Best Popsongs Ever: 35 Most Wanted Popclassics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Nights in White Satin
recording of:
Nights in White Satin
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues37:17
2Wonderful Tonight
Produzent(in):
Glyn Johns
Bassgitarre:
Carl Radle (am 1977-05-02)
elektronische Orgel:
Dick Sims (am 1977-05-02)
Gitarre:
Eric Clapton (am 1977-05-02) und George Terry (guitar player with Clapton in 70's) (am 1977-05-02)
Schlagzeug:
Jamie Oldaker (am 1977-05-02)
Hintergrundgesang:
Yvonne Elliman (am 1977-05-02) und Marcy Levy (am 1977-05-02)
Sologesang:
Eric Clapton (am 1977-05-02)
phonographisches Urheberrecht (℗) von:
RSO Records Ltd. (in 1977) und Universal International Music B.V. (company, do not use as label) (in 1977)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1977-05-02)
recording of:
Wonderful Tonight (am 1977-05-02)
Texter und Komponist(in):
Eric Clapton
publisher:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Throat Music Ltd., Unichappell Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton4.33:38
3Music
Techniker(in):
Alan Parsons (of The Alan Parsons Project) (von 1975-11 bis 1975-12)
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (von 1975-11 bis 1975-12)
Gitarre, Keyboard, Synthesizer und Sologesang:
John Miles (UK singer/songwriter/guitarist/keyboardist) (von 1975-11 bis 1975-12)
Perkussion:
Barry Black (von 1975-11 bis 1975-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-11 bis 1975-12)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 10) und SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 10)
recording of:
Music (von 1975-11 bis 1975-12)
Texter und Komponist(in):
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:52
4Wind of Change
recording of:
Wind of Change
Texter und Komponist(in):
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions4:32
5Private Investigations
recording of:
Private Investigations
Texter und Komponist(in):
Mark Knopfler
publisher:
Chariscourt Ltd., Rondor Music (London) Ltd. und Rondor Music International Inc. (merged into UMG 2019)
Dire Straits6:12
6Eloise
recording of:
Eloise
Texter und Komponist(in):
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation und Hill & Range (publisher)
Barry Ryan5:47
7The Lady in Red
recording of:
The Lady in Red
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh34:10
8A Forest
recording of:
A Forest
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Matthieu Hartley, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Lol Tolhurst
publisher:
APB Music Co.
The Cure3:55
9Don't Leave Me This Way
Produzent(in):
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:32
10Dreadlock Holiday
Techniker(in):
Keith Bessey, Eric Stewart und Tony Spath
Produzent(in):
Graham Gouldman und Eric Stewart
Mix:
Eric Stewart
Agogô, Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Bassgitarre, cabasa und Hintergrundgesang und Sologesang:
Graham Gouldman
E-Gitarre:
Rick Fenn und Graham Gouldman
Hybrid-Piano und Maracas / Rumba-Rasseln:
Eric Stewart
Orgel:
Rick Fenn und Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
arranger:
10cc
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (not for release label use!) (in 1978)
aufgenommen bei und mixed at:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Dreadlock Holiday von 10cc
recording of:
Dreadlock Holiday
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Man-Ken Music Ltd.
10cc4.654:27
11Barcelona
Produzent(in):
Freddie Mercury, Mike Moran (keyboardist, songwriter, film and TV composer, producer) und David Richards (Swiss-based producer and engineer)
Cello:
Deborah Ann Johnston
Geige / Violine:
Homi Kanga und Laurie Lewis (bluegrass artist and violinist)
Klavier:
Pamela Quinlan (piano player)
Synthesizer:
Mike Moran (keyboardist, songwriter, film and TV composer, producer)
Tamburin:
Frank Ricotti (percussionist)
Waldhorn:
Barry Castle
Hintergrundgesang und Sologesang:
Montserrat Caballé (soprano) und Freddie Mercury
arranger:
Mike Moran (keyboardist, songwriter, film and TV composer, producer)
phonographisches Urheberrecht (℗) von:
Mercury Songs Ltd. (copyright holders, publishing company of Freddie Mercury) (in 1987, in 2000)
aufgenommen bei:
Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1987-01 bis 1988-06) und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1987-01 bis 1988-06)
recording of:
Barcelona
Texter und Komponist(in):
Freddie Mercury und Mike Moran (keyboardist, songwriter, film and TV composer, producer)
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) und Mercury Songs Ltd. (copyright holders, publishing company of Freddie Mercury)
Teil von:
Official Songs of the Olympic Games (Nummer: 1992)
Freddie Mercury & Montserrat Caballé2.654:25
12I Don't Like Mondays
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979)
recording of:
I Don’t Like Mondays
Texter und Komponist(in):
Johnnie Fingers und Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. und Zomba Music Publishing Ltd.
The Boomtown Rats4.53:45
13Nikita
Techniker(in):
Stuart Epps
Produzent(in):
Gus Dudgeon
assistierende(r) Mix:
Tom Pearce
Mix:
Graham Dickson (UK engineer aka "Overdubs") und Gus Dudgeon
E-Bass:
David Paton (of Pilot)
E-Gitarre:
Nik Kershaw
Flügel und Sprachsynthesizer und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Dave Mattacks
Synthesizer:
Fred Mandel
Hintergrundgesang:
Elton John (English singer, songwriter, pianist, and composer), Davey Johnstone und George Michael
vocals:
Elton John (English singer, songwriter, pianist, and composer)
phonographisches Urheberrecht (℗) von:
William A. Bong Ltd. (in 1985)
aufgenommen bei:
The Sol Studio (The Sol) in Windsor and Maidenhead, England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Nikita
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) und Universal–Songs of PolyGram International, Inc.
Elton John3.75:42
14Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:38
15Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:05
16Blauw
recording of:
Blauw
Texter und Komponist(in):
M.J. Lau
publisher:
Peermusic Holland B.V., Tenyor Music und Warner Basart Publ. Group
The Scene4:08
17Rain & Tears
Interpret(in):
Aphrodite’s Child (Greek psychedelic rock band) (in 1968)
recording of:
Rain and Tears (in 1968)
Texter:
Boris Bergman (lyricist)
Komponist(in):
Johann Pachelbel (composer)
arranger:
E. Papathanassiou (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Intersong (publisher)
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
basiert auf:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Aphrodite’s Child43:13
2▼CD
Nr.TitelKünstlerBewertungLänge
1Is She Really Going Out With Him?
Techniker(in):
Rod Hewison
Produzent(in):
David Kershenbaum
Bassgitarre:
Graham Maby (in 1978-08)
Gitarre:
Gary Sanford (in 1978-08)
Schlagzeug:
David Houghton (in 1978-08)
Sologesang:
Joe Jackson (English musician) (in 1978-08)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 438)
recording of:
Is She Really Going Out With Him? (in 1978-08)
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) und Pokazuka Limited
Joe Jackson4.43:35
2Without Your Love
Techniker(in):
Laurence Diana, Cy Langston und Geoff Young (engineer)
Produzent(in):
Jeff Wayne (musician)
Mix:
Laurence Diana und Geoff Young (engineer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1980)
recording of:
Without Your Love
Texter und Komponist(in):
Billy Nicholls (English singer, songwriter, composer, record producer, and musical director)
publisher:
EMI Full Keel Music und G.H. Music Ltd
Roger Daltrey3:17
3Stop
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1988)
recording of:
Stop
Verfasser(in):
Bruce Brody, Sam Brown (UK singer/songwriter) und Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) und WayBlue Ltd. (publisher)
Sam Brown44:01
4Have a Little Faith in Me
Produzent(in):
Jay Faires und Tricia Holloway
Akustikgitarre:
John Hiatt (guitarist, pianist and singer-songwriter) (in 1987-02)
E-Bass:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) (in 1987-02)
E-Gitarre:
Ry Cooder (in 1987-02)
Schlagzeug:
Jim Keltner (in 1987-02)
vocals:
John Hiatt (guitarist, pianist and singer-songwriter) (in 1987-02)
recording of:
Have a Little Faith in Me (in 1987-02)
Texter und Komponist(in):
John Hiatt (guitarist, pianist and singer-songwriter)
publisher:
Careers–BMG Music Publishing, Inc.
recording of:
Lass mich nicht allein heut' Nacht (Have a Little Faith in Me)
Komponist(in):
John Hiatt (guitarist, pianist and singer-songwriter)
übersetzte Version von:
Have a Little Faith in Me
John Hiatt24:00
5More Than Words
assistierende(r) Techniker(in):
Craig Doubet (recording engineer)
Techniker(in):
Bob St. John
Produzent(in) und Mix:
Michael Wagener
Bassgitarre:
Pat Badger
Gitarre, Keyboard, Perkussion und Klavier und Hintergrundgesang:
Nuno Bettencourt
Schlagzeug und Perkussion:
Paul Geary
Hintergrundgesang und Sologesang:
Gary Cherone
phonographisches Urheberrecht (℗) von:
A&M Records (in 1990)
recording of:
More Than Words
Verfasser(in):
Nuno Bettencourt und Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Funky Metal Publishing
Extreme3.755:38
6Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:24
7Don't Let Me Be Misunderstood
phonographisches Urheberrecht (℗) von:
Casablanca (label that Tommy Mottola founded circa 2003, part of UMG) (in 1977)
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
Santa Esmeralda3:25
8Teardrops
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack4:31
9Words
recording of:
Words
Texter und arranger:
Henry Priestman
Komponist(in):
Seán Ó Riada (birth name John Reidy)
publisher:
10 Music Ltd.
basiert auf:
Mná na hÉireann (Women of Ireland)
The Christians5:10
10An Englishman in New York
Produzent(in):
Godley & Creme
recording of:
Strange Apparatus (An Englishman in New York)
Texter:
Lol Creme und Kevin Godley
Verfasser(in):
Lol Creme
Komponist(in):
Kevin Godley
Godley & Creme4.55:51
11Lessons in Love
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
Gast-Saxophon:
Gary Barnacle
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
Texter:
Boon Gould
Verfasser(in):
Wally Badarou und Mark King
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Island Visual Arts Ltd., Level 42 Music Ltd. und Ruby Ruby Ltd.
Level 423.63:58
12Let the Music Play
recording of:
Let the Music Play
Texter und Komponist(in):
Barry White
Barry White24:06
13Blue Monday
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order6:23
14Diamante
Zucchero4:37
15Cats in the Cradle
Techniker(in) und Mix:
Mark Dodson (UK producer) und Randy Long
Produzent(in):
Mark Dodson (UK producer)
Bassgitarre:
Cordell Crockett (in 1992)
Gitarre:
Klaus Eichstadt (in 1992) und Dave Fortman (in 1992)
Schlagzeug:
Mark Davis (US drummer for Ugly Kid Joe) (in 1992)
Hintergrundgesang:
Jennifer Barry (in 1992)
Sologesang:
Whitfield Crane (in 1992)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992)
cover recording of:
Cat’s in the Cradle (in 1992)
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.94:03
16The Look of Love, Part 1
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43) und The Downloader’s Music Source Book (Nummer: 73)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC3.93:29
17She Drives Me Crazy
Techniker(in):
David Z. (producer/engineer David Rivkin)
Koproduzent(in):
Fine Young Cannibals und David Z. (producer/engineer David Rivkin)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) und London Records Ltd. (not release label) (in 1989)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:35
18Suds & Soda
Techniker(in):
Gilles Martin (Belgian producer & engineer)
recording of:
Suds & Soda (in 1994)
Texter:
Tom Barman (Belgian musician) und Stef Kamil Carlens (Belgian musican & songwriter)
Komponist(in):
Tom Barman (Belgian musician), Jules De Borgher (Belgian drummer), Stef Kamil Carlens (Belgian musican & songwriter), Klaas Janzoons (Belgian musician) und Rudy Trouvé (Belgian musician)
dEUS45:14

Nennungen

Veröffentlichung

Discogs:https://www.discogs.com/release/681678 [Info]