Strong Before Our Birth

~ Release by The Beatles (see all versions of this release, 1 available)

Tracklist

| |
1▼Digital Media
#TitleRatingLength
1Puttin’ on the Style (‘The Day John Met Paul’ + Puttin’ on the Style + Unbooted)
banjo:
Rod Davis (member of The Quarrymen) (on 1957-07-06)
guitar:
Eric Griffiths (member of The Quarrymen) (on 1957-07-06) and John Lennon (The Beatles) (on 1957-07-06)
washboard:
Peter Shotton (member of The Quarrymen) (on 1957-07-06)
washtub bass:
Len Garry (member of The Quarrymen) (on 1957-07-06)
lead vocals:
John Lennon (The Beatles) (on 1957-07-06)
recorded at:
St Peter's Church (Liverpool) in Liverpool, Merseyside, England, United Kingdom (on 1957-07-06)
recording of:
Puttin’ on the Style (on 1957-07-06)
composer:
[traditional] (special purpose artist)
?:??
2Baby, Let’s Play House (‘The Day John Met Paul’)
banjo:
Rod Davis (member of The Quarrymen) (on 1957-07-06)
guitar:
Eric Griffiths (member of The Quarrymen) (on 1957-07-06) and John Lennon (The Beatles) (on 1957-07-06)
washboard:
Peter Shotton (member of The Quarrymen) (on 1957-07-06)
washtub bass:
Len Garry (member of The Quarrymen) (on 1957-07-06)
lead vocals:
John Lennon (The Beatles) (on 1957-07-06)
recorded at:
St Peter's Church (Liverpool) in Liverpool, Merseyside, England, United Kingdom (on 1957-07-06)
cover recording of:
Baby Let’s Play House (on 1957-07-06)
lyricist and composer:
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. and LPGV Music (BMI)
?:??
3That’ll Be the Day (Anthology DVD + Anthology 1)
engineer:
Percy Phillips
drums (drum set):
Colin Hanton (drummer in The Quarrymen) (on 1958-07-12)
guitar:
George Harrison (The Beatles) (on 1958-07-12), John Lennon (The Beatles) (on 1958-07-12) and Paul McCartney (The Beatles) (on 1958-07-12)
piano:
John "Duff" Lowe (member of The Quarrymen) (on 1958-07-12)
background vocals:
Paul McCartney (The Beatles) (on 1958-07-12)
lead vocals:
John Lennon (The Beatles) (on 1958-07-12)
recorded at:
Phillips Sound Recording Service in Liverpool, Merseyside, England, United Kingdom (on 1958-07-12)
cover recording of:
That’ll Be the Day (on 1958-07-12)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
?:??
4In Spite of All the Danger (Anthology DVD + Anthology 1)
engineer:
Percy Phillips
drums (drum set):
Colin Hanton (drummer in The Quarrymen) (on 1958-07-12)
guitar:
George Harrison (The Beatles) (on 1958-07-12), John Lennon (The Beatles) (on 1958-07-12) and Paul McCartney (The Beatles) (on 1958-07-12)
piano:
John "Duff" Lowe (member of The Quarrymen) (on 1958-07-12)
background vocals:
George Harrison (The Beatles) (on 1958-07-12) and Paul McCartney (The Beatles) (on 1958-07-12)
lead vocals:
John Lennon (The Beatles) (on 1958-07-12)
recorded at:
Phillips Sound Recording Service in Liverpool, Merseyside, England, United Kingdom (on 1958-07-12)
recording of:
In Spite of All the Danger (on 1958-07-12)
writer:
George Harrison (The Beatles) and Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
?:??
5Instrumental #1 (Wildcat)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
?:??
6Instrumental #2 (Wildcat + The B‐K Tapes + Wildcat)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
?:??
7“Turn the Mixers Off” (Wildcat)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
?:??
8Cayenne (You Might as Well Call Us the Quarrymen + the Braun‐Kirchherr Tapes)
bass:
Stuart Sutcliffe (in 1960)
guitar:
George Harrison (The Beatles) (in 1960), John Lennon (The Beatles) (in 1960) and Paul McCartney (The Beatles) (in 1960-04)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
recording of:
Cayenne (in 1960)
composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
?:??
9“An Important Number” (Wildcat)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
?:??
10“I Don’t Need No Cigarette, Boy” (Wildcat)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
?:??
11Well Darling (The Braun‐Kirchherr Tapes + You Might as Well Call Us the Quarrymen + the Braun‐Kirchherr Tapes)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
recording of:
Well Darling (in 1960)
writer:
Paul McCartney (The Beatles)
?:??
12“I Don’t Know” (Wildcat)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
?:??
13Cayenne (Anthology 1 edit)
electric bass guitar:
Stuart Sutcliffe (in 1960)
electric guitar:
George Harrison (The Beatles) (in 1960), John Lennon (The Beatles) (in 1960) and Paul McCartney (The Beatles) (in 1960)
phonographic copyright (℗) by:
Paul McCartney (The Beatles) (in 1995)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
recording of:
Cayenne (in 1960)
composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
2.5?:??
14Hallelujah, I Love Her So (Anthology 1 edit)
electric bass guitar:
Stuart Sutcliffe (in 1960)
electric guitar:
George Harrison (The Beatles) (in 1960), John Lennon (The Beatles) (in 1960) and Paul McCartney (The Beatles) (in 1960)
lead vocals:
Paul McCartney (The Beatles) (in 1960)
phonographic copyright (℗) by:
Paul McCartney (The Beatles) (in 1995)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
cover recording of:
Hallelujah, I Love Her So (in 1960)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music and Unichappell Music, Inc.
2?:??
15You’ll Be Mine (Anthology 1 edit)
electric bass guitar:
Stuart Sutcliffe (in 1960)
electric guitar:
George Harrison (The Beatles) (in 1960), John Lennon (The Beatles) (in 1960) and Paul McCartney (The Beatles) (in 1960)
background vocals and spoken vocals:
John Lennon (The Beatles) (in 1960)
lead vocals:
John Lennon (The Beatles) (in 1960) and Paul McCartney (The Beatles) (in 1960)
phonographic copyright (℗) by:
Paul McCartney (The Beatles) (in 1995)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
recording of:
You'll Be Mine (in 1960)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
2.25?:??
16In Spite of All the Danger (original length – created from Anthology 1)
engineer:
Percy Phillips
drums (drum set):
Colin Hanton (drummer in The Quarrymen) (on 1958-07-12)
guitar:
George Harrison (The Beatles) (on 1958-07-12), John Lennon (The Beatles) (on 1958-07-12) and Paul McCartney (The Beatles) (on 1958-07-12)
piano:
John "Duff" Lowe (member of The Quarrymen) (on 1958-07-12)
background vocals:
George Harrison (The Beatles) (on 1958-07-12) and Paul McCartney (The Beatles) (on 1958-07-12)
lead vocals:
John Lennon (The Beatles) (on 1958-07-12)
recorded at:
Phillips Sound Recording Service in Liverpool, Merseyside, England, United Kingdom (on 1958-07-12)
recording of:
In Spite of All the Danger (on 1958-07-12)
writer:
George Harrison (The Beatles) and Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
?:??
2▼Digital Media
#TitleRatingLength
1Hallelujah, I Love Her So (rehearsal) (The Braun‐Kirchherr Tapes)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
cover recording of:
Hallelujah, I Love Her So (in 1960)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music and Unichappell Music, Inc.
?:??
2Hallelujah, I Love Her So (BK Tapes + Wildcat + YMAWCUTQ + BK Tapes)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
cover recording of:
Hallelujah, I Love Her So (in 1960)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music and Unichappell Music, Inc.
?:??
3One After 909 (#1) (YMAWCUTQ + John, Paul, George and Stu)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
recording of:
One After 909 (in 1960)
writer:
John Lennon (The Beatles) (in 1957) and Paul McCartney (The Beatles) (in 1957)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
?:??
4Movin’ and Groovin’ (The Braun‐Kirchherr Tapes + YMAWCUTQ)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
cover recording of:
Moovin' 'n' Groovin' (in 1960)
composer:
Duane Eddy and Lee Hazlewood
?:??
5Ramrod (YMAWCUTQ + Wildcat)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
cover recording of:
Ramrod (in 1960)
composer:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician)
?:??
6Instrumental #3 (Wildcat)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
?:??
7You’ll Be Mine (YMAWCUTQ + Wildcat)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
recording of:
You'll Be Mine (in 1960)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
?:??
8Unknown Song (Unbooted + YMAWCUTQ)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
?:??
9Matchbox (You Might as Well Call Us the Quarrymen)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
cover recording of:
Matchbox (in 1960)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music and Wren Music Co.
version of:
Match Box Blues
?:??
10I Will Always Be in Love With You (YMAWCUTQ + Unbooted)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
cover recording of:
I’ll Always Be in Love With You (in 1960)
lyricist:
Bud Green (until 1929)
composer:
Herman Ruby (until 1929) and Sam H. Stept (until 1929)
?:??
11The World Is Waiting for the Sunrise (Wildcat)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
cover recording of:
The World Is Waiting for the Sunrise (in 1960)
lyricist:
Gene Lockhart (in 1918)
composer:
Raymond Roberts (in 1918)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Chappell Music Ltd. (on 1919-01-24)
?:??
12That’s When Your Heartaches Begin (YMAWCUTQ)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
cover recording of:
That’s When Your Heartaches Begin (in 1960)
writer:
Fred Fisher, Billy Hill (US songwriter) and William Raskin
publisher:
Fred Fisher Music Co., Inc. and Sony/ATV Tunes LLC (ASCAP)
?:??
13“That’s the End” (Wildcat)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
?:??
14Wild Cat (#1) (Wildcat)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
cover recording of:
Wild Cat (in 1960)
writer:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
?:??
15One After 909 (#2) (YMAWCUTQ + The Braun‐Kirchherr Tapes)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
recording of:
One After 909 (in 1960)
writer:
John Lennon (The Beatles) (in 1957) and Paul McCartney (The Beatles) (in 1957)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
?:??
16Some Days (Unbooted + YMAWCUTQ)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
?:??
17You Must Write Everyday (You Might as Well Call Us the Quarrymen)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
?:??
18John Speaking (The Braun‐Kirchherr Tapes)
spoken vocals:
John Lennon (The Beatles) (in 1960)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
?:??
19I’ll Follow the Sun (Unbooted + YMAWCUTQ)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
recording of:
I’ll Follow the Sun (in 1960)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI (EMI Records, or EMI Music only if there is no other imprint), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
?:??
20Hello Little Girl (The Braun‐Kirchherr Tapes + YMAWCUTQ)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
recording of:
Hello Little Girl (in 1960)
writer:
John Lennon (The Beatles) (in 1957) and Paul McCartney (The Beatles) (in 1957)
publisher:
Northern Songs
?:??
21Wild Cat (#2) (YMAWCUTQ + The Braun‐Kirchherr Tapes)
recorded at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1960)
cover recording of:
Wild Cat (in 1960)
writer:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
?:??
22Some Other Guy (Can You Hear Me?)
drums (drum set):
Ringo Starr (The Beatles) (on 1962-08-22)
electric bass guitar:
Paul McCartney (The Beatles) (on 1962-08-22)
guitar:
George Harrison (The Beatles) (on 1962-08-22) and John Lennon (The Beatles) (on 1962-08-22)
lead vocals:
John Lennon (The Beatles) (on 1962-08-22) and Paul McCartney (The Beatles) (on 1962-08-22)
recorded at:
Cavern Club in Liverpool, Merseyside, England, United Kingdom (on 1962-08-22)
live cover recording of:
Some Other Guy (on 1962-08-22)
writer:
Richard Barrett (US soul producer/singer), Jerry Leiber and Mike Stoller
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC and Trio Music Co. Ltd.
?:??
23Some Other Guy (Can You Hear Me?)
recorded at:
Cavern Club in Liverpool, Merseyside, England, United Kingdom (on 1962-09-05)
live cover recording of:
Some Other Guy (on 1962-09-05)
writer:
Richard Barrett (US soul producer/singer), Jerry Leiber and Mike Stoller
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC and Trio Music Co. Ltd.
?:??
24Kansas City (Created From Anthology DVD)
recorded at:
Cavern Club in Liverpool, Merseyside, England, United Kingdom (on 1962-09-05)
live cover recording of:
Kansas City Hey Hey Hey (on 1962-09-05)
additional lyricist and additional composer:
Richard Wayne Penniman (in 1955-11)
lyricist:
Jerry Leiber (in 1952)
composer:
Mike Stoller (in 1952)
publisher:
Halnat Publishing Co. and Sony/ATV Songs LLC
medley of:
Hey-Hey-Hey-Hey! (Going Back to Birmingham)
medley of:
Kansas City (aka “K.C. Loving”)
version of:
Kansas City (aka “K.C. Loving”)
?:??
25I Saw Her Standing There (UC Vol. 1 + The Cavern Tapes Circa 1962)
recorded at:
Cavern Club in Liverpool, Merseyside, England, United Kingdom (in 1962-10)
live recording of:
I Saw Her Standing There (in 1962-10)
writer:
John Lennon (The Beatles) (in 1963-02) and Paul McCartney (The Beatles) (in 1963-02)
publisher:
George Pincus & Sons Music Corp., Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Gil Music Corporation (in 1963)
?:??
26One After 909 (Cavern Tapes + UC1 + Cavern Tapes)
recorded at:
Cavern Club in Liverpool, Merseyside, England, United Kingdom (in 1962-10)
live recording of:
One After 909 (in 1962-10)
writer:
John Lennon (The Beatles) (in 1957) and Paul McCartney (The Beatles) (in 1957)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
?:??
27One After 909 (Ultimate Collection Vol. 1 + Cavern Tapes + UC1)
recorded at:
Cavern Club in Liverpool, Merseyside, England, United Kingdom (in 1962-10)
live recording of:
One After 909 (in 1962-10)
writer:
John Lennon (The Beatles) (in 1957) and Paul McCartney (The Beatles) (in 1957)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
?:??
28Catswalk (Ultimate Collection Vol. 1 + Cavern Tapes + UC1)
recorded at:
Cavern Club in Liverpool, Merseyside, England, United Kingdom (in 1962-10)
live recording of:
Cat Call (in 1962-10)
composer:
Paul McCartney (The Beatles)
?:??
29Catswalk (Ultimate Collection Vol. 1 + Cavern Tapes)
recorded at:
Cavern Club in Liverpool, Merseyside, England, United Kingdom (in 1962-10)
live recording of:
Cat Call (in 1962-10)
composer:
Paul McCartney (The Beatles)
?:??
30Interview (Yesterday Medley)
spoken vocals:
George Harrison (The Beatles) (on 1962-10-27), John Lennon (The Beatles) (on 1962-10-27), Monty Lister (on 1962-10-27), Paul McCartney (The Beatles) (on 1962-10-27), Peter Smethurst (on 1962-10-27), Ringo Starr (The Beatles) (on 1962-10-27) and Malcolm Threadgill (on 1962-10-27)
recorded at:
Hulme Hall in Wirral, Merseyside, England, United Kingdom (on 1962-10-27)
?:??
31Some Other Guy – Alt. Intro (Anthology DVD)
bass:
Paul McCartney (The Beatles) (on 1962-08-22)
drums (drum set):
Ringo Starr (The Beatles) (on 1962-08-22)
guitar:
George Harrison (The Beatles) (on 1962-08-22) and John Lennon (The Beatles) (on 1962-08-22)
lead vocals:
John Lennon (The Beatles) (on 1962-08-22) and Paul McCartney (The Beatles) (on 1962-08-22)
recorded at:
Cavern Club in Liverpool, Merseyside, England, United Kingdom (on 1962-08-22)
recording of:
Some Other Guy (in 1960)
writer:
Richard Barrett (US soul producer/singer), Jerry Leiber and Mike Stoller
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC and Trio Music Co. Ltd.
?:??