung Hob. XXI:2: Erster Teil. XII. Rezitativ: Im vollen Glanze steiget jetzt
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:56
7Die Schöpfung Hob. XXI:2: Erster Teil. XIII. Chor mit Soli: Die Himmel erzählen die Ehre Gottes
producer:
Hans Weber (producer/engineer)
instruments:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
bass vocals [Raphael]:
Walter Berry (bass-baritone) (from 1966-02-22 until 1969-04-29)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (from 1966-02-22 until 1969-04-29)
soprano vocals [Gabriel]:
Gundula Janowitz (soprano) (from 1966-02-22 until 1969-04-29)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor) (from 1966-02-22 until 1969-04-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:01
8Die Schöpfung Hob. XXI:2: Zweiter Teil. XVIII. Terzett: in holder Anmut stehn / XIX. Chor mit Soli Der Herr ist groß in seiner Macht
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn7:38
9Die Schöpfung Hob. XXI:2: Zweiter Teil. XXI. Rezitativ: “Gleich öffnet sich der Erde Schoß” (Raphael)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:02
10Die Schöpfung Hob. XXI:2: Zweiter Teil. XXII. Arie: “Nun scheint in vollem Glanze der Himmel” (Raphael)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXII. Arie: Nun scheint in vollem Glanze der Himmel (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:45
11Die Schöpfung Hob. XXI:2: Zweiter Teil. XXIV. Arie: Mit Würd’ und Hoheit angetan
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:58
12Die Schöpfung Hob. XXI:2: Zweiter Teil. XXVI. Chor: Vollendet ist das große Werk – 27. Terzett: Zu dir, o Herr – 28. Chor: Vollendet ist das große Werk
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn9:06
13Die Schöpfung Hob. XXI:2: Dritter Teil. XXXII. Duett: Holde Gattin, dir zur Seite – Der tauende Morgen
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXX. Duett: Holde Gattin, dir zur Seite (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn7:07
14Die Schöpfung Hob. XXI:2: Dritter Teil. XXXIV. Schlußchor mit Soli: Singt dem Herren alle Stimmen
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXII. Chor: Singt dem Herren alle Stimmen (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn4:02
4▼Digital Media: Mozart: Eine kleine Nachtmusik / Symphonies nos. 40 & 41 “Jupiter”
#TitleArtistRatingLength
1Serenade in G “Eine kleine Nachtmusik”, K 525: I. Allegro
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1974-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:15
2Serenade in G “Eine kleine Nachtmusik”, K 525: II. Romance. Andante
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (in 1974-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:57
3Serenade in G “Eine kleine Nachtmusik”, K 525: III. Menuetto. Allegretto
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (in 1974-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:23
4Serenade in G “Eine kleine Nachtmusik”, K 525: IV. Rondo. Allegro
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (in 1974-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart4:52
5Symphony no. 40 in G minor, K 550: I. Molto allegro
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-12)
conductor:
Karl Böhm (Austrian conductor) (in 1961-12)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 1961-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:27
6Symphony no. 40 in G minor, K 550: II. Andante
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-12)
conductor:
Karl Böhm (Austrian conductor) (in 1961-12)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version) (in 1961-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:05
7Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto – Trio
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-12)
conductor:
Karl Böhm (Austrian conductor) (in 1961-12)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version) (in 1961-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart4:46
8Symphony no. 40 in G minor, K 550: IV. Finale. Allegro assai
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-12)
conductor:
Karl Böhm (Austrian conductor) (in 1961-12)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version) (in 1961-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart5:03
9Symphony no. 41 in C major “Jupiter”, K 551: I. Allegro vivace
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-03)
conductor:
Karl Böhm (Austrian conductor) (in 1962-03)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-03)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace (in 1962-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart7:38
10Symphony no. 41 in C major “Jupiter”, K 551: II. Andante cantabile
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-03)
conductor:
Karl Böhm (Austrian conductor) (in 1962-03)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-03)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile (in 1962-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart7:39
11Symphony no. 41 in C major “Jupiter”, K 551: III. Menuetto. Allegretto
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-03)
conductor:
Karl Böhm (Austrian conductor) (in 1962-03)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-03)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (in 1962-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart5:23
12Symphony no. 41 in C major “Jupiter”, K 551: IV. Molto allegro
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-03)
conductor:
Karl Böhm (Austrian conductor) (in 1962-03)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-03)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro (in 1962-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart6:28
5▼Digital Media: Mozart: Piano Concertos nos. 20 & 21 / Fantasia in D minor
#TitleArtistRatingLength
1Piano Concerto no. 20 in D minor, K 466: I. Allegro
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
piano:
Géza Anda (Geza Anda, pianist) (in 1964-03)
orchestra:
Camerata Salzburg (Austrian chamber orchestra) (in 1964-03)
conductor:
Géza Anda (Geza Anda, pianist) (in 1964-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (in 1964-03)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro (in 1964-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart13:30
2Piano Concerto no. 20 in D minor, K 466: II. Romance
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
piano:
Géza Anda (Geza Anda, pianist) (in 1964-03)
orchestra:
Camerata Salzburg (Austrian chamber orchestra) (in 1964-03)
conductor:
Géza Anda (Geza Anda, pianist) (in 1964-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (in 1964-03)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze (in 1964-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart8:00
3Piano Concerto no. 20 in D minor, K 466: III. Rondo. (Allegro assai)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
piano:
Géza Anda (Geza Anda, pianist) (in 1964-03)
orchestra:
Camerata Salzburg (Austrian chamber orchestra) (in 1964-03)
conductor:
Géza Anda (Geza Anda, pianist) (in 1964-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (in 1964-03)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai (in 1964-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart6:22
4Fantasia in D minor, K 397. Andante
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
piano:
Wilhelm Kempff (pianist) (in 1962-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Ufa-Studio in Berlin, Germany (in 1962-01)
recording of:
Fantasia for Piano in D minor, K. 397/385g (in 1962-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: 385g), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: 397), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 397) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 385g)
Wolfgang Amadeus Mozart5:41
5Piano Concerto no. 21 in C major, K 467: I. Allegro maestoso
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart13:53
6Piano Concerto no. 21 in C major, K 467: II. Andante
recording engineer and producer:
Hans Weber (producer/engineer)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:15
7Piano Concerto no. 21 in C major, K 467: III. Allegro vivace assai
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:26
6▼Digital Media: Mozart: Clarinet Quintet / String Quintet no. 4
#TitleArtistRatingLength
1Clarinet Quintet in A major, K 581: I. Allegro
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1975-12)
clarinet:
Gervase de Peyer (clarinetist) (in 1975-12)
string quartet:
Amadeus Quartet (in 1975-12)
viola:
Peter Schidlof (violist) (in 1975-12)
violin [violin I]:
Norbert Brainin (violinist) (in 1975-12)
violin [violin II]:
Siegmund Nissel (violinist) (in 1975-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-12)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro (in 1975-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart9:18
2Clarinet Quintet in A major, K 581: II. Larghetto
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1975-12)
clarinet:
Gervase de Peyer (clarinetist) (in 1975-12)
string quartet:
Amadeus Quartet (in 1975-12)
viola:
Peter Schidlof (violist) (in 1975-12)
violin [violin I]:
Norbert Brainin (violinist) (in 1975-12)
violin [violin II]:
Siegmund Nissel (violinist) (in 1975-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-12)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto (in 1975-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart7:10
3Clarinet Quintet in A major, K 581: II. Minuetto. Trio I – Trio II
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1975-12)
clarinet:
Gervase de Peyer (clarinetist) (in 1975-12)
string quartet:
Amadeus Quartet (in 1975-12)
viola:
Peter Schidlof (violist) (in 1975-12)
violin [violin I]:
Norbert Brainin (violinist) (in 1975-12)
violin [violin II]:
Siegmund Nissel (violinist) (in 1975-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-12)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": III. Minuetto (in 1975-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart7:06
4Clarinet Quintet in A major, K 581: IV. Allegretto con Variazioni. I–IV – Adagio – Allegro
recording engineer:
Wolfgang Mitlehner
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (in 1975-12)
clarinet:
Gervase de Peyer (clarinetist) (in 1975-12)
string quartet:
Amadeus Quartet (in 1975-12)
viola:
Peter Schidlof (violist) (in 1975-12)
violin [violin I]:
Norbert Brainin (violinist) (in 1975-12)
violin [violin II]:
Siegmund Nissel (violinist) (in 1975-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1975-12)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": IV. Allegretto con variazioni (in 1975-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart9:26
5String Quintet no. 4 in G minor, K 516: 1. Allegro
producer:
Werner Mayer (classical producer)
cello:
Martin Lovett (cellist) (in 1969-09)
string quartet:
Amadeus Quartet (in 1969-09)
viola [viola I]:
Peter Schidlof (violist) (in 1969-09)
viola [viola II]:
Cecil Aronowitz (viola player) (in 1969-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1969-09)
violin [violin II]:
Siegmund Nissel (violinist) (in 1969-09)
balance engineer:
Hans‐Peter Schweigmann (in 1969-09)
recorded at:
St.-Michaels-Heim in Berlin, Germany (in 1969-09)
recording of:
String Quintet no. 4 in G minor, K. 516: I. Allegro (in 1969-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
String Quintet no. 4 in G minor, K. 516
Wolfgang Amadeus Mozart10:17
6String Quintet no. 4 in G minor, K 516: 2. Minuetto. Allegretto
producer:
Werner Mayer (classical producer)
cello:
Martin Lovett (cellist) (in 1969-09)
string quartet:
Amadeus Quartet (in 1969-09)
viola [viola I]:
Peter Schidlof (violist) (in 1969-09)
viola [viola II]:
Cecil Aronowitz (viola player) (in 1969-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1969-09)
violin [violin II]:
Siegmund Nissel (violinist) (in 1969-09)
balance engineer:
Hans‐Peter Schweigmann (in 1969-09)
recorded at:
St.-Michaels-Heim in Berlin, Germany (in 1969-09)
recording of:
String Quintet no. 4 in G minor, K. 516: II. Minuetto. Allegretto & Trio (in 1969-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
String Quintet no. 4 in G minor, K. 516
Wolfgang Amadeus Mozart5:12
7String Quintet no. 4 in G minor, K 516: 3. Adagio ma non troppo
producer:
Werner Mayer (classical producer)
cello:
Martin Lovett (cellist) (in 1969-09)
string quartet:
Amadeus Quartet (in 1969-09)
viola [viola I]:
Peter Schidlof (violist) (in 1969-09)
viola [viola II]:
Cecil Aronowitz (viola player) (in 1969-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1969-09)
violin [violin II]:
Siegmund Nissel (violinist) (in 1969-09)
balance engineer:
Hans‐Peter Schweigmann (in 1969-09)
recorded at:
St.-Michaels-Heim in Berlin, Germany (in 1969-09)
recording of:
String Quintet no. 4 in G minor, K. 516: III. Adagio ma non troppo (in 1969-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
String Quintet no. 4 in G minor, K. 516
Wolfgang Amadeus Mozart8:42
8String Quintet no. 4 in G minor, K 516: 4. Adagio – Allegro
producer:
Werner Mayer (classical producer)
cello:
Martin Lovett (cellist) (in 1969-09)
string quartet:
Amadeus Quartet (in 1969-09)
viola [viola I]:
Peter Schidlof (violist) (in 1969-09)
viola [viola II]:
Cecil Aronowitz (viola player) (in 1969-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1969-09)
violin [violin II]:
Siegmund Nissel (violinist) (in 1969-09)
balance engineer:
Hans‐Peter Schweigmann (in 1969-09)
recorded at:
St.-Michaels-Heim in Berlin, Germany (in 1969-09)
recording of:
String Quintet no. 4 in G minor, K. 516: IV. Adagio - Allegro (in 1969-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
String Quintet no. 4 in G minor, K. 516
Wolfgang Amadeus Mozart10:16
7▼Digital Media: Mozart: Le nozze di Figaro (highlights)
#TitleArtistRatingLength
1Le nozze di Figaro, K 492: Overture
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:16
2Le nozze di Figaro, K 492, Act I: “Se a caso Madama la notte ti chiama”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:36
3Le nozze di Figaro, K 492, Act I: “Se vuol ballare, signor Contino”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:34
4Le nozze di Figaro, K 492, Act I: “La vendetta, oh, la vendetta”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:08
5Le nozze di Figaro, K 492, Act I: “Non so più cosa son, cosa faccio”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:14
6Le nozze di Figaro, K 492, Act I: “Non più andrai”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Figaro] and bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:42
7Le nozze di Figaro, K 492, Act II: “Porgi amor”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:15
8Le nozze di Figaro, K 492, Act II: “Voi che sapete”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:03
9Le nozze di Figaro, K 492, Act II: “Venite… inginocchiatevi…”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1968-03)
soprano vocals and soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:14
10Le nozze di Figaro, K 492, Act III: “Vedro mentr’io sospiro”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva] and bass vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:32
11Le nozze di Figaro, K 492, Act III: “E Susanna non vien!”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:45
12Le nozze di Figaro, K 492, Act III: “Dove sono i bei momenti”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:58
13Le nozze di Figaro, K 492, Act III: “Che soave zeffiretto”
engineer:
Michael Farrow
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Carter Burwell (American score composer) and Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
orchestrator:
Carter Burwell (American score composer)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull'aria) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:31
14Le nozze di Figaro, K 492, Act IV: “L’ho perduta… me meschina!”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:39
15Le nozze di Figaro, K 492, Act IV: “Aprite un po’ quegli occhi”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
edit of:
Le nozze di Figaro: Tutto è disposto / Aprite un po’ quegli occhi by Hermann Prey (baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Karl Böhm (Austrian conductor)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart2:37
16Le nozze di Figaro, K 492, Act IV: “Giunse alfin il momento”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:22
17Le nozze di Figaro, K 492, Act IV: “Deh vieni, non tardar”
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:09
18Le nozze di Figaro, K 492, Act IV: “Gente, gente, all’armi”
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Antonio]:
Klaus Hirte (baritone) (in 1968-03)
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
bass vocals [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
soprano vocals [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
tenor vocals [Basilio]:
Erwin Wohlfahrt (tenor) (in 1968-03)
tenor vocals [Don Curzio]:
Martin Vantin (tenor) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:07
8▶Digital Media: Mozart: Requiem / Laudate Dominum / Exsultate, jubilate
9▶Digital Media: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
10▶Digital Media: Beethoven: Symphony no. 9 “Choral”
11▶Digital Media: Beethoven: Piano Concerto nos. 4 & 5
12▶Digital Media: Beethoven: “Kreutzer” Sonata / String Quartet “Rasumovsky”
13▶Digital Media: Beethoven: Piano Sonatas no. 8 “Pathétique”, no. 23 “Appassionata” & no. 31
14▶Digital Media: Weber: Der Freischütz (highlights)
15▶Digital Media: Rossini: Il barbiere di Siviglia (highlights)
16▶Digital Media: Schubert: Symphonies no. 8 “Unfinished” & no. 9 “The Great”
17▶Digital Media: Schubert: “Trout” Quintet / “Death and the Maiden” Quartet
18▶Digital Media: Schubert: Piano Music
19▶Digital Media: Schubert: Winterreise
20▶Digital Media: Paganini: Violin Concerto no. 1 / Caprices

Credits

Release group

includes:Clarinet Quintet in A major / String Quintet in G minor by Mozart (Wolfgang Amadeus Mozart, classical composer); Amadeus Quartet, Gervase de Peyer (clarinetist), Cecil Aronowitz (viola player)
Der Freischütz (1973 studio cast) by Carl Maria von Weber (composer); Gundula Janowitz (soprano), Edith Mathis (soprano), Peter Schreier (German tenor and conductor), Theo Adam (German classical bass-baritone), Staatskapelle Dresden (Dresden Symphonic Orchestra), Carlos Kleiber (conductor)
Die Schöpfung (Auszüge) by Haydn (composer); Gundula Janowitz (soprano), Fritz Wunderlich (operatic tenor), Werner Krenn (tenor), Dietrich Fischer‐Dieskau (baritone), Walter Berry (bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Eine kleine Nachtmusik / Symphonien nr. 40 & 41 “Jupiter” by Mozart (Wolfgang Amadeus Mozart, classical composer); Wiener Philharmoniker (Vienna Philharmonic), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Karl Böhm (Austrian conductor)
Forellen‐Quintett / Der Tod und das Mädchen by Franz Schubert (composer); Christoph Eschenbach (pianist and conductor), Koeckert-Quartett, Amadeus Quartet
Il barbiere di Siviglia (London, 1971) by Gioachino Rossini (composer); Hermann Prey (baritone), Teresa Berganza (mezzo-soprano), Luigi Alva (tenor), Enzo Dara (operatic bass), Paolo Montarsolo (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor)
Kaiserquartett / Lerchenquartett / Reiterquartett by Joseph Haydn (composer); Amadeus Quartet
Klaviersonate, D 960 / 3 impromptus / 2 moments musicaux by Franz Schubert (composer); Wilhelm Kempff (pianist)
Piano Concertos nos. 20 & 21 / Fantasia in D minor by Mozart (Wolfgang Amadeus Mozart, classical composer); Camerata Academica of the Salzburg Mozarteum (Austrian chamber orchestra), Géza Anda (Geza Anda, pianist), Wilhelm Kempff (pianist)
Piano Sonatas no. 8 “Pathétique” / No. 23 “Appassionata” / no. 31, op. 110 by Beethoven (Ludwig van Beethoven, German composer); Emil Gilels (pianist)
Requiem / Laudate Dominum / Exsultate, jubilate by Mozart (Wolfgang Amadeus Mozart, classical composer); Berlin Philharmonic (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Symphonie no. 9 by Beethoven (Ludwig van Beethoven, German composer); Gwyneth Jones (soprano), Hanna Schwarz (mezzo soprano), René Kollo (tenor), Kurt Moll (operatic bass), René Kollo (tenor), Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein
Symphonie nr. 8 „Unvollendete“ / Symphonie nr. 9 by Franz Schubert (composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Karl Böhm (Austrian conductor)
Symphonies nos. 5 & 6 by Beethoven (Ludwig van Beethoven, German composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
The Marriage of Figaro (highlights) by Mozart (Wolfgang Amadeus Mozart, classical composer); Gundula Janowitz (soprano), Edith Mathis (soprano), Hermann Prey (baritone), Dietrich Fischer‐Dieskau (baritone), Chor (Chorus of the German Opera Berlin) und Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Karl Böhm (Austrian conductor)
Violin Concerto no. 1 / 10 Capricci by Niccolò Paganini (composer and violinist); Salvatore Accardo (violinist and conductor), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Charles Dutoit (conductor)
Winterreise by Franz Schubert (composer); Dietrich Fischer‐Dieskau (baritone), Daniel Barenboim (pianist and conductor)
part of:The History of Classical Music: From Gregorian Chant to Górecki (order: 2)