The Emotion Collection: Night and Day

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Only When You Leave
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984)
recording of:
Only When You Leave
lyricist and composer:
Gary Kemp
publisher:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Reformation Publishing Co. Ltd.
Spandau Ballet4:48
2Kayleigh
recording engineer:
Thomas Stiehler (from 1985-03 until 1985-05)
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985)
remix of:
Kayleigh (alternative mix) by Marillion (British progressive rock band)
edit of:
Kayleigh by Marillion (British progressive rock band)
recording of:
Kayleigh (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. and Marillion Music
Marillion4.353:38
3Out of Touch
recording of:
Out of Touch
lyricist and composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. and Warner/Chappell North America
Hall and Oates54:16
4Cuts Both Ways
programming:
Jorge Casas and Clay Ostwald
additional assistant engineer:
Carlos Nieto (engineer, mostly for Latin music)
engineer:
Eric Schilling
producer:
Jorge Casas, Emilio Estefan, Jr. and Clay Ostwald
mixer:
Phil Ramone and Eric Schilling
lead vocals:
Gloria Estefan
arranger:
Jorge Casas, John Hill DeFaria and Clay Ostwald
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
Cuts Both Ways
lyricist and composer:
Gloria Estefan
publisher:
EMI Songs Ltd.
Gloria Estefan33:16
5Sensitivity
producer:
Jam & Lewis
recording of:
Sensitivity
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Ralph Tresvant44:43
6Tell It Like It Is
bass guitar, Hammond organ and piano:
Keith Diamond
drums (drum set):
Terry Silverlight (classic fusion artist)
guitar:
Paul Pesco and Ira Siegel
saxophone and solo horn:
Danny Wilensky
trombone:
Michael Davis (US jazz trombonist)
trumpet:
Chris Botti
background vocals:
Janice Dempsey, Cindy Mizelle, B.J. Nelson (backing singer) and Audrey Wheeler
lead vocals:
Don Johnson (US actor, Miami Vice)
brass [horns] arranger:
Danny Wilensky
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
cover recording of:
Tell It Like It Is
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Don Johnson24:33
7Trouble in Paradise
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Grey Trevorson
flugelhorn and trumpet:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass) and Jerry Hey
guitar:
Jay Graydon
piano and Rhodes piano:
Greg Mathieson
synthesizer:
Jay Graydon and Greg Mathieson
trombone:
Bill Reichenbach (jazz trombonist) and Charlie Loper (American trombonist)
lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Jay Graydon and Greg Mathieson
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Trouble in Paradise
writer:
Jay Graydon, Greg Mathieson and Trevor Veitch
publisher:
Bravo and Encore Music, Garden Rake Music, Inc., Grow Your Own Music, Mighty Mathieson Music, Music Publishing Company of America, Slapshot Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Victor Music Arts, フジパシフィックミュージック (Fujipacific Music, Inc.) and 大洋音楽 (Taiyō Music)
Al Jarreau3:48
8Some People
producer:
Alan Tarney
vocals:
Cliff Richard
recording of:
Some People
lyricist and composer:
Alan Tarney
Cliff Richard3:51
9Save the Last Dance for Me
cover recording of:
Save the Last Dance for Me
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) and Trio Music (publisher) (in 1974)
Dolly Parton3:46
10Forget Me Nots
recording of:
Forget Me Nots
writer:
Terri McFaddin, Patrice Rushen and Freddie Washington (US session bassist)
publisher:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) and Yamina Music
Patrice Rushen54:07
11It Doesn’t Have to Be This Way
producer:
Michael Baker (producer)
phonographic copyright (℗) by:
RCA/Ariola Ltd. (in 1987)
produced for:
Simple Simon Inc.
recording of:
It Doesn’t Have to Be This Way
lyricist and composer:
Robert Howard (pop songwriter)
publisher:
RCA Music Ltd. (publisher)
The Blow Monkeys2.54:04
12I’ll Be Over You
engineer:
Tom Knox and Shep Lonsdale
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
bass guitar:
Michael Porcaro
drums (drum set):
Jeff Porcaro
guitar and lead vocals:
Steve Lukather
keyboard and synthesizer:
David Paich and Steve Porcaro
percussion:
Lenny Castro and Paulinho da Costa (Brazilian percussionist)
Rhodes piano [Yamaha DX7 rhodes]:
David Paich
background vocals:
Steve Lukather, Michael McDonald (R&B & soul singer) and Joseph Williams (vocalist for Toto, son of composer John Williams)
arranger:
Toto (US rock group)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recording of:
I’ll Be Over You
writer:
Randy Goodrum and Steve Lukather
publisher:
California Phase Music, Randy Goodrum Inc., Rehtakul Veets Music and Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Toto3.53:48
2▼CD
#TitleArtistRatingLength
1Kokomo
engineer and mixer:
Keith Wechsler
producer:
Terry Melcher
accordion:
Van Dyke Parks (from 1988-03-22 until 1988-04-06)
acoustic guitar:
Jeffrey Foskett (from 1988-03-22 until 1988-04-06)
alto saxophone:
Joel Peskin (from 1988-03-22 until 1988-04-06)
bass:
Rod Clark (UK bassist) (from 1988-03-22 until 1988-04-06)
drums (drum set):
Jim Keltner (from 1988-03-22 until 1988-04-06)
slide guitar [electric slide guitar]:
Ry Cooder (from 1988-03-22 until 1988-04-06)
background vocals:
Al Jardine (from 1988-03-22 until 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1988-03-22 until 1988-04-06), Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
lead vocals:
Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
performer:
The Beach Boys (American rock band) (from 1988-03-22 until 1988-04-06)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) and Touchstone Pictures (in 1988)
music videos:
Kokomo by The Beach Boys (American rock band)
recording of:
Kokomo (from 1988-03-22 until 1988-04-06)
writer:
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher and John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. and Yamaha Music EH(CM)
The Beach Boys4.353:38
2I Hear You Now
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1979)
recording of:
I Hear You Now
lyricist:
Jon Anderson (Yes/Jon & Vangelis)
composer:
Jon Anderson (Yes/Jon & Vangelis) and Vangelis (Greek composer of electronic, new age and classical)
publisher:
Spheric B.V., Topographic Music, Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Bros., Inc. (not for release label use!)
Jon and Vangelis4:15
3Wishing (If I Had a Photograph of You)
engineer:
Dave Hutchins (UK engineer)
producer:
Mike Howlett
bass guitar:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (UK guitarist, in A Flock of Seagulls)
keyboard and lead vocals:
Mike Score
phonographic copyright (℗) by:
Zomba Productions Limited (in 1983) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Conny Plank's Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
mixed at:
Union Studios (Established in 1963 as 'Studio Allach') in München (Munich), Bayern (Bavaria), Germany
recording of:
Wishing (If I Had a Photograph of You)
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Zomba Enterprises, Inc. and Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4.255:33
4Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:54
5Don’t It Make My Brown Eyes Blue
phonographic copyright (℗) by:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (not for release label use, but for copyrights and record company credits related to US label Liberty) (in 1976) and Capitol Nashville (in 1977, in 1979)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
lyricist and composer:
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
Crystal Gayle4.42:35
6Teardrops
guitar [lead guitar]:
Hank Marvin (lead guitarist of The Shadows, songwriter)
recording of:
Teardrops
writer:
Shakin’ Stevens
publisher:
Shaky Music Ltd.
Shakin’ Stevens3:56
7A Night to Remember
recording of:
A Night to Remember
writer:
Nidra Beard, Dana Meyers and Charmaine Sylvers
publisher:
Notting Hill Music (UK) Ltd.
Shalamar44:08
8Me Myself I
assistant engineer:
Gregg Caruso
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
bass:
Marcus Miller (jazz musician) (in 1980-03)
drums (drum set):
Anton Fig (in 1980-03)
guitar:
Hiram Bullock (in 1980-03) and Chris Spedding (in 1980-03)
organ:
Danny Federici (in 1980-03)
piano:
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (in 1980-03)
saxophone:
Clarence Clemons (in 1980-03)
vocals:
Joan Armatrading (in 1980-03)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1980)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1980-03)
recording of:
Me Myself I (in 1980-03)
lyricist and composer:
Joan Armatrading
publisher:
Irving Music, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Rondor Music (London) Ltd. (in 1980)
Joan Armatrading3.653:19
9The Power of Love
cover recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy DeRouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Laura Branigan5:23
10See the Day
bass guitar:
Randy Hope-Taylor
drums (drum set):
Paul Waller
guitar family:
Steve Sherin
saxophone:
Ian Ritchie
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
recording of:
See the Day
lyricist and composer:
Dee C. Lee
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dee C Lee4:38
11Easier Said Than Done
recording of:
Easier Said Than Done
writer:
Roger Odell and Bill Sharpe
Shakatak3:49
12Poison Arrow
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
lead vocals:
Martin Fry
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
The Downloader’s Music Source Book (number: 76)
recording of:
Poison Arrow
writer:
Martin Fry, Mark Lickley, Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. and Virgin Music (Publishing) Ltd.
part of:
Mantrap (ABC long-form film)
ABC4.43:22

Credits

Release group

part of:The Emotion Collection (Time-Life) (number: 28) (order: 26)