In The Wee Small Hours, Part 1

~ Release by Frank Sinatra (see all versions of this release, 21 available)

Tracklist

110" Vinyl
#TitleRatingLength
A1In the Wee Small Hours of the Morning
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
trumpet:
Harry “Sweets” Edison (on 1955-02-17)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-17)
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (on 1955-02-17)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
A2Mood Indigo
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin and Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin and Eleanor Slatkin (US cellist, b. Aller)
violin:
Harry Bluestone, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-16)
cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1955-02-16)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
3?:??
A3Glad to Be Unhappy
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
piano:
Bill Miller (pianist)
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-08)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-08)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-08)
cover recording of:
Glad to Be Unhappy (on 1955-02-08)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
On Your Toes
3?:??
A4I Get Along Without You Very Well
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure (, on 1955-02-17), Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (from 1955-02-17 until 1955-03)
cover recording of:
I Get Along Without You Very Well (on 1955-02-17)
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
?:??
B1Deep in a Dream
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
James Arkatov (American cellist and photographer) (on 1955-03-04), Cy Bernard (on 1955-03-04), Eleanor Aller (US cellist, b. Aller) (on 1955-03-04), Armand Kaproff (on 1955-03-04), Ray Kramer (on 1955-03-04), Edgar Lustgarten (on 1955-03-04), Kurt Reher (cellist) (on 1955-03-04) and Joseph Saxon (on 1955-03-04)
double bass:
Phil Stephens (bass and tuba player) (on 1955-03-04)
flute:
Arthur Gleghorn (on 1955-03-04), Luella Howard (on 1955-03-04), Jules Kinsler (on 1955-03-04) and George Poole (on 1955-03-04)
French horn:
John Cave (french horn) (on 1955-03-04), Vincent DeRosa (on 1955-03-04), Joseph Eger (horn player) (on 1955-03-04) and Richard Perissi (on 1955-03-04)
guitar:
George van Eps (on 1955-03-04)
harp:
Kathryn Julye (on 1955-03-04)
membranophone:
Louis Singer (percussionist) (on 1955-03-04)
piano:
Bill Miller (pianist) (on 1955-03-04)
trumpet:
Harry “Sweets” Edison
violin:
Paul Shure, Victor Bay (on 1955-03-04), Alex Beller (on 1955-03-04), Harry Bluestone (on 1955-03-04), Nathan Ross (on 1955-03-04), Mischa Russell (violinist) (on 1955-03-04), Felix Slatkin (on 1955-03-04) and Marshall Sosson (on 1955-03-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-04)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-03-04)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-03-04)
cover recording of:
Deep in a Dream (on 1955-03-04)
lyricist:
Eddie DeLange
composer:
Jimmy Van Heusen
publisher:
Chappell Music Ltd., Scarsdale Music Corp. (ASCAP) and Warner Bros. Music (publisher; do NOT use as release label)
?:??
B2I See Your Face Before Me
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin and Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin and Eleanor Slatkin (US cellist, b. Aller)
violin:
Harry Bluestone, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-16)
cover recording of:
I See Your Face Before Me (on 1955-02-16)
lyricist and composer:
Howard Dietz (librettist) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
?:??
B3Can't We Be Friends?
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
piano:
Bill Miller (pianist)
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-08)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-08)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-08)
cover recording of:
Can’t We Be Friends? (on 1955-02-08)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
?:??
B4When Your Lover Has Gone
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
cover recording of:
When Your Lover Has Gone (on 1955-02-17)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
?:??