New Sensations

~ Release by Lou Reed (see all versions of this release, 9 available)

Tracklist

1▼CD
#TitleRatingLength
1I Love You, Suzanne
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
I Love You, Suzanne
lyricist and composer:
Lou Reed
4.653:19
2Endlessly Jealous
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Endlessly Jealous
lyricist and composer:
Lou Reed
43:57
3My Red Joystick
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
My Red Joystick
lyricist and composer:
Lou Reed
43:36
4Turn to Me
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Turn to Me
lyricist and composer:
Lou Reed
44:22
5New Sensations
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
New Sensations
lyricist and composer:
Lou Reed
4.55:43
6Doin' the Things That We Want To
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Doin’ the Things That We Want To
lyricist and composer:
Lou Reed
43:55
7What Becomes a Legend Most
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
What Becomes a Legend Most
lyricist and composer:
Lou Reed
43:37
8Fly Into the Sun
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
horn arranger:
Tom “Bones” Malone (US trombonist)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Fly Into the Sun
lyricist and composer:
Lou Reed
43:05
9My Friend George
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
My Friend George
lyricist and composer:
Lou Reed
4.53:52
10High in the City
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
High in the City
lyricist and composer:
Lou Reed
43:27
11Down at the Arcade
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Down at the Arcade
lyricist and composer:
Lou Reed
4.53:40

Credits

Release

accordion, piano and synthesizer:Peter Wood (UK keyboardist/pianist)
double bass [string bass], electric bass guitar and guitar [rhythm]:Fernando Saunders
drums (drum set):Fred Maher
electric violin:Shankar (L. Shankar)
guitar [lead & rhythm]:Lou Reed
horn:Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
Randy Brecker
Jon Faddis
Tom Malone (US trombonist)
background vocals:Jocelyn Brown
Rory Dodd
Connie Harvey
Fernando Saunders
Eric Troyer
vocals:Lou Reed
Discogs:https://www.discogs.com/release/2748525 [info]
ASIN:US: B00000E68U [info]

Release group

associated singles/EPs:I Love You, Suzanne
My Red Joystick
included in:Original Album Classics (The Blue Mask / Legendary Hearts / Live in Italy / New Sensations / Mistrial)
The RCA & Arista Album Collection
Discogs:https://www.discogs.com/master/44354 [info]
Wikidata:Q127317 [info]