The Collection

~ Release by The Clash (see all versions of this release, 1 available)

Tracklist

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1▼CD: The Clash (US version)
#TitleRatingLength
1Clash City Rockers
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Clash City Rockers
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.53:57
2I’m So Bored With the U.S.A.
producer:
Mickey Foote
recording of:
I’m So Bored With the U.S.A.
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.752:25
3Remote Control
producer:
Mickey Foote
recording of:
Remote Control
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.53:02
4Complete Control
producer:
Mickey Foote and Lee Perry
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 362)
recording of:
Complete Control
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
43:15
5White Riot
producer:
Mickey Foote
recording of:
White Riot
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
32:00
6(White Man) In Hammersmith Palais
producer:
The Clash (70s–80s British punk rock band)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 340) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 430)
recording of:
(White Man) In Hammersmith Palais
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.44:00
7London’s Burning
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
London’s Burning
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.752:11
8I Fought the Law
producer:
The Clash (70s–80s British punk rock band) and Bill Price (UK producer/engineer)
bass guitar:
Paul Simonon (on 1978-12-28)
drums (drum set):
Topper Headon (on 1978-12-28)
electric guitar:
Mick Jones (The Clash/Big Audio Dynamite) (on 1978-12-28) and Joe Strummer (on 1978-12-28)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
background vocals:
Mick Jones (The Clash/Big Audio Dynamite) (on 1978-12-28) and Paul Simonon (on 1978-12-28)
lead vocals:
Joe Strummer (on 1978-12-28)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1978-12-28)
part of:
New York Post: 100 Greatest Covers (2007) (number: 33) and Indie 88: Top 500 Indie Rock Songs (number: 266)
live cover recording of:
I Fought the Law (on 1978-12-28)
lyricist and composer:
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4.32:39
9Janie Jones
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Janie Jones
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.22:06
10Career Opportunities
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Career Opportunities
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
41:53
11What’s My Name
producer:
Mickey Foote
recording of:
What’s My Name
writer:
Mick Jones (The Clash/Big Audio Dynamite), Keith Levene and Joe Strummer
3.351:41
12Hate & War
producer:
Mickey Foote
recording of:
Hate & War
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.652:06
13Police & Thieves
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
cover recording of:
Police and Thieves
writer:
Junior Murvin and Lee “Scratch” Perry
3.656:00
14Jail Guitar Doors
producer:
Mickey Foote
recording of:
Jail Guitar Doors
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
33:05
15Garageland
producer:
Mickey Foote
recording of:
Garageland
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.353:12
2▼CD: London Calling
#TitleRatingLength
1London Calling
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 15), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 42), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 63), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 143)
recording of:
London Calling (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd., Nineden Music (publisher) and Virgin Music (Publishers) Ltd.
4.13:24
2Brand New Cadillac
engineer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite) and Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03) and 中野サンプラザ (Nakano Sunplaza) in Nakano, Nakano (Nakano-ku), Tokyo, Japan (on 1982-02-01)
cover recording of:
Brand New Cadillac (from 1979-01 until 1979-03)
lyricist and composer:
Vince Taylor (rock and roll singer; The Playboys)
publisher:
Carlin Music Corporation
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
3.552:10
3Jimmy Jazz
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Jimmy Jazz (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
is based on:
The Police Walked in 4 Jazz
3.153:57
4Hateful
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Hateful (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.852:46
5Rudie Can’t Fail
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Rudie Can’t Fail (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.93:32
6Spanish Bombs
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Spanish Bombs (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.653:21
7The Right Profile
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
The Right Profile (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
is based on:
Up‐Toon (instrumental)
2.73:58
8Lost in the Supermarket
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Lost in the Supermarket (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.853:50
9Clampdown
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Clampdown (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
is based on:
Working and Waiting
3.653:52
10The Guns of Brixton
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
The Guns of Brixton (from 1979-01 until 1979-03)
lyricist and composer:
Paul Simonon
publisher:
Nineden Ltd.
is based on:
Paul’s Tune
3.753:14
11Wrong ’Em Boyo
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
cover recording of:
Wrong ’Em Boyo (from 1979-01 until 1979-03)
lyricist and composer:
Clive Alphanso
3.53:13
12Death or Glory
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Death or Glory (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd.
recording of:
Death or Glory
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd.
3.853:57
13Koka Kola
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Koka Kola (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.21:50
14The Card Cheat
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
The Card Cheat (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.23:53
15Lover’s Rock
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Lover’s Rock (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.154:06
16Four Horsemen
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Four Horsemen (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Four Horsemen
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
32:58
17I’m Not Down
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
I’m Not Down (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.353:08
18Revolution Rock
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
cover recording of:
Revolution Rock (from 1979-01 until 1979-03)
writer:
Jackie Edwards and Danny Ray (tenor saxophonist)
3.355:37
19Train in Vain
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set):
Topper Headon
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 213) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 292)
recording of:
Train in Vain (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.153:12
3▼CD: Combat Rock
#TitleRatingLength
1Know Your Rights
mixer:
Glyn Johns
part of:
Fuck tha Police: 20 Songs Against Police Brutality (number: 2)
recording of:
Know Your Rights
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.53:41
2Car Jamming
mixer:
Glyn Johns
recording of:
Car Jamming
writer:
Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
34:00
3Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
4.43:09
4Rock the Casbah
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
music videos:
Rock the Casbah by The Clash (70s–80s British punk rock band)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 58)
recording of:
Rock the Casbah
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.63:43
5Red Angel Dragnet
mixer:
Glyn Johns
spoken vocals:
Kosmo Vinyl
recording of:
Red Angel Dragnet
writer:
Paul Simonon and Joe Strummer
3.253:45
6Straight to Hell
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Straight to Hell
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
3.65:32
7Overpowered by Funk
mixer:
Glyn Johns
keyboard:
Poly Mandell
guest vocals:
Futura 2000
recording of:
Overpowered by Funk
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
34:53
8Atom Tan
mixer:
Glyn Johns
recording of:
Atom Tan
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.252:30
9Sean Flynn
mixer:
Glyn Johns
saxophone:
Gary Barnacle
recording of:
Sean Flynn
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
2.754:32
10Ghetto Defendant
mixer:
Glyn Johns
guest spoken vocals:
Allen Ginsberg (American poet and writer)
recording of:
Ghetto Defendant
writer:
Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
2.354:44
11Inoculated City
recording of:
Inoculated City
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
32:41
12Death Is a Star
mixer:
Glyn Johns
piano:
Tymon Dogg
recording of:
Death Is a Star
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
33:14