The No.1 DJ Collection: 80's, Volume 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Brass in Pocket
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
recording of:
Brass in Pocket
writer:
James Honeyman‐Scott and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music and Modern Music Publishing Co., Inc.
The Pretenders43:05
2Too Much Too Young
recording of:
Too Much Too Young
lyricist and composer:
Jerry Dammers
The Special A.K.A.42:06
3Coward of the County
engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Larry Butler (US country music producer, songwriter & pianist)
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1979) and United Artists (in 1980)
recording of:
Coward of the County (1979 song)
writer:
Roger Bowling and Billy Edd Wheeler
publisher:
Roger Bowling Music and Sleepy Hollow Music Corp.
Kenny Rogers4:21
4Atomic
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
guest background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
part of:
Songs banned by the BBC (number: Gulf War ban)
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc
Blondie43:50
5Together We Are Beautiful
cover recording of:
Together We Are Beautiful (1977 song)
lyricist, writer and composer:
Ken Leray (songwriter)
publisher:
Brampton Music Ltd. (publisher) and Sony/ATV Music Publishing Australia Pty Ltd.
Fern Kinney4:13
6Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer-songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer-songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.252:55
7Working My Way Back to YouThe Spinners54:02
8Call Me
engineer:
Harold Faltermeyer
producer:
Giorgio Moroder
additional synthesizer:
Giorgio Moroder (in 1980-01)
bass guitar [bass]:
Nigel Harrison (in 1980-01)
drums (drum set) [drums]:
Clem Burke (in 1980-01)
electric piano:
Jimmy Destri (in 1980-01)
guitar:
Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
lead vocals:
Debbie Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979) and The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 157)
recording of:
Call Me (in 1980-01)
lyricist:
Deborah Harry
composer:
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:33
9Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:30
10What’s Another Year
vocals:
Johnny Logan (in 1987)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
recording of:
What's Another Year (in 1987)
lyricist and composer:
Shay Healy (Irish songwriter)
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing Germany GmbH (1967–2001) and Melodie der Welt J. Michel KG (German publisher; read annotation)
Johnny Logan2:59
11Theme From M*A*S*H (Suicide Is Painless)
recording of:
Suicide Is Painless
lyricist:
Mike Altman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Johnny Mandel2:56
12Crying
engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Larry Butler (US country music producer, songwriter & pianist)
mixed at and engineered at:
Jack Clement Recording Studio in Nashville, Tennessee, United States
cover recording of:
Crying
lyricist:
Joe Melson (in 1961) and Roy Orbison (in 1961)
composer:
Joe Melson and Roy Orbison
publisher:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd and Acuff-Rose Publications, Inc. (BMI) (on 1961-08-16)
part of:
50/50
Don McLean33:50
13Xanadu
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
acoustic guitar, guitar and synthesizer:
Jeff Lynne (from 1979 until 1980)
bass guitar:
Kelly Groucutt (from 1979 until 1980)
drums (drum set), percussion and timpani:
Bev Bevan (English rock drummer) (from 1979 until 1980)
keyboard, piano and synthesizer:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979 until 1980)
strings:
Louis Clark (from 1979 until 1980)
background vocals:
Kelly Groucutt (from 1979 until 1980) and Jeff Lynne (from 1979 until 1980)
vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) (from 1979 until 1980)
conductor:
Louis Clark (from 1979 until 1980)
performer:
Electric Light Orchestra (British rock group) (from 1979 until 1980)
phonographic copyright (℗) by:
Jet Inc. (in 1980) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1980)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979 until 1980)
recording of:
Xanadu (song from Xanadu) (from 1979 until 1980)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
Xanadu (1980 film soundtrack)
Olivia Newton‐John43:32
14Use It Up and Wear It OutOdyssey43:51
15The Winner Takes It All
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass guitar:
Mike Watson (English‐Swedish rock musician) (on 1980-06-06)
cello:
Olle Gustafsson (cellist) (on 1980-06-16) and Åke Olofsson (Swedish cellist) (on 1980-06-16)
drums (drum set):
Ola Brunkert (on 1980-06-06)
guitar:
Lasse Wellander (on 1980-06-06)
keyboard and synthesizer:
Benny Andersson (ABBA) (on 1980-06-06)
percussion:
Åke Sundqvist (on 1980-06-06)
viola:
Nils Heie (on 1980-06-16), Håkan Roos (Swedish violist) (on 1980-06-16) and Bo Söderström (Swedish violinist) (on 1980-06-16)
violin:
Martin Bylund (Swedish violinist) (on 1980-06-16), Anders Dahl (Swedish violinist) (on 1980-06-16), Lars Stegenberg (Swedish violinist) (on 1980-06-16), Gunnar Michols (Swedish violinist) (on 1980-06-16), Bernt Nylund (Swedish violinist) (on 1980-06-16), Bertil Orsin (Swedish violinist) (on 1980-06-16), Sixten Strömvall (Swedish violinist) (on 1980-06-16) and Harry Teike (on 1980-06-16)
background vocals:
Frida (Swedish singer and member of ABBA) (on 1980-06-06)
lead vocals:
Agnetha Fältskog (on 1980-06-06)
cello, viola and violin arranger:
Rutger Gunnarsson (in 1980)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1980)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1980-06-06, on 1980-06-16)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1980-06-18)
part of:
The Downloader’s Music Source Book (number: 66)
recording of:
The Winner Takes It All (in 1980-06)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!) (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), Bocu Music, EMI Waterford Music, Union Songs AB (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
part of:
Mamma Mia! (1999 musical)
ABBA3.854:57
16Ashes to Ashes
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
mixer:
Tony Visconti
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-02) and Good Earth Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Ashes to Ashes (from 1980-02 until 1980-04)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie4.43:38
17Start
producer:
Vic Coppersmith‐Heaven and The Jam (late 70s/early 80s UK punk/mod revival band)
bass guitar:
Bruce Foxton
drums (drum set):
Rick Buckler
guitar and lead vocals:
Paul Weller (English singer-songwriter and musician)
vocals:
Bruce Foxton
recording of:
Start!
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and And Son Music Ltd. (from 1980 to present)
The Jam3.752:17
18Feels Like I’m in LoveKelly Marie43:18
19Don’t Stand So Close to Me
engineer:
Nigel Gray (UK producer)
producer:
Nigel Gray (UK producer) and The Police (British rock band)
drums (drum set):
Stewart Copeland (from 1980-07-07 until 1980-08-07)
electric bass guitar, synthesizer and lead vocals:
Sting (singer, songwriter & member of The Police) (from 1980-07-07 until 1980-08-07)
electric guitar:
Andy Summers (from 1980-07-07 until 1980-08-07)
background vocals:
Stewart Copeland (from 1980-07-07 until 1980-08-07), Sting (singer, songwriter & member of The Police) (from 1980-07-07 until 1980-08-07) and Andy Summers (from 1980-07-07 until 1980-08-07)
phonographic copyright (℗) by:
A&M Records Ltd. (in 1980, in 2003) and A&M Records, Inc. (in 1980, in 1997)
recorded at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1980-07-07 until 1980-08-07)
recording of:
Don’t Stand So Close to Me (from 1980-07-07 until 1980-08-07)
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
Warner Bros. (holding: file NO releases) (ended), EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc. (Sting), GM Sumner, Chappell Music (UK) (from 1980 to ????), Chappell Music Co. (from 1980 to ????), Virgin Music (Publishers) Ltd. (from 1980 to ????), Virgin Music, Inc. (US arm of Virgin’s publishing company) (from 1980 to ????), Virgin Publishing (from 1984 to ????), EMI Music Publishing, Ltd. (PRS‐affiliated) (from 2003 to ????) and Songs of Universal, Inc. (BMI) (from 2022-02 to present)
The Police3.953:59

Credits

Release

purchase for download and purchase for mail-order:http://mastermixdj.com/product/no1-80s-vol-01/cd147 [info]
Discogs:https://www.discogs.com/release/9442407 [info]

Release group

included in:The No.1 DJ Collection: 80s (Digital Collection)
part of:The No.1 DJ Collection (number: 1980.1) (order: 26)