Die Hits der 80er: Dance Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Flashdance… What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.553:49
2Let’s Groove
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Let’s Groove
writer:
Wayne Vaughn and Maurice White (Earth, Wind & Fire)
publisher:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Earth, Wind & Fire4.45:37
3High Energy
phonographic copyright (℗) by:
Record Shack (in 1984)
recording of:
High Energy
writer:
Ian Levine (Hi-NRG music songwriter and producer) and Fiachra Trench
publisher:
EMI Tunes Ltd and Filmtracks Picture
Evelyn Thomas33:40
4Let the Music Play
recording of:
Let the Music Play
writer:
Chris Barbosa (Rhythm Method) and Ed Chisolm
publisher:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
Shannon3:28
5Rumours
Timex Social Club4:52
6You Spin Me ’round (Like a Record)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive8:01
7Precious Little Diamond
recording of:
Precious Little Diamond
lyricist:
Silhouette Musmin
composer:
Berth Tamaëla
publisher:
Colgems-EMI Music Inc. and Foxhole Music
Fox the Fox3:56
8I’m Only Shooting Love
recording of:
I'm Only Shooting Love
lyricist and composer:
Alides Hidding
publisher:
CBS Songs Holland B.V.
Time Bandits4:53
9Let the Beat Hit ’em (edit)
recording of:
Let the Beat Hit 'em
writer:
David Cole (US musician/producer, member of C+C Music Factory), Alan Friedman and Duran Ramos
composer:
Robert Clivillés
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lisa Lisa & Cult Jam24:39
10This Beat Is Technotronic
recording of:
This Beat Is Technotronic
writer:
Jo Bogaert (Belgian producer) and Eric Martin (member of Technotronic)
Technotronic3:42
11Jack to the Sound of the Underground
recording of:
Jack to the Sound of the Underground
lyricist and composer:
James Bratton, Kelly Charles (US freestyle/dance singer), Edwin A. Smith (Chicago house producer) and Peter Slaghuis
Hithouse4:09
12You
recording of:
You
lyricist:
Peter Sawatzki and Holger Wobker
composer:
Peter Sawatzki
Boytronic7:09
13When Will I Be Famous
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer and mixer:
Nicky Graham
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
When Will I Be Famous?
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited and Warner Chappell Music (publisher as Warner/Chappell Music)
Bros5:02
14Relight My Fire
recording of:
Relight My Fire (in 1979)
lyricist and composer:
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Dan Hartman4.653:42
15You’re a Woman
recording of:
You’re a Woman
lyricist:
Mary Applegate and Karin van Haaren
composer:
Tony Hendrik
publisher:
Hanseatic Musikverlag GmbH (1964–2001)
Bad Boys Blue3:55
16Party All the Time
producer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 80)
recording of:
Party All the Time
lyricist and composer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Eddie Murphy4.354:13
2▼CD
#TitleArtistRatingLength
1Wham Rap! (Enjoy What You Do?)
engineer:
Chris Porter (engineer and producer) and John Potoker (producer/engineer aka Tokes)
producer:
Bob Carter (Production music composer), Bob Carter (keyboardist for Linx) and George Michael
mixer:
François Kevorkian
arranger:
George Michael
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1986)
recording of:
Wham Rap! (Enjoy What You Do?)
lyricist and composer:
George Michael and Andrew Ridgeley
publisher:
Morrison Leahy Music Ltd.
Wham!56:48
2Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2)
Deniece Williams3.64:18
3Lovely Day
producer:
Clarence McDonald and Bill Withers
remixer:
Ben Liebrand
remix of:
Lovely Day by Bill Withers
recording of:
Lovely Day
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers46:34
4Geil
recording of:
Geil
lyricist and composer:
Bruce Hammond Earlam
publisher:
Boogie Tunes Edition
Bruce & Bongo5:33
5Nowhere Girl
engineer:
Colin Green (producer, engineer)
producer:
Sam Brown (production music composer)
part of:
Cachitos Nochevieja 2022 (number: 106)
recording of:
Nowhere Girl
writer:
Rick Holliday and Steve Hovington
B‐Movie46:28
6P-Machinery
recording of:
p:Machinery
miscellaneous support:
David Sylvian
lyricist:
Ralf Dörper
composer:
Claudia Brücken, Ralf Dörper, Susanne Freytag and Michael Mertens (German musician & producer)
Propaganda3:51
7Waiting for a Train
recording of:
Waiting for a Train
lyricist and composer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
Flash and the Pan3:44
8Don’t Be So Shy
recording of:
Don't Be So Shy
lyricist:
Richard Palmer‐James
composer:
Tissy Thiers
Moti Special3:29
9Okay!
phonographic copyright (℗) by:
Westside Music (in 1987) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1989)
recording of:
Okay!
lyricist and composer:
Marcus Gabler
publisher:
Michael Zosel Musikverlag
OKAY5:42
10Tribute (Right On)
recording of:
Tribute (Right On)
writer:
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan and Pete Wingfield (keyboardist, singer, producer, songwriter)
publisher:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988) and Island Music Ltd. (in 1988)
The Pasadenas4:22
11Just Got Paid
Johnny Kemp3:31
12Rockit
recorded in:
United States (in 1983)
recording engineer:
Martin Bisi (in 1983)
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Material (group and producer team led by Bill Laswell)
mixer:
Dave Jerden
bass:
Bill Laswell (US bass guitarist and record producer) (in 1983)
keyboard:
Michael Beinhorn (in 1983) and Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1983)
performer:
DXT (US 80s hip hop, aka Grandmixer D.ST) (in 1983)
recorded at:
OAO Studio in Brooklyn, New York, New York, United States (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California, United States
music videos:
Rockit by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
recording of:
Rockit (in 1983)
writer:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Bill Laswell (US bass guitarist and record producer)
publisher:
Ensign Music Corporation
Herbie Hancock45:25
13Flirting and Showing
recording of:
Flirting And Showing
lyricist:
Silhouette Musmin
composer:
Berth Tamaëla
Fox the Fox7:36
14The Eve of the War
remixer:
Ben Liebrand
recording of:
The Eve of the War
lyricist and composer:
Jeff Wayne (musician)
librettist:
Doreen Wayne
publisher:
April Music Ltd.
is based on:
The War of the Worlds: Book 1, Chapter 1: The Eve of the War
part of:
Jeff Wayne’s Musical Version of “The War of the Worlds”
Ben Liebrand3:49
15Nineteen
producer:
Paul Hardcastle
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
music videos:
19 (music video) by Paul Hardcastle
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 73)
recording of:
19
lyricist:
Bill Couturié, Paul Hardcastle and Jonas McCord
composer:
Paul Hardcastle
publisher:
Oval Music and Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:39
16Such a Shame
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Such a Shame
lyricist and composer:
Mark Hollis
publisher:
Hollis Songs Ltd., Island Music (Island Music Ltd.), Island Music Ltd., Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.), Universal–Songs of PolyGram International, Inc. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk44:24